Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

Type D and Type F activities

COMPETENZE TRASVERSALI

Scopri i percorsi formativi promossi dal  Teaching and learning centre dell'Ateneo, destinati agli studenti iscritti ai corsi di laurea, volti alla promozione delle competenze trasversali:
Academic year:
Cuci 1 A From 9/26/22 To 11/5/22
years Modules TAF Teacher
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° 3° Business English for everybody F Serena Dal Maso (Coordinator)
1° 2° 3° Russian for everybody F Serena Dal Maso (Coordinator)
1° 2° 3° Training days for landscape administrators F Fabio Saggioro (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° 3° Music in History F Vincenzo Borghetti (Coordinator)
1° 2° 3° Discovery and re-discovery of a city: Verona in the heart of the Roman Empire F Riccardo Bertolazzi (Coordinator)
CuCi 1 B From 11/14/22 To 12/22/22
years Modules TAF Teacher
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° 3° Conference PRIN "Ippolito Nievo tra i Mille" F Alessandra Zangrandi (Coordinator)
1° 2° 3° Business English for everybody F Serena Dal Maso (Coordinator)
1° 2° 3° Russian for everybody F Serena Dal Maso (Coordinator)
1° 2° 3° Memorial Day F Renato Camurri (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° 3° Music in History F Vincenzo Borghetti (Coordinator)
1° 2° 3° Discovery and re-discovery of a city: Verona in the heart of the Roman Empire F Riccardo Bertolazzi (Coordinator)
1° 2° 3° Contemporary history seminars F Renato Camurri (Coordinator)
1° 2° 3° Workshop. Directive (UE) 2019/790 and Italian Guidelines for Cultural Heritage digitalization, between Copyright and Code of Cultural Heritage and Landscape (D.lgs 42/2004 F Patrizia Basso (Coordinator)
1° 2° 3° Workshop: the archaeological data and content production process between guidelines for preventive archaeology, copyright, public procurement code F Piergiovanna Grossi (Coordinator)
1° 2° 3° Squadristi in celluloid. The march on Rome between documentary and fiction F Denis Lotti (Coordinator)
1° 2° 3° Text, author, audience. The forms of reception from antiquity to modernity F Massimo Natale (Coordinator)
1° 2° 3° Wikipedia and digital humanities: laboratory for translation and digitization of cultural heritage F Patrizia Basso (Coordinator)
CuCi 2 A From 2/13/23 To 4/6/23
years Modules TAF Teacher
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° That scandalous can: Piero Manzoni’s Artist’s Shit (1961). International conference F Luca Bochicchio (Coordinator)
1° 2° 3° Democrazie e fascismo F Renato Camurri (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Fine della "globalizzazione"? Dialoghi sul mondo che cambia F Giovanni Bernardini (Coordinator)
1° 2° 3° Seminar Day “I would annex the planets if I could”. Representations of exploration and conquest between 19th and 20th century F Luca Ciancio (Coordinator)
1° 2° 3° The journey of an intellectual between Italy and the United States during fascism: Giuseppe Antonio Borgese F Renato Camurri (Coordinator)
1° 2° 3° Introduction to reading archival documents F Mariaclara Rossi (Coordinator)
1° 2° 3° Introduction to robotics for humanities students F Paolo Fiorini (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop on the History of Manuscript Illumination F Margherita Zibordi (Coordinator)
1° 2° 3° Opera Workshop F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Reading the Middle Ages. Authors, Meetings, Debates F Marco Stoffella (Coordinator)
1° 2° 3° Works on display, 2023. Alessandro Turchi known as Orbetto, painter on copper and blackboard: the Madonna and Child with Saints Peter the Martyr, Zeno and Tuscany. F Giorgio Fossaluzza (Coordinator)
1° 2° 3° Web for Cultural Heritage F Piergiovanna Grossi (Coordinator)
1° 2° 3° Recognising and making oneself known. Signs and proofs of identity in the Renaissance (Italy and France) F Florence Marie Buttay (Coordinator)
1° 2° 3° Discovery and re-discovery of a city: Verona in the heart of the Roman Empire F Riccardo Bertolazzi (Coordinator)
CuCi 2 B From 4/12/23 To 5/27/23
years Modules TAF Teacher
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Meeting cycle «Anniversari» F Fabio Danelon (Coordinator)
1° 2° 3° Conference "Franca Rame, not only an actress" F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Conversations F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Democrazie e fascismo F Renato Camurri (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Ferments, experiments and meetings on the Italian dance and theatre scene between the eighteenth and nineteenth centuries F Simona Brunetti (Coordinator)
1° 2° 3° Festival of journalism F Simona Brunetti (Coordinator)
1° 2° 3° Fine della "globalizzazione"? Dialoghi sul mondo che cambia F Giovanni Bernardini (Coordinator)
1° 2° 3° The journey of an intellectual between Italy and the United States during fascism: Giuseppe Antonio Borgese F Renato Camurri (Coordinator)
1° 2° 3° Introduction to reading archival documents F Mariaclara Rossi (Coordinator)
1° 2° 3° Introduction to robotics for humanities students F Paolo Fiorini (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop on the History of Manuscript Illumination F Margherita Zibordi (Coordinator)
1° 2° 3° Opera Workshop F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Reading the Middle Ages. Authors, Meetings, Debates F Marco Stoffella (Coordinator)
1° 2° 3° Web for Cultural Heritage F Piergiovanna Grossi (Coordinator)
1° 2° 3° Recognising and making oneself known. Signs and proofs of identity in the Renaissance (Italy and France) F Florence Marie Buttay (Coordinator)
1° 2° 3° Archaeological excavation in Negrar (VR) F Patrizia Basso (Coordinator)
1° 2° 3° Archaeological excavation at PIURO (SO) F Fabio Saggioro (Coordinator)
1° 2° 3° Discovery and re-discovery of a city: Verona in the heart of the Roman Empire F Riccardo Bertolazzi (Coordinator)
1° 2° 3° Workshop "Visual Art Collection Management and Curating - Realismo Magico" F Monica Molteni (Coordinator)
List of courses with unassigned period
years Modules TAF Teacher
Subject requirements: logical and argumentative skills D Alessandra Zangrandi (Coordinator)
1° 2° 3° Conference Civici Museum Verona F Tiziana Franco (Coordinator)
1° 2° 3° Know to respect and respect each other F Nicoletta Zerman (Coordinator)
1° 2° 3° International Congress CRIER “Verona at the Centre of Europe: Diplomacy, Literature and the Arts at the Congress of 1822” F Paolo Pellegrini (Coordinator)
1° 2° 3° Future's Festival F Alessandra Zangrandi (Coordinator)
1° 2° 3° cultural Thursday ISSR Verona F Tiziana Franco (Coordinator)
1° 2° 3° Laboratory of photo F Carlo Vannini (Coordinator)
1° 2° 3° For the centenary of the death of Giovanni Verga. Study meeting F Fabio Danelon (Coordinator)
1° 2° 3° Literature and dance project: Pier Paolo Pasolini (Life, death and miracles) F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Archaeological fieldwork (Giazza, Verona) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Archaeological fieldwork Monte Palazzo di S. Tomio di malo (Vicenza) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° The house of Erizzo and the image of aristrocracy in Venice F Alessandra Zamperini (Coordinator)
1° 2° 3° Archaeological excavation in Aquileia (UD) F Patrizia Basso (Coordinator)
1° 2° 3° Archaeological excavation in Montebaranzone castle (MO) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological excavation in Morfasso (PC) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological excavation in Ostiglia (MN) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological excavation in Toano (RE) F Nicola Mancassola
1° 2° 3° Archaeological research in Tarquinia (VT), Roman forum and “domus del mitreo” F Fabio Saggioro (Coordinator)
1° 2° 3° You aint't heard nothing yet. The transition from the silents to the talkies (Bridge Film Festival) F Alberto Scandola (Coordinator)

Teaching code

4S01353

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-FIL-LET/04 - LATIN LANGUAGE AND LITERATURE

Period

2 A, 2 B

Learning objectives

The course proposes an approach to Latin language and literature through the reading of a sample of original texts, selected in order to support a reflection on cultural categories relevant to Roman antiquity; a linguistic and historico-literary analysis of the chosen passages will be integrated by the examination of their references to ancient monumental and iconographic imagery. Prerequisites: Basic knowledge of the Latin language.

Expected learning outcomes: at the end of the course students will be able to
-know phonetics, morphology and basic syntax of the Latin language;  
-know the essential features of Latin literature;
-translate and analyze the texts chosen for the course;
-develop autonomous comprehension and interpretation skills, with regard to the cultural and historico-literary context of the chosen passages, as well as to their figurative and artistic references;
-develop autonomous comprehension and interpretation skills, with regard to the habit of comparing different cultures and cultural categories;
-improve the following communication skills by translating the texts: to practice a metalinguistic reflection; to improve and expand the specialized vocabulary of historico-literary language, as well as the Latin lexicon connected to the semantic fields relevant to the chosen texts.


Prerequisites and basic notions

Basic knowledge of the Latin language.

Program

Mythical figures as Prometheus, Daedalus, Pygmalion and their extraordinary works will be investigated through the direct reading of passages from Ovid and other Latin authors. The comparison between the mythical tales and some pages of Pliny the Elder will allow us to reflect on concepts, functions and the vocabulary of image and artistic creation in the Roman world.
1. An anthology of texts will be provided in moodle. If possible, it is planned to combine the lectures with forms of seminar activities.
Texts:
-Ovidio, Metamorfosi, a cura di A. Barchiesi, Milano, Valla, 2005, vol. 1; vol. 4 a cura di E.J. Kenney, 2011; vol. 5 a cura di J.D. Reed, 2013.
-Plinio, Mineralogia e storia dell’arte: libri 33-37, a cura di A. Corso, R. Mugellesi, G. Rosati, Torino 1988.
-A. Cavarzere-A. De Vivo-P. Mastandrea, Letteratura latina. Una sintesi storica, Roma, Carocci, 2003 (percorsi scelti).
Readings:
-M. Bettini, W.M. Short (a cura di), Con i Romani. Un’antropologia della cultura antica, Bologna 2014.
-M. Bettini, Il ritratto dell’amante, Torino 1992.
-F. Ghedini, Il poeta del mito. Ovidio e il suo tempo, Roma 2018.

Bibliography

Visualizza la bibliografia con Leganto, strumento che il Sistema Bibliotecario mette a disposizione per recuperare i testi in programma d'esame in modo semplice e innovativo.

Didactic methods

Lectures, exercises and, where possible, seminar activities.

Learning assessment procedures

The exam consists of an interview and includes questions on the history of Latin literature, on the Latin texts analysed during the course, on the readings of your choice.
Participation in the final seminar of the course with an individual report replaces, during the exam, the readings of your choice.

N.B. Non-attending students are requested to contact the teacher in due advance so as to define a specific program.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE

Evaluation criteria

The exam aims g to verify the level of achievement of the learning objectives previously indicated; namely, the acquisition of autonomous skills to read, understand and translate the previously specified Latin texts with special regard to the knowledge of the essential features of Latin literature; the ability to understand the cultural and historico-literary context of the chosen passages; argument skills; wealth and appropriateness of vocabulary.

Criteria for the composition of the final grade

Not relevant.

Exam language

italiano