Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Beni culturali - Enrollment from 2025/2026
Academic year:
First half of Semester 1  From 9/25/17 To 11/11/17
years Modules TAF Teacher
History of Medieval Architecture (i) D Fabio Coden (Coordinator)
European Art History (i) D Bernard Jan Hendrik Aikema (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° San Rocco lectures (Quinzano) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphical representation of archaeological evidence I F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Karis - I ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Archeology laboratory of instrumentum domesticum F Giuliana Maria Facchini (Coordinator)
Second half of Semester 1  From 11/13/17 To 1/20/18
years Modules TAF Teacher
How to write your dissertation F Alessandro Arcangeli (Coordinator)
Museology (i) D Valerio Terraroli (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° San Rocco lectures (Quinzano) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphical representation of archaeological evidence I F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Ephigraphy of production and distribution F Alfredo Buonopane (Coordinator)
1° 2° 3° Archeology laboratory of instrumentum domesticum F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Laboratory of theatrical and musical criticism F Simona Brunetti (Coordinator)
1° 2° 3° CRES Lectures F Corrado Viola (Coordinator)
First half of Semester 2  From 2/26/18 To 4/21/18
years Modules TAF Teacher
Lectures "Musiche/Culture/Civiltà" F Vincenzo Borghetti (Coordinator)
RENAISSANCE ARCHITECTURE IN THE VENETO REGION F Daniela Zumiani (Coordinator)
Iconography of Female Fashion. The Social Meaning of Clothes through Visual Arts, from the Renaissance to the 17th Century. F Alessandra Zamperini (Coordinator)
Introduction to Mesopotamian medicine F Simonetta Ponchia (Coordinator)
Recording the theatrical ephemeral F Simona Brunetti (Coordinator)
How to write your dissertation F Alessandro Arcangeli (Coordinator)
History of the Republic of Venice (p) D Federico Barbierato (Coordinator)
1° 2° 3° Classification of archaeological Finds F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° San Rocco lectures (Quinzano) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphical representation of archaeological evidence II F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Karis - II ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Lab on Methodology of Ethnographic Research F Stefano Maltese (Coordinator)
1° 2° 3° Basic laboratory of data F Maurizio Boscaini (Coordinator)
1° 2° 3° Laboratory of theatrical and musical criticism F Simona Brunetti (Coordinator)
1° 2° 3° Laboratory of photo F Marco Ambrosi (Coordinator)
1° 2° 3° Workshop of Cultural Heritage Photography F Stefano Marziali (Coordinator)
1° 2° 3° Workshop on the History of Manuscript Illumination F Marta Minazzato (Coordinator)
1° 2° 3° Workshop on Noninvasive Analytical Techniques Applied to Paintings F Paola Artoni (Coordinator)
1° 2° 3° Leggere il medioevo. Autori, incontri, discussioni F Tiziana Franco (Coordinator)
1° 2° 3° CRES Lectures F Corrado Viola (Coordinator)
1° 2° 3° Cultural Heritage and the Web F Piergiovanna Grossi (Coordinator)
Second half of Semester 2  From 4/23/18 To 6/9/18
years Modules TAF Teacher
Recording the theatrical ephemeral F Simona Brunetti (Coordinator)
Latin Epigraphy (i) D Alfredo Buonopane (Coordinator)
1° 2° 3° Classification of archaeological Finds F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphical representation of archaeological evidence II F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Laboratory of medieval archaeology F Elisa Lerco (Coordinator)
1° 2° 3° Workshop of Cultural Heritage Photography F Stefano Marziali (Coordinator)
1° 2° 3° Workshop on the History of Manuscript Illumination F Marta Minazzato (Coordinator)
1° 2° 3° Leggere il medioevo. Autori, incontri, discussioni F Tiziana Franco (Coordinator)
List of courses with unassigned period
years Modules TAF Teacher
Archaeological research on the northern part of the Civita of Tarquinia F Attilio Mastrocinque (Coordinator)
Archaeological excavation in Aquileia F Patrizia Basso (Coordinator)
Archaeological excavation in Gazzo Veronese F Patrizia Basso (Coordinator)
Field archaeological research in Leno Monastery F Fabio Saggioro (Coordinator)
Field archaeological research in Piuro settlement F Fabio Saggioro (Coordinator)

Teaching code

4S004606

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-ART/02 - HISTORY OF MODERN ART

Period

Second half of Semester 1  dal Nov 13, 2017 al Jan 20, 2018.

Learning outcomes

This course is dedicated to understanding and putting in context the main subject matters in Art History from Middle Ages to the XIX century. The course will also discuss the main methods of analysis in Art History. Lessons will focus on:
- Periods and designations
- Analysis of specific themes: the figure of the artist; the main genres; the perspective; the problem of time in the visual arts.
- Methods of analysing works of art
Seminaries devoted to in-depth examination of some specific subject matters (36 hours) will supplement the course. These lessons are warmly recommended.

This course aimes at providing the students with the basic tools that can be helpful in recognising the main styles and the prevailing iconographies with autonomy; recognising the most widespread genres, their development and their fortune; dealing with the problems which are related to designations, periods and genres in a critical way; being aware of the essential primary sources; mastering the main consultation tools for bibliographic research.
Students are frequently encouraged to verify the liabilty of the theoretical statements they have learnt from the teacher (or the tutor, in the seminaries) by analysing the works of art by their own (the works of art will be discussed during the lessons and their images will be loaded on the e-learning website); furthermore, students are encouraged to express their opinions on specific problems concerning some particular works of art, so that they can develop their skills in analysing and giving their personal judgement.

Program

Periods and designations: themes and features of the main periods in Art History
Genres
Methodological approaches
Religious and profane iconographies

References
1. A Handbook of Art History. Recommended titles: Valerio Terraroli, Arte, Skira-Bompiani, 5 volumi; Pierluigi De Vecchi, Edda Cerchiari, Arte nel tempo, Bompiani, 3 volls. (in 6 parts)

2. Guido Galesso, Parole per vedere, Lecce, Pensa Multimedia, 2006
3. Antonio Pinelli, La storia dell’arte. Istruzioni per l’uso, Laterza (any edition)

Reference texts
Author Title Publishing house Year ISBN Notes
Valerio Terraroli Arte Skira-Bompiani 2012 5 volumi. I manuali sono consigliati per seguire gli argomenti trattati a lezione. Gli studenti ne scelgano uno tra quelli indicati
Pierluigi De Vecchi, Edda Cerchiari Arte nel tempo Bompiani 1995 3 volumi. I manuali sono consigliati per seguire gli argomenti trattati a lezione. Gli studenti ne scelgano uno tra quelli indicati
Antonio Pinelli La storia dell'arte. Istruzioni per l'uso Laterza 2009 vanno bene anche altre edizioni
Guido Galesso Parole per vedere Pensa Multimedia 2006

Examination Methods

Written exam. Students are asked to recognise and describe: the main formal features in the periods that will be the object of the course; the main iconographies and, when possible, their sources (sacred or profane texts; myths; treatises, etc.); the main genres and the most relevant debates they have aroused in time.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE