Studying at the University of Verona
Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.
Study Plan
This information is intended exclusively for students already enrolled in this course.If you are a new student interested in enrolling, you can find information about the course of study on the course page:
Laurea magistrale in Editoria e giornalismo - Enrollment from 2025/2026The Study Plan includes all modules, teaching and learning activities that each student will need to undertake during their time at the University.
Please select your Study Plan based on your enrollment year.
1° Year
| Modules | Credits | TAF | SSD |
|---|
To be chosen between
1/2 courses to be chosen between3 courses to be chosen between2° Year activated in the A.Y. 2018/2019
| Modules | Credits | TAF | SSD |
|---|
To be chosen between
To be chosen between
| Modules | Credits | TAF | SSD |
|---|
To be chosen between
1/2 courses to be chosen between3 courses to be chosen between| Modules | Credits | TAF | SSD |
|---|
To be chosen between
To be chosen between
| Modules | Credits | TAF | SSD |
|---|
Legend | Type of training activity (TTA)
TAF (Type of Educational Activity) All courses and activities are classified into different types of educational activities, indicated by a letter.
Music and media (m) (2017/2018)
Teaching code
4S003573
Teacher
Coordinator
Credits
6
Also offered in courses:
- Music and media (m) of the course Master's degree in Arts (interuniversity)
- History of Music (m) of the course Master’s degree in Tradition and Interpretation of Literary Texts
Language
Italian
Scientific Disciplinary Sector (SSD)
L-ART/07 - MUSICOLOGY AND HISTORY OF MUSIC
Period
First half of Semester 2 , Second half of Semester 2
Learning outcomes
The course aims to introduce students to the issues and methods concerning the study of the relationship between music and the media, focusing especially on the technologies used to fix, transmit, read and listen to music in the western world from the Middle Ages to the present.
Program
Writing, reading, listening to music from the Middle Ages to the digital era. The course offers a history of music through its media, focusing especially on their material and technological features, their uses, and their social, cultural and ideological aspects, starting from the oldest documented forms of mediatization (manuscripts, prints) and ending with the most recent ones (digital audiovisual media).
Bibliography
All books are available in the University library. The symbol * marks books available in the E-learning platform.
- lecture notes;
- NICHOLAS COOK, “Music: A Very Short Introduction”, Oxford, Oxford University Press, 1998, pp. 1-51;
- MASSIMILANO LOCANTO, “Oralità, memoria e scrittura nella prima tradizione del canto gregoriano”, in “La scrittura come rappresentazione del pensiero musicale”, a cura di Gianmario Borio, ETS, Pisa 2004, pp. 31-87;
- VINCENZO BORGHETTI, “Il manoscritto di musica tra Quattro e Cinquecento”, in “Il libro di musica”, a cura di Carlo Fiore, L’Epos, Palermo 2004, pp. 89-114;
- STANLEY BOORMAN, “I primi stampatori musicali”, in “Il libro di musica”, a cura di Carlo Fiore, L’Epos, Palermo 2004, pp. 115-136;
- TIM CARTER, “L’editoria musicale tra Cinque e Seicento”, in “Il libro di musica”, a cura di Carlo Fiore, L’Epos, Palermo 2004, pp. 137-162;
- *EMANUELE SENICI, “Il video d’opera “dal vivo”: testualizzazione e liveness nell’era digitale”, «Il Saggiatore musicale», 2009/2, pp. 272-312;
- EMANUELE SENICI, “L’opera e la nascita della televisione italiana”, «Comunicazioni sociali», 2011/1, pp. 26-35;
- JACQUES HAINS, “Dal rullo di cera al CD”, in “Enciclopedia della musica”, diretta da Jean-Jacques Nattiez, vol. 1, “Il Novecento”, Einaudi, Torino 2001, pp. 783-819;
- GIANNI SIBILLA, “Musica e media digitali. Tecnologie. Linguaggi e forme sociali dei suoni dal walkman all’iPod”, Bompiani, Milano 2008, pp. 9-74 e 88-101.
| Author | Title | Publishing house | Year | ISBN | Notes |
|---|---|---|---|---|---|
| Jacques Hains | “Dal rullo di cera al CD”, in “Enciclopedia della musica”, diretta da Jean-Jacques Nattiez, vol. 1, “Il Novecento” | Einaudi, Torino | 2001 | pp. 783-819 | |
| Vincenzo Borghetti | “Il manoscritto di musica tra Quattro e Cinquecento”, in “Il libro di musica”, a cura di Carlo Fiore | L'Epos, Palermo | 2004 | pp. 89-114 | |
| * EMANUELE SENICI | “Il video d’opera “dal vivo”: testualizzazione e liveness nell’era digitale”, «Il Saggiatore musicale» | 2009 | pp. 272-312 [L’asterisco (*) contrassegna il materiale disponibile sulla piattaforma E-Learning] | ||
| Stanley Boorman | “I primi stampatori musicali”, in “Il libro di musica”, a cura di Carlo Fiore | L'Epos, Palermo | 2004 | pp. 115-136 | |
| Tim Carter | “L’editoria musicale tra Cinque e Seicento”, in “Il libro di musica”, a cura di Carlo Fiore | L'Epos, Palermo | 2004 | pp. 137-162 | |
| EMANUELE SENICI | “L’opera e la nascita della televisione italiana”, «Comunicazioni sociali», | 2011 | pp. 26-35 | ||
| Gianni SIbilla | "Musica e media digitali. Tecnologie. Linguaggi e forme sociali dei suoni dal walkman all’iPod" | Bompiani | 2008 | pp. 9-74 e 88-101 | |
| Nicholas Cook | "Musica: una breve introduzione" | EDT, Torino | 2005 | pp. 1-45 [English edition: "Music: A Very Short Introduction", Oxford, Oxford University Press 1998, pp. 1-51] | |
| Massimiliano Locanto | "Oralità, memoria e scrittura nella prima tradizione del canto gregoriano", in La scrittura come rappresentazione del pensiero musicale”, a cura di Gianmario Borio | ETS, Pisa | 2004 | pp. 31-87 |
Examination Methods
Written text: three questions to be answered in 1h and 30m.
