Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Bachelor's degree in Foreign Languages and Literatures - Enrollment from 2025/2026

The Study Plan includes all modules, teaching and learning activities that each student will need to undertake during their time at the University.
Please select your Study Plan based on your enrollment year.

CURRICULUM TIPO:

1° Year 

ModulesCreditsTAFSSD
1 module between the following
6
A
L-FIL-LET/10

2° Year   activated in the A.Y. 2024/2025

ModulesCreditsTAFSSD
1st foreign language
2nd foreign language
1 module between the following

3° Year   activated in the A.Y. 2025/2026

ModulesCreditsTAFSSD
1st foreign literature
2nd foreign literature
1 module among the following (philology must related to 1st or 2nd foreign language)
6
C
M-FIL/04
1 module between the following
Final exam
6
E
-
ModulesCreditsTAFSSD
1 module between the following
6
A
L-FIL-LET/10
activated in the A.Y. 2024/2025
ModulesCreditsTAFSSD
1st foreign language
2nd foreign language
1 module between the following
activated in the A.Y. 2025/2026
ModulesCreditsTAFSSD
1st foreign literature
2nd foreign literature
1 module among the following (philology must related to 1st or 2nd foreign language)
6
C
M-FIL/04
1 module between the following
Final exam
6
E
-
Modules Credits TAF SSD
Between the years: 1°- 2°- 3°
3rd foreign language B1 level
3
F
-
Between the years: 1°- 2°- 3°

Legend | Type of training activity (TTA)

TAF (Type of Educational Activity) All courses and activities are classified into different types of educational activities, indicated by a letter.




S Placements in companies, public or private institutions and professional associations

Teaching code

4S002946

Coordinator

Rosanna Gorris

Credits

9

Language

French fr

Scientific Disciplinary Sector (SSD)

L-LIN/03 - FRENCH LITERATURE

Period

I semestre (Area Lingue e letterature straniere) dal Sep 22, 2025 al Dec 24, 2025.

Courses Single

Authorized

Learning objectives

In accordance with the periodization adopted in our French literature courses (first year: from 1850 to the present; second year: Eighteenth century and first half of the Nineteenth century; third year: Sixteenth and Seventeenth centuries), this course aims to present the French Literature of the 16th and the 17th Centuries and the artistic and philosophical culture of those historical periods. Moreover, the professor intends to provide students with the theoretical and methodological tools for the literary and linguistic analysis of the proposed texts. The lessons, both lectures and seminars, will be held in French, with the purpose of improving the students’ linguistic level as well. At the end of the course, students shall therefore acquire solid knowledge concerning the history of Sixteenth and Seventeeth-century French literature, along with the capacity of applying, in French, critical and textual analysis competences to the works presented during the course.

Prerequisites and basic notions

According to the prerequisite criteria, the student must have passed the exams of French Literature 1, French Literature 2, French Language 1 and French Language 2.

Program

Writing, translating and thinking about Ariosto and Tasso


a. Olimpia diventa Olimpe: costellazioni lettersarie intorno ad un personaggio dell'Ariosto

Texts
Jacques GREVIN, L'Olimpe de Jacques Grévin. Together the other poetic works of the said author, Paris, Estienne, 1560 (online: https://gallica.bnf.fr/ark:/12148/bpt6k71457q) testo fornito dalla docente in PDF (ed. Pinvert) Pierre de BRACH, L'Olimpe. Imitation of Ariosto, Bordeaux, Millanges, 1584 (Gallica) Oppure: Poetic works, published and annotated by Reinhold Dezeimeris, Geneva, Slatkine Reprints, 1969 Guillaume BELLIARD, The sad lamentation of Olympus, taken from the tenth song of Ariosto and in The deliverance of Olympus, taken from the eleventh song of Ariosto, in The first book of poems, Paris, Claude Gautier, 1578 (digitalizzato in https://data.biblissima.fr/entity/Q344569 and in Gallica) Antoine de NERVÈZE, Poetic essays, text established, annotated and presented by Yves Giraud, Paris, Société des Textes Français Modernes, 1999 Antoine de NERVÈZE, “Various loves” by Antoine de Nervèze, critical edition by Andrée Raisin-Fabre, University of Montpellier, 2012

b. Translate and imitate Ariosto and Tasso

Madeleine de l'AUBESPINE (translator), Roland Furieux, Ms 745, BM de Lyon (the PDF will be provided by the docente) Aymard de VEINS, Clorinde tragedie, Paris, Antoine du Breuil, 1599 (il testo digitalizzato dell'es. conservato alla Biblioteca del Castello di Chantilly will be provided for teaching)

Critical texts

Cécile ALDUY, Politics of “Love”. Poetics and genesis of a new French genre (1544-1560), Geneva, Droz, 2007 Rosanna GORRIS CAMOS, Olimpia project, in www.cinquecentofrancese.it EAD., “All of white hawspin and wild rosebush”: around the Ariosto of Madeleine de l'Aubespine, in Madeleine de l'Aubespine then and now, 71st Annual Meeting of Renaissance Society of America, Boston, 2025 EAD., An obstinate Muse: the Olimpe, a canzoniere listening to knowledge, in A perfect muse: Jacques Grévin, poet and man of science, Torino, Bollati Boringhieri, 2026 EAD., ed., Ariosto and Tasso in France in the 16th century, Paris, Rue d'Ulm, “Cahiers VL Saulnier” n. 20, 2003 Concetta CAVALLINI, The Olympus of Pierre de Brach: memory or invention?, in Memory and discoveries: what paradigms?, Proceedings of the Nancy conference, November 15-17, 2007, dir. Mary-Nelly Flouligny and Marie Roig Miranda, Nancy, Presses Universitaires de Nancy, 2009, pp. 373-387 Riccardo BENEDETTINI, “Tutte le bellezze erano in lei”. From the complaint of Olimpia to the imitation of Pierre de Brach, in Pierre de Brach. Poetry, theater, translation, dir. Concetta Cavallini and Véronique Ferrer, Fasano, Schena, 2018, pp. 171-187 Yves GIRAUD, Ariosto in the French Style, The Loves of Olympe and Birene: Nervèze's Rewriting of an Episode from Roland Furieux, in From the Courtly Novel to the Baroque Novel: Proceedings of the Conference of July 2-5, 2002, ed. Emmanuel Bury and Francine Mora, Paris, Les Belles Lettres, 2004, pp. 397-411 Martina URBANIAK, Tra Circe, Didone e Olimpia: Alcina nei commenti paratestuali e nella tradizione figurativa cinquecentesca del Furioso, in L'Italianistica oggi: ricerca e didattica, Atti del XIX Congresso dell'ADI, Roma, September 9-12, 2015, at the cura di B. Alfonzetti, T. Cancro, V. Di Iasio, E. Pietrobon, Roma, Adi editore, 2017

Per la storia della letteratura francese del Cinquecento e del Seicento verrà organizzato un seminario di introduzione alla letteratura del Rinascimento e dell'età classica e agli altri generi oggetto del corso:

F. LESTRINGANT, J. RIEU, A. TARRÊTE, French literature of the 16th century, Paris, PUF, 2000. oppure: R. CRESCENZO, History of French literature of the 16th century, , Paris, Champion, “Unichamp”, 2001. oppure: F. LESTRINGANT - M. ZINK dir., History of Literary France, Births, Renaissances, Middle Ages-16th century, Paris, PUF, 2006, capp. 3 and 4 (the part concerning the Rinascimento). Antologia Il Cinquecento, a cura di Anna Bettoni e Bruna Conconi, Milano, LED, 1996 Storia europea della letteratura francese. Flight. 1: Original tile of the Seicento, a cura di L. Sozzi, Torino, Einaudi, 2013

Didactic methods

Lectures in French and seminars on the proposed topics.

Learning assessment procedures

The assessment will take place through an oral assessment of knowledge relating to the Course.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE

Evaluation criteria

The following will be assessed: the quality of oral expression in French, the clarity and coherence of the argument, the completeness of the information, and the ability to critically explore the knowledge acquired.

Criteria for the composition of the final grade

In thirtieths.

Exam language

Francese