Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Beni culturali - Enrollment from 2025/2026
Academic year:
Prima parte del primo semestre From 9/24/18 To 11/10/18
years Modules TAF Teacher
1° 2° 3° "caro mostro. duecento anni di frankenstein" F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Lectures "Musiche/Culture/Civiltà" F Vincenzo Borghetti (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Giovedì' culturali dell'ISSR I ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Ceramica romana nell'Adriatico. Produzione, tipologia e distribuzione F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Univero’ 2018 F Tiziana Franco (Coordinator)
Seconda parte del primo semestre From 11/19/18 To 1/12/19
years Modules TAF Teacher
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° History of Contemporary Art F Roberto Pasini (Coordinator)
1° 2° 3° History of Contemporary Art F Roberto Pasini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Ephigraphy of production and distribution F Alfredo Buonopane (Coordinator)
1° 2° 3° Giornate di studio "pisanello e ciclo mantovano" F Monica Molteni (Coordinator)
1° 2° 3° Giornate FAI d'autunno F Monica Molteni (Coordinator)
1° 2° 3° Giovedì' culturali dell'ISSR I ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Giovedì' culturali dell'ISSR II ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Archaeological geophysics F Patrizia Basso (Coordinator)
1° 2° 3° Introduction to the study of decorative arts F Valerio Terraroli (Coordinator)
1° 2° 3° "le grandi trasformazioni degli anni '60-'70 e l'italia cinquant'anni dopo" F Renato Camurri (Coordinator)
1° 2° 3° Methodologies for identification of works of art F Enrico Dal Pozzolo (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
Prima parte del secondo semestre From 2/18/19 To 3/30/19
years Modules TAF Teacher
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° History of Contemporary Art F Roberto Pasini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources (Part II) F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Spring FAI Days 2022 F Monica Molteni (Coordinator)
1° 2° 3° Iconography of Female Fashion. The Social Meaning of Clothes through Visual Arts, from the Renaissance to the 17th Century. F Alessandra Zamperini (Coordinator)
1° 2° 3° Introduction to Mesopotamian medicine F Simonetta Ponchia (Coordinator)
1° 2° 3° Lab on Methodology of Ethnographic Research F Stefano Maltese (Coordinator)
1° 2° 3° Basic laboratory of data F Maurizio Boscaini (Coordinator)
1° 2° 3° Laboratory of photo F Marco Ambrosi (Coordinator)
1° 2° 3° Workshop on the History of Manuscript Illumination F Marta Minazzato (Coordinator)
1° 2° 3° Workshop on Noninvasive Analytical Techniques Applied to Paintings F Paola Artoni (Coordinator)
1° 2° 3° "la conservazione dei beni culturali ecclesiastici" F Gianmario Guidarelli (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
Seconda parte del secondo semestre From 4/8/19 To 6/1/19
years Modules TAF Teacher
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° History of Contemporary Art F Roberto Pasini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources (Part II) F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° FAI un giro in villa F Monica Molteni (Coordinator)
1° 2° 3° Laboratory of medieval archaeology F Elisa Lerco (Coordinator)
1° 2° 3° Basic laboratory of data F Maurizio Boscaini (Coordinator)
1° 2° 3° "la conservazione dei beni culturali ecclesiastici" F Gianmario Guidarelli (Coordinator)
1° 2° 3° History, materials, techniques and criticism of decorative arts F Stefania Cretella (Coordinator)
1° 2° 3° Stranalandia. Dalla narrazione al teatro F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Cultural Heritage and the Web F Piergiovanna Grossi (Coordinator)

Teaching code

4S008309

Credits

3

Language

Italian

Scientific Disciplinary Sector (SSD)

NN - -

Period

Sem. 2A, Sem. 2B

Learning outcomes

The course on Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources aims to direct the students into the set of problems relevant to archaeological documentation in order to demonstrate the capability to do an inventory, a catalogue and a documentation of archaeological finds, to be improved additionally by practical exercises during laboratory practices.

KNOWLEDEGS:
1. To be familiar with interdisciplinary methods and approaches in Archaeology in order to read and understand the material culture data correctly.
2. To be aware of particular archaeological terminology of the field.

SKILLS:
1. To understand the principal techniques and strategies in the management of the archaeological finds.
2. To register correctly different classes of materials.
3. To learn the variety of graphic and photographic approaches that are commonly used in the archaeological research (as traditional one using paper and pencil and the digital one, based on open source).

Program

The course aims to illustrate methods and approaches commonly used during the graphic and photographic documentation of the archaeological finds. In particular, the course will be structured into series of workshops and practical exercises that will address a variety of themes, as:

1. To illustrate different methods of collecting, quantification and documentation of the archaeological finds.
2. What to do with the artefacts in the lab: notes on preliminary classification, parameters of classification and analytical study of the pottery finds recovered during archaeological investigations.
3. How to record and catalogue different types of archaeological materials.
4. How to register graphically the recovered finds:
- the use of traditional drawings with paper and pencil
- the use of digital sources in the archaeological documentation: get some vectoral programmes experience
5. How to register photographically the recovered finds:
- the use of camera: which are the basic elements for making a good photo?
- the use of programmes to change and improve images

It’s expected that students have already attended the course of Methodology of archaeological research. Furthermore, it is believed that one has good knowledge of computer resources applied to archaeology. We hereby heartily recommend the participation of the follow-up meetings and seminars, as so of the archaeological excavations organised by the other disciplines related to the field of Prehistory, Classics and Medieval archaeology.

The meetings are structured as theoretical-practical workshops with practical activities to be conducted directly on the archaeological finds, currently preserved in the depot’s Lab of Archaeology in the University of Verona. Every participant will challenge himself by using different instruments and sources in order to record, catalogue and register graphically archaeological finds.

Reference texts
Author Title Publishing house Year ISBN Notes
Y. RIGOIR, L. RIVET De la représentation graphique des sigillées S.F.E.C.A.G. 1994
A. DE LAURENZI Introduzione al disegno della ceramica romana CNAP Manuali 2006
AA.VV Introduzione allo studio della ceramica in archeologia Centro Editoriale Toscano sas 2007
M. PENNACCHIONI Metodologie e tecniche del disegno archeologico - Manuale per il disegno dei reperti archeologici All'Insegna del Giglio 2004

Examination Methods

The aim of the exam consists in testing the expected results of learning objectives previously listed.
The exam will provide written examination that will include the realisation of a drawing by using a traditional support and by digital sources.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE