Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea magistrale in Editoria e giornalismo - Enrollment from 2025/2026
CuCi 1 A From 9/23/24 To 10/31/24
years Modules TAF Teacher
1° 2° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° International conference 'Theater festivals in the Twentieth century: intersections, dialogues and encounters (1950-1990)' F Simona Brunetti (Coordinator)
1° 2° American conversations F Valentina Romanzi (Coordinator)
1° 2° “Crisis of Democracy? Dialogues on the world to come” (second edition). Cycle of public lectures F Giovanni Bernardini (Coordinator)
1° 2° Choir/Orchestra Group F Not yet assigned
1° 2° The Bible at the Crossroads of Cultures: Reading Approaches F Mariaclara Rossi (Coordinator)
1° 2° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° Laboratory of radio languages F Francesca Cecconi (Coordinator)
1° 2° Workshop on transmedia storytelling F Elena Zilotti (Coordinator)
1° 2° Workshop for the creation of a short film within the project Il coraggio by the Ersilia Danza Company F Nicola Pasqualicchio (Coordinator)
1° 2° Gino Tellini (emeritus, University of Florence): A recent edition of all the short stories by Aldo Palazzeschi F Fabio Danelon (Coordinator)
1° 2° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° Study seminar (PRIN 2022) "Carte Tommaseo on-line" F Fabio Danelon (Coordinator)
1° 2° TAI will help you, students and university students for volunteering F Not yet assigned
1° 2° University and DSA - Methods and strategies for tackling study and university studies F Fabio Forner (Coordinator)
CuCi 1 B From 11/11/24 To 12/21/24
years Modules TAF Teacher
1° 2° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° American conversations F Valentina Romanzi (Coordinator)
1° 2° “Crisis of Democracy? Dialogues on the world to come” (second edition). Cycle of public lectures F Giovanni Bernardini (Coordinator)
1° 2° Choir/Orchestra Group F Not yet assigned
1° 2° The Bible at the Crossroads of Cultures: Reading Approaches F Mariaclara Rossi (Coordinator)
1° 2° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° Laboratory of radio languages F Francesca Cecconi (Coordinator)
1° 2° Workshop on transmedia storytelling F Elena Zilotti (Coordinator)
1° 2° Workshop for the creation of a short film within the project Il coraggio by the Ersilia Danza Company F Nicola Pasqualicchio (Coordinator)
1° 2° Molestie sessuali in ambito universitario. Un approccio multidisciplinare e intersezionale alla prevenzione D Stefano Porru
1° 2° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° Premio omi 2024 dell’osservatorio monografie impresa -convegno F Mario Magagnino (Coordinator)
1° 2° TAI will help you, students and university students for volunteering F Not yet assigned
1° 2° Call them, if you want, Graphic novels. Italian comics in the New Millennium, Study Conference 21-23 November 2024 F Simona Brunetti (Coordinator)
1° 2° Sexual harassment in the university setting. Know, Act, Protect. UNI4Equity European project workshop F Stefano Porru (Coordinator)
1° 2° University and DSA - Methods and strategies for tackling study and university studies F Fabio Forner (Coordinator)
CuCi 2 A From 2/17/25 To 3/29/25
years Modules TAF Teacher
1° 2° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° Bible and Art Seminar: Biblical Iconographic Cycles (IV-XVI century) F Tiziana Franco (Coordinator)
1° 2° Constitutio libertatis Arendtian trajectories between law and istitutions F Olivia Guaraldo (Coordinator)
1° 2° American conversations F Valentina Romanzi (Coordinator)
1° 2° Festival of journalism F Simona Brunetti (Coordinator)
1° 2° Choir/Orchestra Group F Not yet assigned
1° 2° Gnoseology and Metaphysics Workshop 2025 F Davide Poggi (Coordinator)
1° 2° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° Creative Writing Laboratory F Francesca Cecconi (Coordinator)
1° 2° The Invention of the Body Snatchers. Other, Alien, Hybrid Corporeity in Anglophone Speculative Fiction F Valentina Romanzi (Coordinator)
1° 2° Pillole di sostenibilità F Matteo Nicolini (Coordinator)
1° 2° Studio Smoothing the Parth from Compulsory to Tertiary Education in Europe F Simona Brunetti (Coordinator)
1° 2° TAI will help you, students and university students for volunteering F Not yet assigned
1° 2° Її - Her: Dimensions of Ukrainian Womanhood F Anna Giust (Coordinator)
CuCi 2 B From 4/7/25 To 5/31/25
years Modules TAF Teacher
1° 2° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° Bible and Art Seminar: Biblical Iconographic Cycles (IV-XVI century) F Tiziana Franco (Coordinator)
1° 2° Cycle of conferences by "Association Universitaire Francophone" Verona F Nicola Pasqualicchio (Coordinator)
1° 2° Constitutio libertatis Arendtian trajectories between law and istitutions F Olivia Guaraldo (Coordinator)
1° 2° International Conference "Leibniz and Music. Between science knowledge and ethics" F Davide Poggi (Coordinator)
1° 2° American conversations F Valentina Romanzi (Coordinator)
1° 2° Choir/Orchestra Group F Not yet assigned
1° 2° "War Occupation Resistance. Series of public conferences (on the occasion of the 80th anniversary of the Liberation)" F Giovanni Bernardini (Coordinator)
1° 2° Gnoseology and Metaphysics Workshop 2025 F Davide Poggi (Coordinator)
1° 2° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° Creative Writing Laboratory F Francesca Cecconi (Coordinator)
1° 2° Laboratory of Critical writing for Theatre F Simona Brunetti (Coordinator)
1° 2° Laboratorio di teatro d'impresa F Giulia Cailotto (Coordinator)
1° 2° Pillole di sostenibilità F Matteo Nicolini (Coordinator)
1° 2° Summer School “SaM – Shakespeare e il Mediterraneo – “Tricks of Desire: A Midsummer Nights Dream and The Two Noble Kinsmen” F Silvia Bigliazzi (Coordinator)
1° 2° TAI will help you, students and university students for volunteering F Not yet assigned
1° 2° TAUV. Garden of Printing Press F Anna Bognolo (Coordinator)
1° 2° Veronetta F Simona Brunetti (Coordinator)
1° 2° Її - Her: Dimensions of Ukrainian Womanhood F Anna Giust (Coordinator)

Teaching code

4S008068

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-ART/05 - PERFORMING ARTS

Period

CuCi 1 A, CuCi 1 B

Courses Single

Authorized

Learning objectives

The course aims to present the theories and to provide the tools for the study of the relationship between performing arts and media, that is to say the technologies used to construct, fix, transmit, enjoy and comment one single performance or more and all its various components from the antiquity to the digital age. At the end of the course the students will be able to understand the many possible interactions between media and performing arts; analyse the cultural, social, and ideological aspects underneath them; compose on their own short written papers on a piece of performance; acquire the ability to improve their knowledge in time.

Prerequisites and basic notions

No prerequisites

Program

Course title: The song as performance and as show. The course intends to analyze, from different points of view, the song as a “singing performance”, with reference not only to the vocal performance, but also to the role and meaning that the singer’s corporeality plays in the interpretation of the song: gestures, expressiveness, rhythm, clothing, relationship with space, relationship with the microphone and instruments, relationship with the lights and any scenography, relationship with the audience, reference to a broader context (festival, concert, television program). The analysis will be divided into 3 moments, each with its own focus: 1) the evolution of the performative aspect of the Italian song from the 1950s to today, drawing as a main source on television programs and in particular the Sanremo festival; 2) the characterizing aspects of that particular genre of song that explicitly and consciously assumes a theatrical dimension, from cabaret to song-theatre; 3) the live concert (pop or rock) as a specific form of show.
Both attending and non-attending students are advised to check the insertion of materials on the moodle platform. Erasmus students are requested to contact the teacher before starting the preparation for the exam.

Bibliography

Visualizza la bibliografia con Leganto, strumento che il Sistema Bibliotecario mette a disposizione per recuperare i testi in programma d'esame in modo semplice e innovativo.

Didactic methods

The teaching will be based on lectures, during which the teacher will try to stimulate dialogue and active interaction with the students. Some lessons will make use of the vision of filmic passages and theatrical and musical videos.

Learning assessment procedures

Students' competences will be verified through an oral examination.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE

Evaluation criteria

The evaluation will take into account the following elements:
knowledge of the course contents;
ability to express oneself clearly, logically and using an appropriate terminology;
ability of personal re-elaboration of the topics;
ability of historical and aesthetic contextualization of the topics.

Criteria for the composition of the final grade

single vote out of thirty

Exam language

italiano