Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Scienze della comunicazione - Enrollment from 2025/2026

SOFT SKILLS  

Find out more about the Soft Skills courses for Univr students provided by the University's Teaching and Learning Centre: https://talc.univr.it/it/competenze-trasversali 

 

CONTAMINATION LAB 

The Contamination Lab Verona (CLab Verona) is an experiential course with modules on innovation and enterprise culture that offers the opportunity to work in teams with students from all areas to solve challenges set by companies and organisations.  

Upon completion of a CLab, students will be entitled to receive 6 CFU (D- or F-type credits).  

Find out more:  https://www.univr.it/clabverona 

 

PLEASE NOTE: In order to be admitted to any teaching activities, including those of your choice, you must be enrolled in the academic year in which the activities in question are offered. Students who are about to graduate in the December and April sessions are therefore advised NOT to undertake extracurricular activities in the new academic year in which they are not enrolled, as these graduation sessions are valid for students enrolled in the previous academic year. Therefore, students who undertake an activity in an academic year in which they are not enrolled will not be granted CFU credits.  

Academic year:
CuCi 1 A From 9/25/23 To 11/4/23
years Modules TAF Teacher
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° 3° Science communication F Luca Ciancio (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Laboratory of radio languages F Simona Brunetti (Coordinator)
1° 2° 3° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° 3° History of comics F Claudio Gallo (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Chiara Melloni (Coordinator)
CuCi 1 B From 11/13/23 To 12/22/23
years Modules TAF Teacher
1° 2° 3° Art, memory and terrorism: the duty to protect our cultural heritage F Olivia Guaraldo (Coordinator)
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° 3° Series of lectures: Maria Callas: musica, media, moda, arte F Vincenzo Borghetti (Coordinator)
1° 2° 3° Science communication F Luca Ciancio (Coordinator)
1° 2° 3° The worlds of Italo Calvino F Giuseppe Sandrini (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Laboratory of radio languages F Simona Brunetti (Coordinator)
1° 2° 3° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° 3° History of comics F Claudio Gallo (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Chiara Melloni (Coordinator)
CuCi 2 A From 2/19/24 To 3/29/24
years Modules TAF Teacher
1° 2° TAUV. Garden of Printing Press F Anna Bognolo (Coordinator)
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Cities and Freedom F Olivia Guaraldo (Coordinator)
1° 2° 3° Festival of journalism F Simona Brunetti (Coordinator)
1° 2° 3° Day of remembrance and Day of memory F Renato Camurri (Coordinator)
1° 2° 3° Gli animali nella/della fantascienza. rappresentazioni ed espressioni del non-umano nella narrativa speculativa F Valentina Romanzi (Coordinator)
1° 2° 3° Laboratory of Theatrical Criticism F Monica Cristini (Coordinator)
1° 2° 3° Gnoseology and Metaphysics Workshop 2025 F Davide Poggi (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Journalistic Writing Laboratory F Andrea Capuzzo (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Chiara Melloni (Coordinator)
CuCi 2 B From 4/9/24 To 5/31/24
years Modules TAF Teacher
Conference Inner Islands. For a storytelling of loneliness in Italian Literature F Anna Maria Salvade' (Coordinator)
1° 2° TAUV. Garden of Printing Press F Anna Bognolo (Coordinator)
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Two lectures by the President of the “Accademia della Crusca”, Prof. Paolo D'Achille F Alessandra Zangrandi (Coordinator)
1° 2° 3° Day of remembrance and Day of memory F Renato Camurri (Coordinator)
1° 2° 3° Laboratory of Theatrical Criticism F Monica Cristini (Coordinator)
1° 2° 3° Gnoseology and Metaphysics Workshop 2025 F Davide Poggi (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Social theater workshop organized by the Compagnia Teatro Babilonia F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Preparation and participation in the Youth Jury of the Totola Prize F Nicola Pasqualicchio (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Chiara Melloni (Coordinator)
1° 2° 3° Veronetta F Simona Brunetti (Coordinator)
1° 2° 3° Verso le elezioni europee 2024 F Ilaria Possenti (Coordinator)
List of courses with unassigned period
years Modules TAF Teacher
1° 2° 3° Bridge film festival (XI Edition) F Alberto Scandola (Coordinator)
1° 2° 3° International Conference: F Silvia Baroni (Coordinator)
1° 2° 3° International Conference “Rudolf Nureyev and Literature: Dance, Choreography, and Reception” F Laura Maria Colombo (Coordinator)
1° 2° 3° News articles from Veronetta Contemporanea Festival 2024 F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Festival teatrale “festivabilia” il teatro delle attività F Alberto Scandola (Coordinator)
1° 2° 3° Identity, power, and gender through clothing F Alessandra Zamperini (Coordinator)
1° 2° 3° OMI 2024 - jury F Mario Magagnino (Coordinator)
1° 2° 3° “SaM – Shakespeare and the Mediterranean – The Twin and the Mirror: The Comedy of Errors and Twelfth Night” Summer School F Silvia Bigliazzi (Coordinator)
1° 2° 3° Verona in Storia Cycle of public lectures F Giovanni Bernardini (Coordinator)

Teaching code

4S008057

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-ART/02 - HISTORY OF MODERN ART

Period

CuCi 1 A, CuCi 1 B

Courses Single

Authorized

Learning objectives

The course aims to provide the tools to interpret the evolution, meaning and function of fashion, as represented in the figurative arts. At the end of the course, the student must be able to recognize the chronological and geographic scope, the main elements of clothing and the related terminology, the social and eventually symbolic value assigned to clothes and accessories; the student must demonstrate the ability to use the main written and iconographic sources on the topic as an aid to the mentioned reading process.

Prerequisites and basic notions

No prerequisites are required

Program

The course aims to provide the fundamental tools to know and memorize the main phases of the history of fashion from the Renaissance to the twentieth century. The course will describe types and models according to their chronology and geographic origin. Fashion will also be interpreted as a response to the cultural values of different periods and countries, with particular attention to the fundamental moments that have marked its development starting from the Modern Age. The course aims to give students the essential tools to memorize fashion's leading cultural and social structures: the key moments, consumers, producers, and the most relevant models. Students are encouraged to learn and verify the teacher's theoretical assertions (the images will be uploaded to the e-learning site); furthermore, students are invited to set the coordinates of a particular period, a specific style, a certain model, so that in the future they can develop their skills in analyzing and formulating personal judgments.
1. The birth of fashion and its development in the Renaissance and the 17th century.
2. The hegemony of French fashion from the 18th to the 20th century.
3. The birth of Italian fashion in the twentieth century.
4. Recent trends in international fashion.
Bibliography
Carlo Marco Belfanti, Civiltà della moda, Bologna (all the editions can be accepted)
Moda. L'evoluzione del costume e dello stile, Milano, 2016.
M.L. Frisa, Le forme della moda. Cultura, industria, mercato, comunicazione, Bologna 2022.

Bibliography

Visualizza la bibliografia con Leganto, strumento che il Sistema Bibliotecario mette a disposizione per recuperare i testi in programma d'esame in modo semplice e innovativo.

Didactic methods

Frontal lessons

Learning assessment procedures

A written multiple-choice test lasting up to two hours. There are no differences between attending and non-attending students. Non-attending students are invited to study the images uploaded to the e-learning platform. Erasmus students are invited to attend lessons and are required to take the exam like other students. There are no intermediate tests.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE

Evaluation criteria

The final grade depends on the number of correct answers. Wrong answers are evaluated as null and do not include penalties.

Criteria for the composition of the final grade

The final grade is unique, deriving from a single test.

Exam language

Italiano