Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Beni culturali - Enrollment from 2025/2026
CuCi 1 A From 9/23/24 To 10/31/24
years Modules TAF Teacher
1° 2° 3° Ask Me: a Cultural Mediation Project for Palazzo Maffei F Valerio Terraroli (Coordinator)
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° 3° International conference of the C.R.I.E.R. Veneto in European Romanticism: places, images, sounds and narratives F Corrado Viola (Coordinator)
1° 2° 3° International conference 'Theater festivals in the Twentieth century: intersections, dialogues and encounters (1950-1990)' F Simona Brunetti (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° “Crisis of Democracy? Dialogues on the world to come” (second edition). Cycle of public lectures F Giovanni Bernardini (Coordinator)
1° 2° 3° From the fieldwork to the lab: analysis and documentation of protohistoric materials found in excavations. F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Choir/Orchestra Group F Not yet assigned
1° 2° 3° The Bible at the Crossroads of Cultures: Reading Approaches F Mariaclara Rossi (Coordinator)
1° 2° 3° Bioarchaeology Laboratory F Fabio Saggioro (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop for the creation of a short film within the project Il coraggio by the Ersilia Danza Company F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Gino Tellini (emeritus, University of Florence): A recent edition of all the short stories by Aldo Palazzeschi F Fabio Danelon (Coordinator)
1° 2° 3° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° 3° Network. Young Work Skills (Invitalia) F Not yet assigned
1° 2° 3° Study seminar (PRIN 2022) "Carte Tommaseo on-line" F Fabio Danelon (Coordinator)
1° 2° 3° SOPHIA: Cultural Thursdays at the ISSR in Verona (2024). When art represents the New Testament. The Acts of the Apostles F Tiziana Franco (Coordinator)
1° 2° 3° Stories and protagonists in Palazzo Miniscalchi F Alessandra Zamperini (Coordinator)
1° 2° 3° TAI will help you, students and university students for volunteering F Not yet assigned
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Fabio Forner (Coordinator)
CuCi 1 B From 11/11/24 To 12/21/24
years Modules TAF Teacher
1° 2° 3° Ask Me: a Cultural Mediation Project for Palazzo Maffei F Valerio Terraroli (Coordinator)
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° “Crisis of Democracy? Dialogues on the world to come” (second edition). Cycle of public lectures F Giovanni Bernardini (Coordinator)
1° 2° 3° From the fieldwork to the lab: analysis and documentation of protohistoric materials found in excavations. F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Choir/Orchestra Group F Not yet assigned
1° 2° 3° The Bible at the Crossroads of Cultures: Reading Approaches F Mariaclara Rossi (Coordinator)
1° 2° 3° Bioarchaeology Laboratory F Fabio Saggioro (Coordinator)
1° 2° 3° Workshop on graphic and photographic documentation of archaeological finds F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop for the creation of a short film within the project Il coraggio by the Ersilia Danza Company F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Molestie sessuali in ambito universitario. Un approccio multidisciplinare e intersezionale alla prevenzione D Stefano Porru
1° 2° 3° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° 3° Network. Young Work Skills (Invitalia) F Not yet assigned
1° 2° 3° Writing, language and society in the ancient Eastern Mediterranean F Federico Giusfredi (Coordinator)
1° 2° 3° SOPHIA: Cultural Thursdays at the ISSR in Verona (2024). When art represents the New Testament. The Acts of the Apostles F Tiziana Franco (Coordinator)
1° 2° 3° Stories and protagonists in Palazzo Miniscalchi F Alessandra Zamperini (Coordinator)
1° 2° 3° TAI will help you, students and university students for volunteering F Not yet assigned
1° 2° 3° Call them, if you want, Graphic novels. Italian comics in the New Millennium, Study Conference 21-23 November 2024 F Simona Brunetti (Coordinator)
1° 2° 3° Sexual harassment in the university setting. Know, Act, Protect. UNI4Equity European project workshop F Stefano Porru (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Fabio Forner (Coordinator)
CuCi 2 A From 2/17/25 To 3/29/25
years Modules TAF Teacher
1° 2° 3° Ad fontes. Permanent seminar on the study of sources for religious history and Christianity F Mariaclara Rossi
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Bible and Art Seminar: Biblical Iconographic Cycles (IV-XVI century) F Tiziana Franco (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° Festival of journalism F Simona Brunetti (Coordinator)
1° 2° 3° Luca Maria Patella and the Dream Notebooks F Federico Leoni (Coordinator)
1° 2° 3° GIS analysis for archaeology F Filippo Carraro
1° 2° 3° Choir/Orchestra Group F Not yet assigned
1° 2° 3° Cignaroli Tuesdays F Alessandra Zamperini (Coordinator)
1° 2° 3° Introduction to research, interpretation, description and edition of archive documents and manuscript books (15th-20th centuries) F Paolo Pellegrini (Coordinator)
1° 2° 3° "Nemo's library". A dialogue between history an science at the natural history museum of Verona F Luca Ciancio
1° 2° 3° Bioarchaeology Laboratory F Fabio Saggioro (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Laboratory for reading and editing medieval documents F Mariaclara Rossi (Coordinator)
1° 2° 3° Workshop on the history and art of ancient Egypt F Dario Calomino (Coordinator)
1° 2° 3° Italian literature of the eighteenth and nineteenth centuries. The research of young scholars F Fabio Forner (Coordinator)
1° 2° 3° Reading the Middle Ages. Authors, meetings, discussions F Marco Stoffella (Coordinator)
1° 2° 3° The Orbetto before Rome F Giorgio Fossaluzza (Coordinator)
1° 2° 3° Pillole di sostenibilità F Matteo Nicolini (Coordinator)
1° 2° 3° Web for Cultural Heritage F Piergiovanna Grossi
1° 2° 3° Archaeological research in Pegognaga (MN) F Nicola Mancassola (Coordinator)
1° 2° 3° Studio Smoothing the Parth from Compulsory to Tertiary Education in Europe F Simona Brunetti (Coordinator)
1° 2° 3° TAI will help you, students and university students for volunteering F Not yet assigned
CuCi 2 B From 4/7/25 To 5/31/25
years Modules TAF Teacher
1° 2° 3° Ad fontes. Permanent seminar on the study of sources for religious history and Christianity F Mariaclara Rossi
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Bible and Art Seminar: Biblical Iconographic Cycles (IV-XVI century) F Tiziana Franco (Coordinator)
1° 2° 3° Cycle of conferences by "Association Universitaire Francophone" Verona F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Lectures «Anniversari» 2025 F Fabio Danelon (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° GIS analysis for archaeology F Filippo Carraro
1° 2° 3° Choir/Orchestra Group F Not yet assigned
1° 2° 3° Cignaroli Tuesdays F Alessandra Zamperini (Coordinator)
1° 2° 3° "Nemo's library". A dialogue between history an science at the natural history museum of Verona F Luca Ciancio
1° 2° 3° Bioarchaeology Laboratory F Fabio Saggioro (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Laboratory for reading and editing medieval documents F Mariaclara Rossi (Coordinator)
1° 2° 3° Workshop on the history and art of ancient Egypt F Dario Calomino (Coordinator)
1° 2° 3° Resistance at the Cinema: 80 Years of Liberation (Bridge Film Festival) F Luigi Turri (Coordinator)
1° 2° 3° Reading the Middle Ages. Authors, meetings, discussions F Marco Stoffella (Coordinator)
1° 2° 3° NicE Project. Nicopolis ad Istrum Excavation Project – International archaeological excavations at Nicopolis ad Istrum in Bulgaria F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° The Orbetto before Rome F Giorgio Fossaluzza (Coordinator)
1° 2° 3° Pillole di sostenibilità F Matteo Nicolini (Coordinator)
1° 2° 3° Web for Cultural Heritage F Piergiovanna Grossi
1° 2° 3° Archaeological research in Pegognaga (MN) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological fieldwork in Terranegra (Legnago, Verona) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° TAI will help you, students and university students for volunteering F Not yet assigned
1° 2° 3° TAUV. Garden of Printing Press F Anna Bognolo (Coordinator)
List of courses with unassigned period
years Modules TAF Teacher
1° 2° 3° Archaeological excavation in Aquileia (UD) F Patrizia Basso (Coordinator)
1° 2° 3° Archaeological excavation in Montebaranzone castle (MO) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological excavation in Morfasso (PC) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological fieldwork - Monte Palazzo di S. Tomio di Malo (Vicenza) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Archaeological fieldwork in the Leno valleys (Roveerto, TN) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Archaeological excavation in Toano (RE) F Nicola Mancassola (Coordinator)

Teaching code

4S01975

Teacher

Fabio Coden

Coordinator

Fabio Coden

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-ART/01 - HISTORY OF MEDIEVAL ART

Period

CuCi 1 A dal Sep 23, 2024 al Oct 31, 2024.

Courses Single

Authorized

Learning objectives

The course aims to: train the student on the evolutionary lines related to western architecture of the 4th-12th century; analyze the internal dynamics of the medieval building, from the conception to the conclusion; consider the main figures related to the architectural commission, such as the sponsor, the architect, the workers. The learning outcomes are to guarantee the acquisition of correct reading and evaluation skills of medieval architectural forms through a specific and precise vocabulary, as well as to facilitate the knowledge of the icnographic and decorative models of the Latin West. At the end of the course, the student will be able to: understand and analyze a medieval monument; recognize the cultural environment in which a specific monument was built; apply the models of reading and interpretation of architectural forms; be able to communicate the history of the monument with an adequate vocabulary.

Prerequisites and basic notions

Having already done the History of Medieval Art exam is recommended, or at least attending the course. General knowledge of the artistic movements of the Middle Ages is fundamental for understanding the languages of architecture between the 4th and 14th centuries.
However, some basic concepts concerning the architectural solutions adopted in the Middle Ages will be explored at the beginning of the course.

Program

>Topics
The course is divided into several parts to examine specific topics related to the comprehension of building phenomena, especially in the Western world. The topics covered will be:
- periodisation, that is, the chronology of the main moments of the evolution of architectural languages;
- medieval buildings according to their function;
- the plans, elevations and parts of medieval buildings;
- the function of the church areas;
- the medieval building site and its particularities (the architect, the workers, the materials);
- evolutionary aspects, from the early Christian beginnings to the early Middle Ages;
>Bibliography
Detailed bibliographic information will be provided before the course begins.
Bibliographic material will be available at:
30 e lode
via Timavo 16
Verona
(045-8007862; 30eoltre@gmail.com).

Bibliography

Visualizza la bibliografia con Leganto, strumento che il Sistema Bibliotecario mette a disposizione per recuperare i testi in programma d'esame in modo semplice e innovativo.

Didactic methods

The course mainly consists of lectures in the classroom.
The course is divided into three main sections:
-in the introductory part, technical contents are presented, which are essential for the interpretation of the medieval architecture examined;
-in the second part, the diachronic evolution of medieval architecture is addressed;
-seminar study excursions to architecturally significant medieval monuments are planned. During the visits, students are asked to participate actively.

Learning assessment procedures

The final evaluation takes the form of an oral examination.
No distinction is made between attending and non-attending students, who must integrate the study material with some readings.
The duration of the examination is directly proportional to the student's performance and, in any case, consists of a minimum of 10 minutes and a maximum of 40 minutes of discussion with the teacher.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE

Evaluation criteria

The exam will focus on the topics discussed in lessons and the notions acquired through the course-specific bibliography.
In addition, it also evaluates the ability to organise knowledge, identify the constituent elements of the case studies, draw connections with the history of the period in which a specific architecture was built, and use technical vocabulary correctly.
The evaluation will be expressed in thirtieths.

Criteria for the composition of the final grade

The evaluation will be expressed in thirtieths.

Exam language

Italiano.