Studying at the University of Verona
Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.
Type D and Type F activities
This information is intended exclusively for students already enrolled in this course.If you are a new student interested in enrolling, you can find information about the course of study on the course page:
Laurea in Scienze della comunicazione - Enrollment from 2025/2026COMPETENZE TRASVERSALI
years | Modules | TAF | Teacher |
---|---|---|---|
1° 2° 3° | FAI Activities | F |
Edoardo Bianchi
(Coordinator)
|
1° 2° 3° | Series of conferences Don Nicola Mazza University College | F |
Alessandra Zangrandi
(Coordinator)
|
1° 2° 3° | Business English for everybody | F |
Serena Dal Maso
(Coordinator)
|
1° 2° 3° | Russian for everybody | F |
Serena Dal Maso
(Coordinator)
|
1° 2° 3° | Worlds of Fashion: Themes and Actors | F |
Alessandra Zamperini
(Coordinator)
|
1° 2° 3° | Music in History | F |
Vincenzo Borghetti
(Coordinator)
|
1° 2° 3° | OMI Award - Ceremony and round table | F |
Mario Magagnino
(Coordinator)
|
years | Modules | TAF | Teacher |
---|---|---|---|
1° 2° 3° | FAI Activities | F |
Edoardo Bianchi
(Coordinator)
|
1° 2° 3° | Series of conferences Don Nicola Mazza University College | F |
Alessandra Zangrandi
(Coordinator)
|
1° 2° 3° | Conference PRIN "Ippolito Nievo tra i Mille" | F |
Alessandra Zangrandi
(Coordinator)
|
1° 2° 3° | Business English for everybody | F |
Serena Dal Maso
(Coordinator)
|
1° 2° 3° | Russian for everybody | F |
Serena Dal Maso
(Coordinator)
|
1° 2° 3° | Memorial Day | F |
Renato Camurri
(Coordinator)
|
1° 2° 3° | Worlds of Fashion: Themes and Actors | F |
Alessandra Zamperini
(Coordinator)
|
1° 2° 3° | Music in History | F |
Vincenzo Borghetti
(Coordinator)
|
1° 2° 3° | OMI Award - Ceremony and round table | F |
Mario Magagnino
(Coordinator)
|
1° 2° 3° | Squadristi in celluloid. The march on Rome between documentary and fiction | F |
Denis Lotti
(Coordinator)
|
1° 2° 3° | Università e DSA - Metodi e strategie per affrontare lo studio e il percorso universitario | F |
Simona Brunetti
(Coordinator)
|
years | Modules | TAF | Teacher |
---|---|---|---|
1° 2° 3° | Gnoseology and Metaphysics Workshop 2025 | F |
Davide Poggi
(Coordinator)
|
years | Modules | TAF | Teacher |
---|---|---|---|
1° 2° 3° | FAI Activities | F |
Edoardo Bianchi
(Coordinator)
|
1° 2° 3° | Democrazie e fascismo | F |
Renato Camurri
(Coordinator)
|
1° 2° 3° | Fine della "globalizzazione"? Dialoghi sul mondo che cambia | F |
Giovanni Bernardini
(Coordinator)
|
1° 2° 3° | The journey of an intellectual between Italy and the United States during fascism: Giuseppe Antonio Borgese | F |
Renato Camurri
(Coordinator)
|
1° 2° 3° | Introduction to robotics for humanities students | F |
Paolo Fiorini
(Coordinator)
|
1° 2° 3° | Laboratory of Theatrical Criticism | F |
Simona Brunetti
(Coordinator)
|
1° 2° 3° | Laboratory of radio languages (second edition) | F |
Simona Brunetti
(Coordinator)
|
1° 2° 3° | Event management workshop to work in the performing arts and culture field | F |
Francesca Martinelli
(Coordinator)
|
1° 2° 3° | Opera Workshop | F |
Nicola Pasqualicchio
(Coordinator)
|
1° 2° 3° | Theatre with wheels | F | Not yet assigned |
years | Modules | TAF | Teacher |
---|---|---|---|
1° 2° 3° | Gnoseology and Metaphysics Workshop 2025 | F |
Davide Poggi
(Coordinator)
|
years | Modules | TAF | Teacher | |
---|---|---|---|---|
1° | Subject requirements: logical and argumentative skills | D |
Simona Brunetti
(Coordinator)
|
|
1° 2° 3° | Future's Festival | F |
Alessandra Zangrandi
(Coordinator)
|
|
1° 2° 3° | Laboratory of radio languages | F |
Simona Brunetti
(Coordinator)
|
English Literature (i) (2022/2023)
Teaching code
4S01196
Teacher
Coordinator
Credits
6
Language
Italian
Scientific Disciplinary Sector (SSD)
L-LIN/10 - ENGLISH LITERATURE
Period
2 A, 2 B
Learning objectives
The module aims at offering an overview of late-nineteenth to twentieth-century English drama, as well as at presenting the students with the basics of textual analysis. On successful completion of the module, students will achieve a good knowledge of the cultural context in which the texts included in the programme were composed. They will be able to develop a coherent and detailed interpretation of the texts, apply key methods and concepts relevant to textual analysis, and provide a plausible critical interpretation in a register and style that serve the context and intention.
Prerequisites and basic notions
A sufficient competence in English is advisable in order for students to comprehend primary texts and scholarly work in the discipline in English.
Program
Jane Eyre: Legacies and Afterlives
The module will offer a reading of Charlotte Brontë's Jane Eyre and, through the critical lens of adaptation and appropriation, of two of the many 'responses' the novel had after its first publication in 1847 (Rhys and Tennant) as examples of a rich literary and cultural afterlife.
BIBLIOGRAPHY
1. Primary texts
- Charlotte Brontë, Jane Eyre, ed. by Stevie Davies, Penguin, 2006.
- Jean Rhys, Wide Sargasso Sea, ed. by Andrea Ashworth, Penguin, 2000.
- Emma Tennant, Thornfield Hall, Harper, 2002.
2. Readings
- Julie Sanders, Adaptation and Appropriation, Routledge, 2006, pp. 1-41, 95-137.
- Esther Godfrey, “Jane Eyre, from Governess to Girl Bride”, Studies in English Literature, 1500-1900, Vol. 45, No. 4, 2005, pp. 853-871.
- Caroline Rody, “Burning Down the House: The Revisionary Paradigm of Jean Rhys’s Wide Sargasso Sea”, in Wide Sargasso Sea, ed. by Judith L. Raiskin, Norton, 1999, pp. 217-225.
- Carolyn Williams, “Closing the Book: The Intertextual End of Jane Eyre”, in Jane Eyre, ed. by Heather Glen, New Casebooks Macmillan, 1997, pp. 227-250.
Further details on required readings and general information on the bibliography will be provided during classes.
Bibliography
Didactic methods
Whole class teaching in Italian.
Supplementary teaching materials (slides, images, videos, other texts, etc.) that will be used during classes will be available for download from the MOODLE e-repository. These contents do not substitute but complement the mandatory readings listed in the PROGRAMME section.
It is advised, yet not mandatory, to attend classes. Upon students' request, the instructor can assign further bibliographical material. She will also be available during office hours to provide clarifying information and answer questions.
Learning assessment procedures
Oral exam (the exam will last approximately 20/30 minutes and will be based on 5/6 questions).
Students may be required to read and comment on passages taken from primary texts (see a. above).
There will be no mid-term tests.
Evaluation criteria
1) the knowledge and comprehension of the module’s topics (texts, authors, genres);
2) the development of good analytical and synthetic skill levels with regard to the main historical, cultural, textual, and critical topics of the module;
3) the use of an appropriate vocabulary.
Criteria for the composition of the final grade
The assessment of the three components listed above (see "Evaluation criteria") will form the final grade, awarded on a 30-point scale.
Minimum pass: 18/30
Maximum: 30/30 (cum laude)
Exam language
Italiano / Italian