Studying at the University of Verona
Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.
Type D and Type F activities
This information is intended exclusively for students already enrolled in this course.If you are a new student interested in enrolling, you can find information about the course of study on the course page:
Laurea in Scienze della comunicazione - Enrollment from 2025/2026COMPETENZE TRASVERSALI
years | Modules | TAF | Teacher |
---|---|---|---|
1° 2° 3° | FAI Activities | F |
Edoardo Bianchi
(Coordinator)
|
1° 2° 3° | Series of conferences Don Nicola Mazza University College | F |
Alessandra Zangrandi
(Coordinator)
|
1° 2° 3° | Business English for everybody | F |
Serena Dal Maso
(Coordinator)
|
1° 2° 3° | Russian for everybody | F |
Serena Dal Maso
(Coordinator)
|
1° 2° 3° | Worlds of Fashion: Themes and Actors | F |
Alessandra Zamperini
(Coordinator)
|
1° 2° 3° | Music in History | F |
Vincenzo Borghetti
(Coordinator)
|
1° 2° 3° | OMI Award - Ceremony and round table | F |
Mario Magagnino
(Coordinator)
|
years | Modules | TAF | Teacher |
---|---|---|---|
1° 2° 3° | FAI Activities | F |
Edoardo Bianchi
(Coordinator)
|
1° 2° 3° | Series of conferences Don Nicola Mazza University College | F |
Alessandra Zangrandi
(Coordinator)
|
1° 2° 3° | Conference PRIN "Ippolito Nievo tra i Mille" | F |
Alessandra Zangrandi
(Coordinator)
|
1° 2° 3° | Business English for everybody | F |
Serena Dal Maso
(Coordinator)
|
1° 2° 3° | Russian for everybody | F |
Serena Dal Maso
(Coordinator)
|
1° 2° 3° | Memorial Day | F |
Renato Camurri
(Coordinator)
|
1° 2° 3° | Worlds of Fashion: Themes and Actors | F |
Alessandra Zamperini
(Coordinator)
|
1° 2° 3° | Music in History | F |
Vincenzo Borghetti
(Coordinator)
|
1° 2° 3° | OMI Award - Ceremony and round table | F |
Mario Magagnino
(Coordinator)
|
1° 2° 3° | Squadristi in celluloid. The march on Rome between documentary and fiction | F |
Denis Lotti
(Coordinator)
|
1° 2° 3° | Università e DSA - Metodi e strategie per affrontare lo studio e il percorso universitario | F |
Simona Brunetti
(Coordinator)
|
years | Modules | TAF | Teacher |
---|---|---|---|
1° 2° 3° | Gnoseology and Metaphysics Workshop 2025 | F |
Davide Poggi
(Coordinator)
|
years | Modules | TAF | Teacher |
---|---|---|---|
1° 2° 3° | FAI Activities | F |
Edoardo Bianchi
(Coordinator)
|
1° 2° 3° | Democrazie e fascismo | F |
Renato Camurri
(Coordinator)
|
1° 2° 3° | Fine della "globalizzazione"? Dialoghi sul mondo che cambia | F |
Giovanni Bernardini
(Coordinator)
|
1° 2° 3° | The journey of an intellectual between Italy and the United States during fascism: Giuseppe Antonio Borgese | F |
Renato Camurri
(Coordinator)
|
1° 2° 3° | Introduction to robotics for humanities students | F |
Paolo Fiorini
(Coordinator)
|
1° 2° 3° | Laboratory of Theatrical Criticism | F |
Simona Brunetti
(Coordinator)
|
1° 2° 3° | Laboratory of radio languages (second edition) | F |
Simona Brunetti
(Coordinator)
|
1° 2° 3° | Event management workshop to work in the performing arts and culture field | F |
Francesca Martinelli
(Coordinator)
|
1° 2° 3° | Opera Workshop | F |
Nicola Pasqualicchio
(Coordinator)
|
1° 2° 3° | Theatre with wheels | F | Not yet assigned |
years | Modules | TAF | Teacher |
---|---|---|---|
1° 2° 3° | Gnoseology and Metaphysics Workshop 2025 | F |
Davide Poggi
(Coordinator)
|
years | Modules | TAF | Teacher | |
---|---|---|---|---|
1° | Subject requirements: logical and argumentative skills | D |
Simona Brunetti
(Coordinator)
|
|
1° 2° 3° | Future's Festival | F |
Alessandra Zangrandi
(Coordinator)
|
|
1° 2° 3° | Laboratory of radio languages | F |
Simona Brunetti
(Coordinator)
|
History of Fashion (i) (2022/2023)
Teaching code
4S008057
Teacher
Coordinator
Credits
6
Language
Italian
Scientific Disciplinary Sector (SSD)
L-ART/02 - HISTORY OF MODERN ART
Period
1 A, 1 B
Learning objectives
The course aims to provide the tools to interpret the evolution, meaning and function of fashion, as represented in the figurative arts. At the end of the course, the student must be able to recognize the chronological and geographic scope, the main elements of clothing and the related terminology, the social and eventually symbolic value assigned to clothes and accessories; the student must demonstrate the ability to use the main written and iconographic sources on the topic as an aid to the mentioned reading process.
Prerequisites and basic notions
No prerequisites are required
Program
The course aims to provide the fundamental tools to know and memorize the main phases of fashion from the Renaissance to the twentieth century. The course will describe types and models according to their chronology and geographic origin. Fashion will also be analyzed as a response to the cultural values of different periods and countries, with particular attention to the fundamental moments that have marked its development starting from the Modern Age. The aim of the course is to provide students with the fundamental tools to memorize the main cultural and social structures of fashion; the moments, consumers, producers, the most relevant models. Students are encouraged to memorize and verify the teacher's theoretical assertions (the images will be uploaded to the e-learning site); furthermore, students are invited to set the coordinates relating to a particular period, a specific style, a particular model, so that in the future they can develop their skills in analyzing and formulating personal judgments. 1. The birth of fashion and its development in the Renaissance and in the 17th century. 2. The hegemony of French fashion from the 18th to the 20th century. 3. The birth of Italian fashion in the twentieth century. 4. Recent trends in international fashion. Bibliography Carlo Marco Belfanti, Civilization of fashion, Bologna (various editions) Fashion. The evolution of costume and style, Milan, 2016.
Bibliography
Didactic methods
Frontal lessons
Learning assessment procedures
Multiple choice written test, lasting a maximum of two hours. There are no differences between attending and non-attending students. Non-attending students are invited to study the images uploaded to the e-learning platform. Erasmus students are invited to take the lessons and are required to take the exam in the same way as other students. There are no intermediate tests
Evaluation criteria
The vote will be given based on the correct answers; incorrect answers are considered void, without further penalties.
Criteria for the composition of the final grade
The final grade is unique as it derives from a single test
Exam language
Italiano