Studying at the University of Verona
Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.
Type D and Type F activities
This information is intended exclusively for students already enrolled in this course.If you are a new student interested in enrolling, you can find information about the course of study on the course page:
Laurea in Scienze della comunicazione - Enrollment from 2025/2026| years | Modules | TAF | Teacher |
|---|---|---|---|
| 1° 2° 3° | Laboratory of History of Theatre | F |
Simona Brunetti
(Coordinator)
|
| years | Modules | TAF | Teacher |
|---|---|---|---|
| 1° 2° 3° | Laboratory of History of Theatre | F |
Simona Brunetti
(Coordinator)
|
| years | Modules | TAF | Teacher | |
|---|---|---|---|---|
| 3° | Communication and human resources management | D |
Serena Cubico
(Coordinator)
|
|
| 3° | Data elaboration laboratory | F |
Maurizio Boscaini
(Coordinator)
|
|
| 1° 2° 3° | Professional interview | F |
Riccardo Sartori
(Coordinator)
|
|
| 1° 2° 3° | Creative workshop in business communication | F |
Riccardo Sartori
(Coordinator)
|
|
| 1° 2° 3° | Sociology of Communication | F |
Lorenzo Migliorati
(Coordinator)
|
|
| 1° 2° 3° | Sociology of Mass Communication (p) | F |
Lorenzo Migliorati
(Coordinator)
|
|
| years | Modules | TAF | Teacher | |
|---|---|---|---|---|
| 3° | Communication and human resources management | D |
Serena Cubico
(Coordinator)
|
|
| 1° 2° 3° | Creative workshop in business communication | F |
Riccardo Sartori
(Coordinator)
|
|
| 1° 2° 3° | Laboratory of radio languages | F |
Tiziana Cavallo
(Coordinator)
|
|
History of Music (i) (2016/2017)
Teaching code
4S001450
Teacher
Coordinator
Credits
6
Language
Italian
Scientific Disciplinary Sector (SSD)
L-ART/07 - MUSICOLOGY AND HISTORY OF MUSIC
Period
Sem. IIA, Sem. IIB
Learning outcomes
The main object of this course is to introduce the world of Italian Melodrama
Program
The course is divided into two sections:
1) a quick “excursus” of the History of Melodrama from the origins to the Nineteenth Century;
2) listening of Melodramas in which the character of Figaro is protagonist (Il Barbiere di Siviglia of G. Paisiello; Le nozze di Figaro of W.A. Mozart; Il Barbiere di Siviglia of G. Rossini)
Examination Methods
Oral examination
