Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Beni culturali - Enrollment from 2025/2026

SOFT SKILLS  

Find out more about the Soft Skills courses for Univr students provided by the University's Teaching and Learning Centre: https://talc.univr.it/it/competenze-trasversali 

 

CONTAMINATION LAB 

The Contamination Lab Verona (CLab Verona) is an experiential course with modules on innovation and enterprise culture that offers the opportunity to work in teams with students from all areas to solve challenges set by companies and organisations.  

Upon completion of a CLab, students will be entitled to receive 6 CFU (D- or F-type credits).  

Find out more:  https://www.univr.it/clabverona 

 

PLEASE NOTE: In order to be admitted to any teaching activities, including those of your choice, you must be enrolled in the academic year in which the activities in question are offered. Students who are about to graduate in the December and April sessions are therefore advised NOT to undertake extracurricular activities in the new academic year in which they are not enrolled, as these graduation sessions are valid for students enrolled in the previous academic year. Therefore, students who undertake an activity in an academic year in which they are not enrolled will not be granted CFU credits.  

CuCi 1 A From 9/25/23 To 11/4/23
years Modules TAF Teacher
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° GIS analysis for archaeology F Filippo Carraro (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop on Noninvasive Analytical Techniques Applied to Paintings F Paola Artoni (Coordinator)
1° 2° 3° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° 3° San Giorgio di Valpolicella. New studies on the pieve F Fabio Coden (Coordinator)
1° 2° 3° C.R.E.S. Seminars F Fabio Forner (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Chiara Melloni (Coordinator)
CuCi 1 B From 11/13/23 To 12/22/23
years Modules TAF Teacher
1° 2° 3° Art, memory and terrorism: the duty to protect our cultural heritage F Olivia Guaraldo (Coordinator)
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° 3° Series of lectures: Maria Callas: musica, media, moda, arte F Vincenzo Borghetti (Coordinator)
1° 2° 3° Conference The management of local authority museums: critical issues, innovative models, development prospects F Dario Donetti (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° From the fieldwork to the lab: study, cataloguing, database collection of protohistoric archaeological artefacts F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° GIS analysis for archaeology F Filippo Carraro (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop on Noninvasive Analytical Techniques Applied to Paintings F Paola Artoni (Coordinator)
1° 2° 3° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° 3° San Giorgio di Valpolicella. New studies on the pieve F Fabio Coden (Coordinator)
1° 2° 3° C.R.E.S. Seminars F Fabio Forner (Coordinator)
1° 2° 3° Stories and protagonists in Palazzo Miniscalchi F Alessandra Zamperini (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Chiara Melloni (Coordinator)
CuCi 2 A From 2/19/24 To 3/29/24
years Modules TAF Teacher
1° 2° 3° Building archaeology and mapping stratigraphy F Elisa Lerco (Coordinator)
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° Felice Brusasorci protagonist of the “Divina alta maniera” in Verona. about "The value crowned by fame" and the "Portrait of a gentleman" of the Cariverona collections F Giorgio Fossaluzza (Coordinator)
1° 2° 3° Study day on the history of the De Stefani family F Renato Camurri (Coordinator)
1° 2° 3° Day of remembrance and Day of memory F Renato Camurri (Coordinator)
1° 2° 3° Historical investigation of Jesus of Nazareth F Mariaclara Rossi (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop Introduction to the Christian writers of the early centuries F Tiziana Franco (Coordinator)
1° 2° 3° Workshop on reading and editing medieval documents F Mariaclara Rossi (Coordinator)
1° 2° 3° Reading the Middle Ages. Authors, Meetings, Debates F Marco Stoffella (Coordinator)
1° 2° 3° San Giorgio di Valpolicella. New studies on the pieve F Fabio Coden (Coordinator)
1° 2° 3° C.R.E.S. Seminars F Fabio Forner (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Chiara Melloni (Coordinator)
1° 2° 3° Illustrated Verona: the future of a cultural heritage. Balance sheets, perspectives and role of studies on the territory F Alessandra Zamperini (Coordinator)
CuCi 2 B From 4/9/24 To 5/31/24
years Modules TAF Teacher
1° 2° 3° Building archaeology and mapping stratigraphy F Elisa Lerco (Coordinator)
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Conference Inner Islands. For a storytelling of loneliness in Italian Literature F Anna Maria Salvade' (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° Two lectures by the President of the “Accademia della Crusca”, Prof. Paolo D'Achille F Alessandra Zangrandi (Coordinator)
1° 2° 3° Day of remembrance and Day of memory F Renato Camurri (Coordinator)
1° 2° 3° Historical investigation of Jesus of Nazareth F Mariaclara Rossi (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop Introduction to the Christian writers of the early centuries F Tiziana Franco (Coordinator)
1° 2° 3° Workshop on reading and editing medieval documents F Mariaclara Rossi (Coordinator)
1° 2° 3° Social theater workshop organized by the Compagnia Teatro Babilonia F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Reading the Middle Ages. Authors, Meetings, Debates F Marco Stoffella (Coordinator)
1° 2° 3° Preparation and participation in the Youth Jury of the Totola Prize F Nicola Pasqualicchio (Coordinator)
1° 2° 3° San Giorgio di Valpolicella. New studies on the pieve F Fabio Coden (Coordinator)
1° 2° 3° C.R.E.S. Seminars F Fabio Forner (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Chiara Melloni (Coordinator)
1° 2° 3° Illustrated Verona: the future of a cultural heritage. Balance sheets, perspectives and role of studies on the territory F Alessandra Zamperini (Coordinator)
List of courses with unassigned period
years Modules TAF Teacher
1° 2° 3° Bridge film festival (XI Edition) F Alberto Scandola (Coordinator)
1° 2° 3° Cycle of Lectures by Associazione Universitaria Francofona F Laura Maria Colombo (Coordinator)
1° 2° 3° Venantius Fortunatus between the Piave and the Loire F Edoardo Ferrarini (Coordinator)
1° 2° 3° International Conference: F Silvia Baroni (Coordinator)
1° 2° 3° International Conference “Rudolf Nureyev and Literature: Dance, Choreography, and Reception” F Laura Maria Colombo (Coordinator)
1° 2° 3° Identity, power, and gender through clothing F Alessandra Zamperini (Coordinator)
1° 2° 3° Archaeological fieldwork - Valli del Leno (TN) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Archaeological excavations at Nicopolis ad Istrum F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Archaeological excavation in Aquileia (UD) F Patrizia Basso (Coordinator)
1° 2° 3° Archaeological excavation in Montebaranzone castle (MO) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological excavation in Castelvecchio, Verona F Fabio Saggioro (Coordinator)
1° 2° 3° Archaeological excavation in Morfasso (PC) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological fieldwork - Monte Palazzo di S. Tomio di Malo (Vicenza) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Archaeological excavation in Toano (RE) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological fieldwork - Terranegra (Legnago) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Look Beyond the walls.Film Days of the city of Verona F Alberto Scandola (Coordinator)
1° 2° 3° Transforming the world into a hermitage? Romuald’s hermitic ideal to the test of history and contemporaneity F Edoardo Ferrarini (Coordinator)
1° 2° 3° Verona in Storia Cycle of public lectures F Giovanni Bernardini (Coordinator)

Teaching code

4S01298

Credits

6

Also offered in courses:

  • Aesthetics (i) of the course Bachelor’s degree in Communication Studies
  • Aesthetics of the course Bachelor's degree in Foreign Languages and Literatures

Language

Italian

Scientific Disciplinary Sector (SSD)

M-FIL/04 - AESTHETICS

Period

CuCi 2 A, CuCi 2 B

Courses Single

Authorized

Learning objectives

The course intends to deliver the conceptual, methodological and cultural bases necessary in order to analyse and interpret as well the aesthetic thematics in a straight sense (sensory perception and knowledge) and the art works in a wider sense. The course also aims at the understanding of the logics and the conceptual structures and at the capacity to use a precise and adequate language; thus, it intends to make the students acquire the competences to form autonomously a critical judgement and to express it adequately.

Prerequisites and basic notions

No particular prior knowledge is requested.

Program

"What is beauty? Ask a blind man"
Body, image and logical thinking in Western aesthetic reflexions and in the Plastik by Herder
1. The first part of the course deals with different relationships between arts and philosophical knowledge (mimesis and ratio) focalizing on some of the fundamental concepts and methodologies (Plato, Aristotle, Descartes, Rationalism, Empiricism, Baumgarten).
2. Then we will also examine fundamental concepts of contemporary aesthetics in Herder's times such as the sublime and the genius as they have been defined by Kant and put to work by Goethe.
3. This will be followed by an analytical lecture of Herder’s Plastik, which is a milestone in theory and history of arts. The analysis will start with the principal categories of the tradition of figurative arts. Some of the most important concepts of Herder will be examined with the aim of individuating vital moments for the construction of a modern aesthetics, which might be able, at least partially, to give answers to the questions that characterize both the practice of arts and the reflection on it.
4. In conclusion, the analysis of Picasso's Guernica will help to discuss the aesthetic and philosophical concepts, methods and the knowledge elaborated formerly.
Literature:
- Markus Ophälders, Filosofia arte estetica, Mimesis, Milano 2008.
- Johann Gottfried Herder, Plastica, Aesthetica, Palermo 2010.
- Markus Ophälders, Max Raphael legge Guernica di Picasso, in: Id., Labirinti, Mimesis, Milano 2008, pp. 23-43.

Bibliography

Visualizza la bibliografia con Leganto, strumento che il Sistema Bibliotecario mette a disposizione per recuperare i testi in programma d'esame in modo semplice e innovativo.

Didactic methods

DIDACTIC MODES
The didactic methods adopted are not distinct between attending and non-attending students. They consist of frontal lessons devoted to the transmission of fundamental concepts and structures of thinking and reflection and their respective application tools to implement theoretical notions in the direction of autonomous critical judgment.
Throughout the academic year, the teacher also holds a regular individual Reception at the times indicated on his page (without having to set a specific appointment). However, it is recommended that you consult the messages to be informed of any changes. During the first lesson, attending students will receive the full lesson schedule with the dates and topics discussed. Information on timetables and classrooms is also provided.
The course will be accompanied by a workshop during which the topics discussed during the frontal lessons will be discussed and deepened.
The content of books and lessons is adhering to the program.

Learning assessment procedures

ASSESSMENT METHODS AND CRITERIA
The assessment of the learning outcomes involves an oral test, during which the issues discussed during the course and studied in the texts will be developed. The exam aims at ensuring knowledge of the topics under discussion and the ability to apply the concepts and logical methodologies to the various issues proposed.
This indivisible oral test is about the whole program and consists of a two-part interview - one with the teacher and one with one of his collaborators - and tries to verify:
- the depth and breadth of the knowledge gained;
- the property of language;
- the ability to systematically connect knowledge;
- analytical and argumentative ability.
The vote is expressed in marks from 18 to 30/30.
ERASMUS students are requested to contact the teacher at the beginning of the courses to agree together the teaching methods and the assessment tests.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE

Evaluation criteria

- the depth and breadth of the knowledge gained;
- the property of language;
- the ability to systematically connect knowledge;
- analytical and argumentative ability.

Criteria for the composition of the final grade

Verbal examination

Exam language

Italiano