Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Beni culturali - Enrollment from 2025/2026

SOFT SKILLS  

Find out more about the Soft Skills courses for Univr students provided by the University's Teaching and Learning Centre: https://talc.univr.it/it/competenze-trasversali 

 

CONTAMINATION LAB 

The Contamination Lab Verona (CLab Verona) is an experiential course with modules on innovation and enterprise culture that offers the opportunity to work in teams with students from all areas to solve challenges set by companies and organisations.  

Upon completion of a CLab, students will be entitled to receive 6 CFU (D- or F-type credits).  

Find out more:  https://www.univr.it/clabverona 

 

PLEASE NOTE: In order to be admitted to any teaching activities, including those of your choice, you must be enrolled in the academic year in which the activities in question are offered. Students who are about to graduate in the December and April sessions are therefore advised NOT to undertake extracurricular activities in the new academic year in which they are not enrolled, as these graduation sessions are valid for students enrolled in the previous academic year. Therefore, students who undertake an activity in an academic year in which they are not enrolled will not be granted CFU credits.  

Academic year:
CuCi 1 A From 9/25/23 To 11/4/23
years Modules TAF Teacher
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° GIS analysis for archaeology F Filippo Carraro (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop on Noninvasive Analytical Techniques Applied to Paintings F Paola Artoni (Coordinator)
1° 2° 3° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° 3° San Giorgio di Valpolicella. New studies on the pieve F Fabio Coden (Coordinator)
1° 2° 3° C.R.E.S. Seminars F Fabio Forner (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Chiara Melloni (Coordinator)
CuCi 1 B From 11/13/23 To 12/22/23
years Modules TAF Teacher
1° 2° 3° Art, memory and terrorism: the duty to protect our cultural heritage F Olivia Guaraldo (Coordinator)
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° 3° Series of lectures: Maria Callas: musica, media, moda, arte F Vincenzo Borghetti (Coordinator)
1° 2° 3° Conference The management of local authority museums: critical issues, innovative models, development prospects F Dario Donetti (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° From the fieldwork to the lab: study, cataloguing, database collection of protohistoric archaeological artefacts F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° GIS analysis for archaeology F Filippo Carraro (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop on Noninvasive Analytical Techniques Applied to Paintings F Paola Artoni (Coordinator)
1° 2° 3° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° 3° San Giorgio di Valpolicella. New studies on the pieve F Fabio Coden (Coordinator)
1° 2° 3° C.R.E.S. Seminars F Fabio Forner (Coordinator)
1° 2° 3° Stories and protagonists in Palazzo Miniscalchi F Alessandra Zamperini (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Chiara Melloni (Coordinator)
CuCi 2 A From 2/19/24 To 3/29/24
years Modules TAF Teacher
1° 2° 3° Building archaeology and mapping stratigraphy F Elisa Lerco (Coordinator)
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° Felice Brusasorci protagonist of the “Divina alta maniera” in Verona. about "The value crowned by fame" and the "Portrait of a gentleman" of the Cariverona collections F Giorgio Fossaluzza (Coordinator)
1° 2° 3° Study day on the history of the De Stefani family F Renato Camurri (Coordinator)
1° 2° 3° Day of remembrance and Day of memory F Renato Camurri (Coordinator)
1° 2° 3° Historical investigation of Jesus of Nazareth F Mariaclara Rossi (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop Introduction to the Christian writers of the early centuries F Tiziana Franco (Coordinator)
1° 2° 3° Workshop on reading and editing medieval documents F Mariaclara Rossi (Coordinator)
1° 2° 3° Reading the Middle Ages. Authors, Meetings, Debates F Marco Stoffella (Coordinator)
1° 2° 3° San Giorgio di Valpolicella. New studies on the pieve F Fabio Coden (Coordinator)
1° 2° 3° C.R.E.S. Seminars F Fabio Forner (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Chiara Melloni (Coordinator)
1° 2° 3° Illustrated Verona: the future of a cultural heritage. Balance sheets, perspectives and role of studies on the territory F Alessandra Zamperini (Coordinator)
CuCi 2 B From 4/9/24 To 5/31/24
years Modules TAF Teacher
1° 2° 3° Building archaeology and mapping stratigraphy F Elisa Lerco (Coordinator)
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Conference Inner Islands. For a storytelling of loneliness in Italian Literature F Anna Maria Salvade' (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° Two lectures by the President of the “Accademia della Crusca”, Prof. Paolo D'Achille F Alessandra Zangrandi (Coordinator)
1° 2° 3° Day of remembrance and Day of memory F Renato Camurri (Coordinator)
1° 2° 3° Historical investigation of Jesus of Nazareth F Mariaclara Rossi (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop Introduction to the Christian writers of the early centuries F Tiziana Franco (Coordinator)
1° 2° 3° Workshop on reading and editing medieval documents F Mariaclara Rossi (Coordinator)
1° 2° 3° Social theater workshop organized by the Compagnia Teatro Babilonia F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Reading the Middle Ages. Authors, Meetings, Debates F Marco Stoffella (Coordinator)
1° 2° 3° Preparation and participation in the Youth Jury of the Totola Prize F Nicola Pasqualicchio (Coordinator)
1° 2° 3° San Giorgio di Valpolicella. New studies on the pieve F Fabio Coden (Coordinator)
1° 2° 3° C.R.E.S. Seminars F Fabio Forner (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Chiara Melloni (Coordinator)
1° 2° 3° Illustrated Verona: the future of a cultural heritage. Balance sheets, perspectives and role of studies on the territory F Alessandra Zamperini (Coordinator)
List of courses with unassigned period
years Modules TAF Teacher
1° 2° 3° Bridge film festival (XI Edition) F Alberto Scandola (Coordinator)
1° 2° 3° Cycle of Lectures by Associazione Universitaria Francofona F Laura Maria Colombo (Coordinator)
1° 2° 3° Venantius Fortunatus between the Piave and the Loire F Edoardo Ferrarini (Coordinator)
1° 2° 3° International Conference: F Silvia Baroni (Coordinator)
1° 2° 3° International Conference “Rudolf Nureyev and Literature: Dance, Choreography, and Reception” F Laura Maria Colombo (Coordinator)
1° 2° 3° Identity, power, and gender through clothing F Alessandra Zamperini (Coordinator)
1° 2° 3° Archaeological fieldwork - Valli del Leno (TN) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Archaeological excavations at Nicopolis ad Istrum F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Archaeological excavation in Aquileia (UD) F Patrizia Basso (Coordinator)
1° 2° 3° Archaeological excavation in Montebaranzone castle (MO) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological excavation in Castelvecchio, Verona F Fabio Saggioro (Coordinator)
1° 2° 3° Archaeological excavation in Morfasso (PC) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological fieldwork - Monte Palazzo di S. Tomio di Malo (Vicenza) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Archaeological excavation in Toano (RE) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological fieldwork - Terranegra (Legnago) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Look Beyond the walls.Film Days of the city of Verona F Alberto Scandola (Coordinator)
1° 2° 3° Transforming the world into a hermitage? Romuald’s hermitic ideal to the test of history and contemporaneity F Edoardo Ferrarini (Coordinator)
1° 2° 3° Verona in Storia Cycle of public lectures F Giovanni Bernardini (Coordinator)

Teaching code

4S008922

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-ANT/07 - CLASSICAL ARCHAEOLOGY

Period

CuCi 2 A, CuCi 2 B

Courses Single

Authorized

Learning objectives

The course aims to direct the students into the set of problems relevant to the archaeological research in order to obtain theoretical knowledge of the methodological and technical fundamentals of Archaeology of production, to be improved additionally by practical exercises during field work and laboratory practises. KNOWLEDGES: 1. To be familiar with interdisciplinary methods and approaches in Archaeology of production in order to read and understand the material culture data correctly. 2. To be aware of particular archaeological terminology of the field. SKILLS: 1. To understand the principal techniques and strategies in manufacture of archaeological finds. 2. To use correctly particular archaeological terminology. 3. To learn the variety of archaeometrical approaches that are commonly used in the study of material culture.

Prerequisites and basic notions

There are no prerequisites, but it is advisable for the student to have attended the Archaeological Research Methodology course. Attendance at follow-up seminars and excavations organised by the archaeological disciplines is highly recommended.

Program

The course aims to develop the ability to analyse and critically rework information in relation to the methodological approaches used. In particular, topics related to the archaeology of Classical Age production, trade and consumption of the main classes of artefacts from the moment of their creation to that of their final burial and transformation into artefacts will be addressed. After a brief methodological introduction, the course will be divided into four major sections:
- Section 1 will be devoted to clay production with particular reference to the main pottery classes of the Roman period (from fine tableware to kitchenware and lighting devices).
- Section 2 will be devoted to the analyses and scientific methods used in the field of material culture: from archaeometry to statistical analysis.
- Section 3 will be devoted to the production, consumption and trade of foodstuffs: structures, tools and containers.
- In the last section 4, the production cycles of other materials (glass, metal, stone and textiles) will be analysed.

Bibliography

Visualizza la bibliografia con Leganto, strumento che il Sistema Bibliotecario mette a disposizione per recuperare i testi in programma d'esame in modo semplice e innovativo.

Didactic methods

Teaching is organised in face-to-face lectures with the support of power point presentations, in interactive lectures and classroom discussion for in-depth thematic studies, laboratory experiences and exercises. In addition, it will be possible to participate in seminars, conferences and study visits aimed at directly illustrating some of the topics addressed in the classroom. Students will also have the opportunity to participate between November and May in the workshop meetings on the graphic and photographic documentation of archaeological finds in which participants will be involved in activities such as marking, cataloguing, photography, manual and digital drawing of materials from selected excavation contexts.

Learning assessment procedures

The objective of the examination is to test the ability to analyse, synthesise and interpret the data and topics covered during the course. The examination includes an oral interogation.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE

Evaluation criteria

At the end of the course the student will have to demonstrate that he/she is aware of the issues involved in the archaeology of productions and that he/she has acquired a theoretical basis on the methodological and technical aspects of the discipline, to be refined through field and laboratory work. During the examination, the student is required to demonstrate that he/she is familiar with the topics covered during the course, that he/she is able to present them in formally and that they have acquired the ability to correlate approaches and methodologies of investigation in order to arrive from the archaeological datum to its interpretation. Critical and argumentative skills will also be assessed.

Criteria for the composition of the final grade

There are no intermediate tests.

Exam language

Italiano Per gli studenti stranieri e gli studenti Erasmus le prove d'esame possono essere svolte in Inglese.

Sustainable Development Goals - SDGs

This initiative contributes to the achievement of the Sustainable Development Goals of the UN Agenda 2030. More information on sustainability