Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Bachelor’s degree in Communication Studies - Enrollment from 2025/2026

The Study Plan includes all modules, teaching and learning activities that each student will need to undertake during their time at the University.
Please select your Study Plan based on your enrollment year.

Modules Credits TAF SSD
Between the years: 1°- 2°- 3°
Between the years: 1°- 2°- 3°
Further activities
6
F
-

Legend | Type of training activity (TTA)

TAF (Type of Educational Activity) All courses and activities are classified into different types of educational activities, indicated by a letter.




S Placements in companies, public or private institutions and professional associations

iIntroductory
padvanced
mMasterful

Teaching code

4S012407

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-ART/06 - CINEMA, PHOTOGRAPHY AND TELEVISION

Period

CuCi 1 A, CuCi 1 B

Courses Single

Authorized

Learning objectives

At the end of the course the student is expected to: a) have a better understanding of the main categories used within anthropology to understand (inter-) cultural processes; b) become acquainted with anthropological research practices; c) be capable of making use of the acquired tools to act in the media/public arena; d) be capable of a critical approach towards relevant issues in the public debate, particularly activating a critical perspective on migration processes and the categories used in communication.

Prerequisites and basic notions

Nobody

Program

The course aims to provide an introduction to the history of cinema and a broad overview of the evolution of cinematographic language from its origins to the present day, with particular attention to the influence that new technologies and digital platforms have had on the systems of production and reception of audiovisual texts. The main turning points in the history of cinema will be examined, namely the silent avant-gardes, classic Hollywood, neorealism, modern cinema, Italian comedy, contemporary cinema. Particular attention will be paid to the figure of Sophia Loren, analyzed from both an acting and a star point of view. NB TO PASS THE EXAM IT IS NOT ENOUGH TO FOLLOW THE LESSONS, BUT IT IS ALSO NECESSARY TO STUDY THE PROGRAMMED TEXTS AND WATCH THE FILMS. PROGRAMMED FILMS: full viewing is mandatory: the exam questions will refer to narrative, plastic, visual and sound elements of these films. 1. Nosferatu (Murnau, 1921) :https://www.youtube.com/watch?v=S28mCADc-vU 2. Satanic Rhapsody (Oxilia, 1917) https://www.youtube.com/watch?v=VDkY_4UHHnU 3. Susannah (Hawks,1934) :https://www.youtube.com/watch?v=5fowrDX2zA0&t=1153s 4. Sunset Boulevard (Wilder, 1950) :https://www.youtube.com/watch?v=gMwUhFP6ogE 5. East of Eden (Kazan, 1956) :https://www.youtube.com/watch?v=0o-oXFqqKsg) 6. Citizen Kane (Welles, 1941) 7. The Graduate (Nichols, 1967) 8. The Seven Year Itch (Wilder, 1957) 9. Breathless (Godard, 1960) 10. Rome, Open City (Rossellini, 1945) 11. The Overtaking (Risi, 1962) 12. The Adventure (Antonioni, 1959) 13. Cries and Whispers (Bergman, 1968) 14. Once Upon a Time in Hollywood (Tarantino, 2019) 15. The Great Beauty (Sorrentino, 2013)

Bibliography

Visualizza la bibliografia con Leganto, strumento che il Sistema Bibliotecario mette a disposizione per recuperare i testi in programma d'esame in modo semplice e innovativo.

Didactic methods

Frontal lesson with projection, commentary and analysis of audiovisual sequences

Learning assessment procedures

Written exam: three open questions. The student must demonstrate mastery of the elements of film language, knowledge of the main junctions of film history and the ability to analyze the film texts in the program.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE

Evaluation criteria

language skills, ability to analyse a film and place it in its historical-cultural context.

Criteria for the composition of the final grade

The grade will be 30/30. The 20 closed-ended questions will each be worth 1 point, the open-ended question will be worth 10 points.

Exam language

italiano