Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

Academic calendar

The academic calendar shows the deadlines and scheduled events that are relevant to students, teaching and technical-administrative staff of the University. Public holidays and University closures are also indicated. The academic year normally begins on 1 October each year and ends on 30 September of the following year.

Academic calendar

Course calendar

The Academic Calendar sets out the degree programme lecture and exam timetables, as well as the relevant university closure dates..

Definition of lesson periods
Period From To
Semester 1 Oct 2, 2017 Jan 20, 2018
Semester 2 Feb 26, 2018 Jun 9, 2018
Exam sessions
Session From To
Winter session Jan 22, 2018 Feb 24, 2018
Summer session Jun 11, 2018 Jul 28, 2018
Autumn session Aug 27, 2018 Sep 22, 2018
Degree sessions
Session From To
LAUREE LINGUE - sessione autunnale a.a. 2016/2017 Dec 18, 2017 Dec 21, 2017
LAUREE LINGUE - sessione invernale a.a. 2016/2017 Mar 23, 2018 Mar 29, 2018
LAUREE LINGUE - sessione estiva Jul 16, 2018 Jul 21, 2018
LAUREE LINGUE - sessione autunnale Nov 12, 2018 Nov 17, 2018
LAUREE LINGUE - sessione invernale Apr 12, 2019 Apr 18, 2019
Holidays
Period From To
All Saints Day Nov 1, 2017 Nov 1, 2017
Immaculate Conception Dec 8, 2017 Dec 8, 2017
Christmas break Dec 22, 2017 Jan 7, 2018
Easter break Mar 30, 2018 Apr 3, 2018
Liberation Day Apr 25, 2018 Apr 25, 2018
Labour Day May 1, 2018 May 1, 2018
Patron Saint Day May 21, 2018 May 21, 2018
Republic Day Jun 2, 2018 Jun 2, 2018
Summer break Aug 13, 2018 Aug 18, 2018

Exam calendar

Exam dates and rounds are managed by the relevant Foreign Languages and Literatures Teaching and Student Services Unit.
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Exam calendar

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Academic staff

A B C D F H L M N O P R S T U V Z

Aloe Stefano

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Bellini Marta

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Bisetto Barbara

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Cantarini Sibilla

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Carol Gerones Lidia

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Cassia Fabio

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Confente Ilenia

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Corsi Corrado

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Dalle Pezze Francesca

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Febbroni Federico

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Ferrari Maria Luisa

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Fossaluzza Giorgio

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Humbley Jean Louis

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Lora Riccardo

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Mannoni Michele

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Martinelli Caterina

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Niu Chunye

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Ortino Matteo

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Pinchuk Maryia

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Pizzamiglio Maurizio

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Resi Rossella

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Rodriguez Abella Rosa Maria

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Rospocher Marco

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Sun Min

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Tallarico Giovanni Luca

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Toffali Antonella

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Ugolini Marta Maria

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Vernizzi Silvia

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Vettorel Paola

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Zanfei Anna

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Study Plan

The Study Plan includes all modules, teaching and learning activities that each student will need to undertake during their time at the University.
Please select your Study Plan based on your enrollment year.

CURRICULUM TIPO:
Modules Credits TAF SSD
Between the years: 1°- 2°
Between the years: 1°- 2°
Further foreign language skills
6
F
-

Legend | Type of training activity (TTA)

TAF (Type of Educational Activity) All courses and activities are classified into different types of educational activities, indicated by a letter.




S Placements in companies, public or private institutions and professional associations

Teaching code

4S002985

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-ART/02 - HISTORY OF MODERN ART

Period

II semestre dal Feb 18, 2019 al Jun 1, 2019.

Learning outcomes

Learning outcomes

Today’s “cultural tourism”, the form of tourism involving the cultural resources of a country’s artistic heritage, seeks to delve into the original local and urban context, along with traditions, customs and expressions of culture and civilization, in search of a comprehensive overview.
An openness to the artistic dynamics created between the center and periphery has undermined past hierarchical distinctions among works of art and resulted in increasingly widespread knowledge about forms of figurative expression that is spread at all levels in local settings.
Historical research has kept pace with this process, including research into traditions or investigations of linguistic and literary expressions, for example, or the governance of the natural environment and landscape. Thanks to the pressure exerted by “cultural tourism,” these developments in geographical, historical and art-historical fields are called on to duly disseminate their findings. This form of tourism in turn aims to restore and valorize these resources, viewing them as the expression of human experiences and values and as valid in and of themselves due to their inherent beauty. In experiencing the “beauty of a local area”, cultural tourists project and fulfill their expectation of a better quality of life.
Having outlined this background, the course is structured in two parts.
The objective of the first part is to provide a basic understanding of art history, a prerequisite that is deemed indispensable for operators to engage in any projects or promotion.
The course content is aimed at granting significance to a discipline that, following the revision of the programs carried out by the department, has taken on the name of “International Art History”, and of translating this discipline into an educational experience.
Among the multiple possible meanings of the term international, this name indicates Western, or at least European, art history. In view of this, the introduction to the course guides students in reflecting on some of the historical-artistic categories developed by Henry Focillon (1938) that aid in identifying a temporal jumping-off point for a journey through the art history of the West, or of Europe. Indeed, Focillon notes that a new artistic culture emerged beginning in the eleventh and twelfth centuries, called “Romanesque” because it was born together with the new Romance languages and literature. This is a point to keep in mind in making sense of an “international” history of art taught in the Department of Foreign Languages and Literature.
Among Focillon’s other categories, one worth mentioning is the ‘sedentary and nomadic, local and European’ Middle Ages characterized by encounters with Mediterranean cultures such as Islamic culture. This consideration aids us in bringing together and granting importance to the “macroscopic” facts of art history, its large pages, along with the local or regional episodes that likewise reflect encounters between cultures and civilizations.
Content
Similar to modern art history, this course therefore follows a diachronic trajectory through art history from the Romanesque period to Neoclassicism. It focuses on the Italian situation while also illustrating the fundamental seasons and thus the main figures of art history in the European countries, to be considered as much as possible in comparative terms. In addition to stylistic analysis, the course also pays attention to the geography and history of Italian and European art, that is to say, the historical and cultural context surrounding the centers of production, patrons, etc.
The second part of the course aims to capitalize on the artistic historical knowledge students acquired in the first part with a view to meeting the demand for cultural tourism within which students will be called on to practice their profession. To this end, basic introductory content will include definitions of concepts such as cultural heritage, conservation and heritage preservation as well as a general knowledge of cultural heritage legislation and the institutions involved in this field.
To illustrate and define an individual or group project, the course presents two lines according to which the students’ exercises will be guided.
The first line concerns the museum, identity, history, collections and contemporary projects for managing and promoting cultural institutions, with reference to internationally recognized examples.
The second line deals with cases of Italian cultural and historical-artistic heritage, specifically the Veneto region, which is at the center of interests associated with the international “tourist flow”.
In particular, the course presents the case of managing and promoting the Venetian villa or the great monuments of the Veneto region (churches, palaces, etc.). In this case as well, course exercises require students to outline the origins, identity, history and content in order to analyze current management and promotion activities and develop new project-oriented ideas.

Program

Program
First part
1.Henry Focillon. A point of view on Western art.
Manual's main topics.

2. Premises: fundamentals of early Christian art and Byzantine art. Romanico: meaning, historical context, geography and chronology, tecniques and examples in Italy and Europe. Wiligelmo. Moissac, Conques, Vezelay (portals).

3. Gothic. Reasons. New religious orders and aesthetics (Suger and Bernando di Chiaravalle). Tecniques and examples: ÎLe de France (Saint Denis, Amiens, Wells, Marburg in Germany and Burgos in Spain). Italy (Fossanova, Basilica di San Francesco, Assisi). History and geography of Italy and Europe.
The Chartres cathedral and other fundamental examples of Oltralpe sculpture.
In Italy: Antelami and Pisano.
Duccio, Simone Martini, Lorenzetti.

4.Giotto. Giottismo, Vitale da Bologna and Tommaso da Modena.

5. Late Gothic. Huizinga’s definition. Courts, italian and european centers. Paris, Boemia, Corte Viscontea between Milano and Pavia. Duomo di Milano.
Gentile da Fabriano, Pisanello.
Arco Alpino; Master of Thon; Weicher Stil.
Persistences of Late Gothic in Europe.

6. Flemish painting. Duchy of Burgundy. Sluter's sculptures.
Jan Van Eyck and his main works (Agnello Mistico; Ritratto dell’uomo col turbante rosso; I coniugi Arnolfini; Madonna del Cancelliere Rolin; Pala Van der Paele).
Rogier Van der Weyden.
Flemish painting and italian painting: influences and centers.

7. Early Renaissance. Florentine context.
Brunelleschi, Donatello, Masaccio.
Beato Angelico, Paolo Uccello, Andrea del Castagno, Domenico Veneziano (Pala di Santa Lucia de’ Magnoli).
Leon Battista Alberti.

8. Donatello in Padua and first Renaissance in Veneto: protagonists and main works in Padua, Venice, Veron.
Mantegna. Pala di San Zeno, context and patron, structure; spatiality of Cappella Ovetari and Camera degli sposi.
Giovanni Bellini.

9. Renaissance, second part
Piero della Francesca.
Laurentian age: Botticelli, Pollaiolo, Verrocchio.
South Italy: aragonese age (Arco aragonese in Naples). Antonello da Messina, itinerary: Naples and flemish painting, sicilian works, comparison with Piero della Francesca’s style, his sojourn in Venice.

10. Maniera moderna or Rinascimento maturo. Rome and Florence: republican Florence, Rome and the papacy of Giulio II and Leone X.
Maniera Moderna: the concept starting from Vasari.
Leonardo (along with Bramante in Milan). Michelangelo. Raffaello. Bramante in Rome, the new Basilica di San Pietro.

11. Maniera moderna in Veneto. Albrecht Dΰrer’s soujorns. Bellini: last period. Giorgione.
Tiziano and his patrons (Carlo V, Filippo II).

12. Mannerism: concept and main artists, first and second generation.
Giulio Romano.
1527: Sack of Rome, artists’ diaspora.
Fontainebleau: Francesco I and his project.
Mannerism in Veneto: Jacopo Sansovino; Tiziano manierista, Tintoretto; Veronese; Jacopo Bassano. Michele Sanmicheli in Veron.

13. Protestantism and art. Art of the Counter-Reformation. Carracci: naturalism and classicism, Annibale Carracci and Galleria Farnese.
Caravaggio.

14. Baroque. Main concepts. Bernini. Borromini .

15. 17th century protagonists (caravaggismo, classicism, baroque).
Southern Netherlands: Rubens and Van Dyck.
Northern Netherlands, historical context and characteristics of art collecting: Rembrandt van Rijn, Vermeer.
France: caravaggeschi, Poussin, Lorrain.
England: Inigo Jones and Neo-palladianism.
Spain, Siglo de Oro: Velasquez, Zurbaran, Murillo.

16. Rococo
Main concepts and European centers, the French model in European courts.
18th century in Venice: historical context and patrons.
Rosalba Carriera; Tiepolo, historical painting and his european fortune, Germany and Spain; Canaletto, vedutismo, his fortune in european collections, the soujorn in England.

17. Neoclassicism. Main concepts and characteristics.
Antonio Canova; main patrons: France, England, Germany, Austria.
David, historical painting.
Goya.

Second part
1. Art and Cultural Heritage. Lexicon. Preservation. The FAI Decalogue. Heritage cataloging. The protagonists of conservation and protection. The trades of cultural goods. Take part in the tutelage. The legislation on cultural heritage.
Bibliography: Vivere l’arte. Vol 1. L’antichità e il Medioevo, a cura di C. Fumarco e L. Beltrame, Verona, Bruno Mondadori, 2012, pp. 478-491.
Alternatively or in addition, students are recommended to consult the wikipedia entry BENI CULTURALI, with particular regard to the evolution of the concept, treatises, Ministero (wikipedia entry) composition and structures (Soprintendenze and their name, wikipedia entry).
In this regard, are also requested the following wikipedia entries:
Cultura, Civiltà
Geografia e Geografia culturale o umanistica
Paesaggio.

2. The museum
Bibliography: A. Mottola Molfino, Il libro dei musei, Torino 2003, pp. 129-146: Museologia vs Museografia.
Exemplification: an international famous museum or civic museum, or of local interest, history, identity, management and promotional perspectives.

3. Villa veneta, villa palladiana.
Types, structure and context.
Bibliography: Franco Posocco, La villa e il contesto, in Le ville venete. L’arte e il paesaggio, Vittorio Veneto. Treviso 2008.
Bibliography: entry Domini di Terraferma; entry Storia di Venezia, to learn something more about L’espansione nella Pianura padano-veneta; Guerra della Lega di Cambrai, L’epoca delle ville venete.
Andrea Palladio: his conceptions with examples of his main villas.
Bibliography: Students can find a profile of Palladio in the manual or in other books of their choice.

Bibliography
Bibliography and handouts are available at the copy shop ‘Replay’, close to Frinzi library.
Copies of the following chapters are available: E. Bernini - C. Casoli, Linee, luci, volumi. Percorsi nella storia dell’arte, Roma-Bari, Laterza, 2011; pp. 106-127, Roma dalla Repubblica all’Impero; pp. 128-143, Arte paleocristiana e bizantina; pp. 156-176, Il Romanico; pp. 178-193, 200-203, Il Gotico.
For other periods is recommended: G. Dorfles-S. Buganza-Jacopo Stoppa, Arti visive. Dal Quattrocento all’Impressionismo. Protagonisti e movimenti, ed. Atlas.

Reference texts
Author Title Publishing house Year ISBN Notes
G. Dorfles, S. Buganza, J. Stoppa Arti visive. Dal Quattrocento all’Impressionismo. Protagonisti e movimenti Atlas 2000
E. Bernini, C. Casoli Linee, luci, volumi. Percorsi nella storia dell’arte (FOTOCOPIE DEI CAPITOLI DISPONIBILI IN COPISTERIA REPLAY) Laterza 2011
C. Fumarco, L. Beltrame Vivere l'arte 1 Mondadori 2012

Examination Methods

Assessment Methods
Students can take the exam in the form of a single written test. They can choose to split the first part into two sections, presenting art history topics 1-9 for the first written exam and topics 10-17 for the second written exam.
Non-attending students can carry out an in-depth project agreed on with the teacher in the place of the exercise scheduled to be presented at the end of the course, adding the written discussion of this project to the points outlined above. This in-depth project can be completed along with the second exam for the general part of the history of art, or as an additional (third) written exam carried out at the end, after the other two.
The grade will be calculated as the average of the individual exams, the exercise and the written exam (or exams).

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE

Type D and Type F activities

To discover all the teaching activities accredited by the foreign teaching college click here

Career prospects


Module/Programme news

News for students

There you will find information, resources and services useful during your time at the University (Student’s exam record, your study plan on ESSE3, Distance Learning courses, university email account, office forms, administrative procedures, etc.). You can log into MyUnivr with your GIA login details: only in this way will you be able to receive notification of all the notices from your teachers and your secretariat via email and soon also via the Univr app.

Gestione carriere


Student login and resources


Attività accreditate D/F


Calendario didattico dettagliato


Competenze linguistiche (prima e seconda lingua)


Language skills


Compilazione del piano didattico


Corso di Lingua portoghese


Erasmus+ e altre esperienze all'estero


Linguistic training CLA


Percorso verso l'insegnamento

Una delle possibilità per gli studenti dopo il conseguimento della laurea magistrale è l’insegnamento nella scuola: l’Università degli Studi di Verona è tra gli enti accreditati dal MIUR per l'erogazione di corsi di formazione e aggiornamento e qualificazione delle competenze per insegnanti. Il percorso per diventare insegnante è legato alle seguenti condizioni:

1a CONDIZIONE
Il possesso della laurea magistrale o a ciclo unico, oppure diploma di II livello dell’alta formazione artistica, musicale e coreutica, oppure titolo equipollente o equiparato, coerente con le classi di concorso vigenti alla data di indizione del concorso; il futuro insegnante dovrà, inoltre, soddisfare i requisiti di accesso previsti per la classe di concorso scelta.
Per le classi di concorso:

  • A-24 (Lingue e culture straniere negli istituti di istruzione secondaria di II grado) e 
  • A-25 (Lingua inglese e seconda lingua comunitaria nella scuola secondaria I primo grado)

sono previsti i seguenti requisiti di accesso (vedi l’allegato A al DM 259/2017): 

1)    18 CFU nei settori scientifico disciplinari L-LIN/01 e/o L-LIN/02
2)    36 CFU della lingua di specializzazione scelta
3)    24 CFU della letteratura relativa alla lingua di specializzazione scelta.

I requisiti specifici delle classi di concorso A-24 e A-25 possono essere soddisfatti nell’ambito dei piani didattici o negli esami a scelta libera superati all’interno del percorso di studio universitario (Laurea Triennale e Magistrale), oppure attraverso l’iscrizione a corsi singoli.
Il requisito relativo alla lingua di specializzazione (2) è soddisfatto (sulla base degli esami previsti nel piano didattico) nell’ambito del percorso formativo che comprende una laurea triennale dell’area di Lingue e Letterature Straniere, seguita da una laurea magistrale della medesima area (qualsiasi Corso di Laurea triennale e magistrale dell’area di Lingue e Letterature Straniere).
Per verificare i requisiti relativi alla letteratura di specializzazione (3) e agli insegnamenti di linguistica che appartengono ai settori scientifico-disciplinari di L-LIN/01 e L-LIN/02 (1), invece, gli studenti sono invitati a consultare il proprio piano didattico per verificare il numero di CFU previsti nel percorso formativo.

2a CONDIZIONE
Il possesso dei 24 crediti formativi universitari o accademici acquisiti in forma curricolare, aggiuntiva o extra curricolare nelle discipline antropo-psico-pedagogiche e nelle metodologie e tecnologie didattiche, garantendo comunque il possesso di almeno 6 CFU conseguiti in ciascuno di almeno tre dei seguenti quattro ambiti disciplinari: 
1)    pedagogia;
2)    pedagogia speciale e didattica dell’inclusione; 
3)    psicologia; antropologia; 
4)    metodologie e tecnologie didattiche.

Percorso formativo 24 CFU
Consente di acquisire uno dei requisiti di partecipazione al concorso nazionale per l’accesso al “percorso annuale di formazione iniziale e prova” su posti comuni e di sostegno, ai sensi del D.Lgs 13 aprile 2017, n. 59 come modificato dalla legge n.145 del 30/12/2018 (c. dal 792 al 796).
I settori scientifico disciplinari, gli obiettivi formativi, le modalità organizzative e gli eventuali costi sono stati stabiliti dal D.M. 10 agosto 2017, n. 616.
Per sapere quali insegnamenti della propria carriera vengano automaticamente riconosciuti si rimanda alla pagina del sito di Ateneo dedicata al percorso formativo 24 CFU.
Si consiglia agli interessati di consultare la pagina https://www.univr.it/it/i-nostri-servizi/futuri-studenti/post-laurea/formazione-degli-insegnanti in costante aggiornamento, in particolare sezione documenti in cui vengono pubblicati formulari, programmi degli insegnamenti ed elenchi di studenti ammessi.
Tra gli insegnamenti automaticamente riconosciuti nell’ambito dei 24 CFU vi sono: Insegnamento delle lingue (L-LIN/02) e Apprendimento delle lingue (L-LIN/02), previsti nel piano didattico del curriculum Linguistico-didattico del CdS di Lingue e letterature straniere (LLS).
Gli studenti immatricolati nel CdS di LLS che hanno scelto i curricula Letterario e Artistico possono comunque inserire tali insegnamenti nel piano di studi come crediti D (a scelta libera).
Gli studenti immatricolati negli altri CdS triennali del Dipartimento di Lingue e letterature straniere (Lingue e culture per il turismo e il commercio internazionale; Lingue e culture per l’editoria [a esaurimento]; Lingue e letterature per l’editoria e i media digitali) posso inserire tali insegnamenti nella propria carriera solo su eventuale autorizzazione preventiva del Presidente del Collegio Didattico (mediante Help desk).
Il soddisfacimento della 1a e 2a condizione è requisito obbligatorio per partecipare ai concorsi di abilitazione o specifici percorsi post lauream previsti dal Ministero.
 

 


Presentazione dei corsi di studio e Open day


Graduation


Stage e tirocini

Nel piano didattico della laurea magistrale in Lingue per la comunicazione turistica e commerciale (LM38) è previsto un periodo di stage/project work (CFU 9).
 
Le attività di stage sono finalizzate a far acquisire allo studente una conoscenza diretta in settori di particolare utilità per l’inserimento nel mondo del lavoro e per l’acquisizione di abilità specifiche d’interesse professionale. Tali attività possono essere svolte in aziende nazionali ed estere che operano nel settore del turismo e che presentano sbocchi di mercato internazionali, accreditate presso l’Ateneo Veronese, nonché presso Enti della Pubblica Amministrazione, Laboratori e Centri di Servizi pubblici (sono da intendersi in questo novero anche i Centri di Servizio ed i Laboratori che fanno capo all’Ateneo). Tali attività possono svolgersi anche nel contesto di project work organizzati sotto la diretta responsabilità di un docente o di un esperto del settore incaricato dal Collegio Didattico.
I crediti maturati in seguito ad attività di stage saranno attribuiti secondo quanto disposto nel dettaglio dal “Regolamento d’Ateneo per il riconoscimento dei crediti maturati negli stage universitari” vigente.


Ulteriori informazioni al seguente link https://www.univr.it/it/i-nostri-servizi/gestione-carriere-studenti-lingue-e-letterature-straniere/stage-e-tirocini-lingue-e-letterature-straniere


Vademecum dello studente