Studying at the University of Verona
Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.
Type D and Type F activities
This information is intended exclusively for students already enrolled in this course.If you are a new student interested in enrolling, you can find information about the course of study on the course page:
Laurea in Beni culturali - Enrollment from 2025/2026SOFT SKILLS
Find out more about the Soft Skills courses for Univr students provided by the University's Teaching and Learning Centre: https://talc.univr.it/it/competenze-trasversali
CONTAMINATION LAB
The Contamination Lab Verona (CLab Verona) is an experiential course with modules on innovation and enterprise culture that offers the opportunity to work in teams with students from all areas to solve challenges set by companies and organisations.
Upon completion of a CLab, students will be entitled to receive 6 CFU (D- or F-type credits).
Find out more: https://www.univr.it/clabverona
PLEASE NOTE: In order to be admitted to any teaching activities, including those of your choice, you must be enrolled in the academic year in which the activities in question are offered. Students who are about to graduate in the December and April sessions are therefore advised NOT to undertake extracurricular activities in the new academic year in which they are not enrolled, as these graduation sessions are valid for students enrolled in the previous academic year. Therefore, students who undertake an activity in an academic year in which they are not enrolled will not be granted CFU credits.
| years | Modules | TAF | Teacher |
|---|---|---|---|
| 1° 2° 3° | FAI Activities | F |
Edoardo Bianchi
(Coordinator)
|
| 1° 2° 3° | Series of conferences Don Nicola Mazza University College | F |
Alessandra Zangrandi
(Coordinator)
|
| 1° 2° 3° | Course of history and art of the C.T.G. | F |
Marco Stoffella
(Coordinator)
|
| 1° 2° 3° | GIS analysis for archaeology | F |
Filippo Carraro
(Coordinator)
|
| 1° 2° 3° | Intercomprehension laboratory between the Romance languages | F |
Alessandra Zangrandi
(Coordinator)
|
| 1° 2° 3° | Workshop on Noninvasive Analytical Techniques Applied to Paintings | F |
Paola Artoni
(Coordinator)
|
| 1° 2° 3° | Worlds of Fashion: Themes and Actors | F |
Alessandra Zamperini
(Coordinator)
|
| 1° 2° 3° | San Giorgio di Valpolicella. New studies on the pieve | F |
Fabio Coden
(Coordinator)
|
| 1° 2° 3° | C.R.E.S. Seminars | F |
Fabio Forner
(Coordinator)
|
| 1° 2° 3° | University and DSA - Methods and strategies for tackling study and university studies | F |
Chiara Melloni
(Coordinator)
|
Aesthetics (i) (2023/2024)
Teaching code
4S01298
Teacher
Coordinator
Credits
6
Also offered in courses:
- Aesthetics (i) of the course Bachelor’s degree in Communication Studies
- Aesthetics of the course Bachelor's degree in Foreign Languages and Literatures
Language
Italian
Scientific Disciplinary Sector (SSD)
M-FIL/04 - AESTHETICS
Period
CuCi 2 A, CuCi 2 B
Courses Single
Authorized
Learning objectives
The course intends to deliver the conceptual, methodological and cultural bases necessary in order to analyse and interpret as well the aesthetic thematics in a straight sense (sensory perception and knowledge) and the art works in a wider sense. The course also aims at the understanding of the logics and the conceptual structures and at the capacity to use a precise and adequate language; thus, it intends to make the students acquire the competences to form autonomously a critical judgement and to express it adequately.
Prerequisites and basic notions
No particular prior knowledge is requested.
Program
"What is beauty? Ask a blind man"
Body, image and logical thinking in Western aesthetic reflexions and in the Plastik by Herder
1. The first part of the course deals with different relationships between arts and philosophical knowledge (mimesis and ratio) focalizing on some of the fundamental concepts and methodologies (Plato, Aristotle, Descartes, Rationalism, Empiricism, Baumgarten).
2. Then we will also examine fundamental concepts of contemporary aesthetics in Herder's times such as the sublime and the genius as they have been defined by Kant and put to work by Goethe.
3. This will be followed by an analytical lecture of Herder’s Plastik, which is a milestone in theory and history of arts. The analysis will start with the principal categories of the tradition of figurative arts. Some of the most important concepts of Herder will be examined with the aim of individuating vital moments for the construction of a modern aesthetics, which might be able, at least partially, to give answers to the questions that characterize both the practice of arts and the reflection on it.
4. In conclusion, the analysis of Picasso's Guernica will help to discuss the aesthetic and philosophical concepts, methods and the knowledge elaborated formerly.
Literature:
- Markus Ophälders, Filosofia arte estetica, Mimesis, Milano 2008.
- Johann Gottfried Herder, Plastica, Aesthetica, Palermo 2010.
- Markus Ophälders, Max Raphael legge Guernica di Picasso, in: Id., Labirinti, Mimesis, Milano 2008, pp. 23-43.
Bibliography
Didactic methods
DIDACTIC MODES
The didactic methods adopted are not distinct between attending and non-attending students. They consist of frontal lessons devoted to the transmission of fundamental concepts and structures of thinking and reflection and their respective application tools to implement theoretical notions in the direction of autonomous critical judgment.
Throughout the academic year, the teacher also holds a regular individual Reception at the times indicated on his page (without having to set a specific appointment). However, it is recommended that you consult the messages to be informed of any changes. During the first lesson, attending students will receive the full lesson schedule with the dates and topics discussed. Information on timetables and classrooms is also provided.
The course will be accompanied by a workshop during which the topics discussed during the frontal lessons will be discussed and deepened.
The content of books and lessons is adhering to the program.
Learning assessment procedures
ASSESSMENT METHODS AND CRITERIA
The assessment of the learning outcomes involves an oral test, during which the issues discussed during the course and studied in the texts will be developed. The exam aims at ensuring knowledge of the topics under discussion and the ability to apply the concepts and logical methodologies to the various issues proposed.
This indivisible oral test is about the whole program and consists of a two-part interview - one with the teacher and one with one of his collaborators - and tries to verify:
- the depth and breadth of the knowledge gained;
- the property of language;
- the ability to systematically connect knowledge;
- analytical and argumentative ability.
The vote is expressed in marks from 18 to 30/30.
ERASMUS students are requested to contact the teacher at the beginning of the courses to agree together the teaching methods and the assessment tests.
Evaluation criteria
- the depth and breadth of the knowledge gained;
- the property of language;
- the ability to systematically connect knowledge;
- analytical and argumentative ability.
Criteria for the composition of the final grade
Verbal examination
Exam language
Italiano
