Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Beni culturali - Enrollment from 2025/2026
Academic year:
First half of Semester 1  From 9/25/17 To 11/11/17
years Modules TAF Teacher
History of Medieval Architecture (i) D Fabio Coden (Coordinator)
European Art History (i) D Bernard Jan Hendrik Aikema (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° San Rocco lectures (Quinzano) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphical representation of archaeological evidence I F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Karis - I ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Archeology laboratory of instrumentum domesticum F Giuliana Maria Facchini (Coordinator)
Second half of Semester 1  From 11/13/17 To 1/20/18
years Modules TAF Teacher
How to write your dissertation F Alessandro Arcangeli (Coordinator)
Museology (i) D Valerio Terraroli (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° San Rocco lectures (Quinzano) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphical representation of archaeological evidence I F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Ephigraphy of production and distribution F Alfredo Buonopane (Coordinator)
1° 2° 3° Archeology laboratory of instrumentum domesticum F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Laboratory of theatrical and musical criticism F Simona Brunetti (Coordinator)
1° 2° 3° CRES Lectures F Corrado Viola (Coordinator)
First half of Semester 2  From 2/26/18 To 4/21/18
years Modules TAF Teacher
Lectures "Musiche/Culture/Civiltà" F Vincenzo Borghetti (Coordinator)
RENAISSANCE ARCHITECTURE IN THE VENETO REGION F Daniela Zumiani (Coordinator)
Iconography of Female Fashion. The Social Meaning of Clothes through Visual Arts, from the Renaissance to the 17th Century. F Alessandra Zamperini (Coordinator)
Introduction to Mesopotamian medicine F Simonetta Ponchia (Coordinator)
Recording the theatrical ephemeral F Simona Brunetti (Coordinator)
How to write your dissertation F Alessandro Arcangeli (Coordinator)
History of the Republic of Venice (p) D Federico Barbierato (Coordinator)
1° 2° 3° Classification of archaeological Finds F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° San Rocco lectures (Quinzano) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphical representation of archaeological evidence II F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Karis - II ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Lab on Methodology of Ethnographic Research F Stefano Maltese (Coordinator)
1° 2° 3° Basic laboratory of data F Maurizio Boscaini (Coordinator)
1° 2° 3° Laboratory of theatrical and musical criticism F Simona Brunetti (Coordinator)
1° 2° 3° Laboratory of photo F Marco Ambrosi (Coordinator)
1° 2° 3° Workshop of Cultural Heritage Photography F Stefano Marziali (Coordinator)
1° 2° 3° Workshop on the History of Manuscript Illumination F Marta Minazzato (Coordinator)
1° 2° 3° Workshop on Noninvasive Analytical Techniques Applied to Paintings F Paola Artoni (Coordinator)
1° 2° 3° Leggere il medioevo. Autori, incontri, discussioni F Tiziana Franco (Coordinator)
1° 2° 3° CRES Lectures F Corrado Viola (Coordinator)
1° 2° 3° Cultural Heritage and the Web F Piergiovanna Grossi (Coordinator)
Second half of Semester 2  From 4/23/18 To 6/9/18
years Modules TAF Teacher
Recording the theatrical ephemeral F Simona Brunetti (Coordinator)
Latin Epigraphy (i) D Alfredo Buonopane (Coordinator)
1° 2° 3° Classification of archaeological Finds F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphical representation of archaeological evidence II F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Laboratory of medieval archaeology F Elisa Lerco (Coordinator)
1° 2° 3° Workshop of Cultural Heritage Photography F Stefano Marziali (Coordinator)
1° 2° 3° Workshop on the History of Manuscript Illumination F Marta Minazzato (Coordinator)
1° 2° 3° Leggere il medioevo. Autori, incontri, discussioni F Tiziana Franco (Coordinator)
List of courses with unassigned period
years Modules TAF Teacher
Archaeological research on the northern part of the Civita of Tarquinia F Attilio Mastrocinque (Coordinator)
Archaeological excavation in Aquileia F Patrizia Basso (Coordinator)
Archaeological excavation in Gazzo Veronese F Patrizia Basso (Coordinator)
Field archaeological research in Leno Monastery F Fabio Saggioro (Coordinator)
Field archaeological research in Piuro settlement F Fabio Saggioro (Coordinator)

Teaching code

4S02161

Credits

12

Language

Italian

Also offered in courses:

The teaching is organized as follows:

I MODULO PARTE (I)

Credits

6

Period

First half of Semester 2

Academic staff

Enrico Dal Pozzolo

II MODULO PARTE (P)

Credits

6

Period

Second half of Semester 2

Academic staff

Enrico Dal Pozzolo

Learning outcomes

General knowledge of the main phenomena in Modern Art, a theoretical and concrete approach to the reading of the works of art.
Course Content: the course provides an overview of the major artistic developments in Italy, between the beginning of the fifteenth century (Renaissance) and the end of the eighteenth (Neoclassicism). Certainly, it is impossible a complete analysis of the many aspects included in this time frame, but some readings specimens will be proposed, with general openings connected to the taste and to the collecting and cultural contexts, also in a perspective of a methodological reflection.

Program

I - Books: V. Terraroli, Arte, Skira-Bompiani, 2012: vol. 3 (Il Rinascimento dall’Umanesimo fiorentino al Manierismo europeo) pp. 1-393; vol. 4 (L’Europa moderna dal Barocco all’Impressionismo), pp. 1-219. G. Sciolla, Studiare l’arte. Appunti sul metodo storico-artistico, Utet, 2001. A. Pinelli, La storia dell’arte. Istruzioni per l’uso, Laterza, 2011. It is expressly requires the visual knowledge of all the images in the texts, which will be subject to examination.
Teaching methods: Slides during lectures.

Bibliography

Reference texts
Author Title Publishing house Year ISBN Notes
V. Terraroli Arte Skira-Bompiani 2012
Dispensa dispensa  
Dispensa dispensa 2020
Dal Pozzolo Dispensa  
A. Pinelli La storia dell'arte. Istruzioni per l'uso Laterza 2011
Peter Humfrey Lotto Bolis 1998
Dal Pozzolo Powerpoint  
delle lezioni PPT 2018
G.C. Sciolla Studiare l'arte. Appunti sul metodo storico-artistico Utet 2001

Examination Methods

I - Examination: a written test is divided into three parts. The first part (a) consists of recognition of twenty images from Terraroli and Pinelli: each image is projected for one minute and one has to indicate the author, the subject, the date (or the period, if the date is not certain) and even the location. The second part (b) consists of a question on a specific theme (i.e., one work, one artist, one artistic school, relationship between schools etc.): the time is 45 minutes. It will follow a last question (c), relating to the books of Pinelli and Sciolla: the time is 25 minutes.
In order to have a positive mark (18 or above), one has to recognize at least ten out of twenty images, and the answers to the questions (b) and (c) has to be considered sufficiently accurate.
P - Examination: a written test is divided into three parts. The first part (a) consists of recognition of twenty images from the volume Lorenzo Lotto. Il richiamo delle Marche: each image is projected to the time of a minute and one has to indicate the author, the subject, the date (or the period, if the date is not certain) and even the location. The second part (b) consists of a question on a specific theme: the time allowed is 45 minutes. It will follow a last question (c) to be answered 25 minutes.
In order to have a positive mark (18 or above), one has to recognize at least ten out of twenty images, and the answers to the questions (b) and (c) has to be considered sufficiently accurate.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE