Studying at the University of Verona
Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.
Study Plan
This information is intended exclusively for students already enrolled in this course.If you are a new student interested in enrolling, you can find information about the course of study on the course page:
Laurea magistrale in Editoria e giornalismo - Enrollment from 2025/2026The Study Plan includes all modules, teaching and learning activities that each student will need to undertake during their time at the University.
Please select your Study Plan based on your enrollment year.
1° Year
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1 module between the following1 module among the following2° Year activated in the A.Y. 2021/2022
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1 module among the following1 module among the following| Modules | Credits | TAF | SSD |
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Legend | Type of training activity (TTA)
TAF (Type of Educational Activity) All courses and activities are classified into different types of educational activities, indicated by a letter.
Performing Arts and Media (2020/2021)
Teaching code
4S008068
Teacher
Coordinator
Credits
6
Language
Italian
Scientific Disciplinary Sector (SSD)
L-ART/05 - PERFORMING ARTS
Period
CuCi IA, CuCi IB
Learning outcomes
The course aims to present the theories and to provide the tools for the study of the relationship between performing arts and media, that is to say the technologies used to construct, fix, transmit, enjoy and comment one single performance or more and all its various components from the antiquity to the digital age. At the end of the course the students will be able to:
- understand the many possible interactions between media and performing arts;
- analyze the cultural, social and ideological aspects underneath them;
- compose on their own short written papers on a piece of performance;
- acquire the ability to improve their knowledge in time.
Program
Prerequisites
A basic knowledge of the key concepts of the discipline. Useful reading: Luigi Allegri, Luigi Allegri, "Prima lezione sul teatro", Laterza, 2012.
Course content
Actor's body between theatre, dance and puppets.
Bibliography:
1. Appunti dalle lezioni e materiali di approfondimento. Gli studenti non frequentanti integreranno la bibliografia con lo studio di: Luigi Allegri (a cura di), Il teatro e le arti. Un confronto fra linguaggi, Carocci, 2017.
Fonts:
2. T. Shawn, Ogni più piccolo movimento, Roma, Audino, 2018.
3. Nudità, spettacolo di e con Mimmo Cuticchio e Virgilio Sieni,
Bibliografia critica:
4. E. Randi, Il corpo pensato. Teorie della danza nel Novecento, Roma, Audino, 2020.
5. V. Di Bernardi, Ossatura. Mimmo Cuticchio e Virgilio Sieni: marionette e danza in Nudità, Roma, Bulzoni, 2019.
6. M. Mazzocut-Mis, E. Tavani (a cura di), Estetica dello spettacolo e dei media, Milano, LED, 2012, pp. 9-67.
Teaching methods
Lectures alongside the analysis of sources of various kinds (archive documents, iconography, theatrical performances, films, video fragments, audio, etc.).
Conferences, sources, readings, and critical texts will be further specified during the course. Some materials, necessary for the preparation of the exam, will be available in the e-learning site. The critical commentary of the theatrical or cinematographic adaptations analysed during the lectures will be part of the examination. A specific bibliography will be provided for ERASMUS students.
| Author | Title | Publishing house | Year | ISBN | Notes |
|---|---|---|---|---|---|
| Maddalena Mazzocut-Mis, Elena Tavani (a cura di) | Estetica dello spettacolo e dei media | LED | 2012 | 978-88-7916-489-4 | |
| Elena Randi | Il corpo pensato. Teorie della danza nel Novecento | Dino Audino | 2020 | ||
| Ted Shawn | Ogni più piccolo movimento. François Delsartre e la danza, a cura di Elena Randi | Dino Audino | 2018 | 978-88-7527-397-2 | |
| Vito Di Bernardi | Ossatura. Mimmo Cuticchio e Virgilio Sieni: marionette e danza in Nudità | Bulzoni | 2019 | 978-88-6897-170-0 |
Examination Methods
Oral exam with final evaluation expressed by a mark out of thirty. The questions proposed to the candidates will aim on the one hand to verify their learning of specific theoretical questions proposed by the texts in points from 4 to 6, on the other hand to test the ability to analyze one of the dramas and performances proposed following the models offered in class.
Due to the Coronavirus pandemic, and in accordance with the University of Verona guidelines, the assessment modality may be modified as follows: online oral exam.
