Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea magistrale in Editoria e giornalismo - Enrollment from 2025/2026
COMPETENZE TRASVERSALI
Scopri i percorsi formativi promossi dal  Teaching and learning centre dell'Ateneo, destinati agli studenti iscritti ai corsi di laurea, volti alla promozione delle competenze trasversali:
Academic year:
1 A CuCi From 9/27/21 To 11/6/21
years Modules TAF Teacher
1° 2° Call for the poetic choir of the canto XXVI of the Purgatory F Nicola Pasqualicchio (Coordinator)
1° 2° Series of conferences Don Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° Dante on stage. Meetings with directors, actors, choreographers F Nicola Pasqualicchio (Coordinator)
1° 2° Girolamo Fracastoro. 500 years from the beginning of modern pathology F Carlo Chiurco (Coordinator)
1° 2° Playlab - soft skills workshops F Simona Brunetti (Coordinator)
1° 2° Theatre with wheels F Simona Brunetti (Coordinator)
1° periodo lezioni (1B) From 11/5/21 To 12/16/21
years Modules TAF Teacher
1° 2° Future's Festival F Alessandra Zangrandi (Coordinator)
1 B CuCi (recupero lezioni dal 7 al 12 gennaio 2022) From 11/15/21 To 1/12/22
years Modules TAF Teacher
1° 2° Series of conferences Don Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° Dante on stage. Meetings with directors, actors, choreographers F Nicola Pasqualicchio (Coordinator)
1° 2° International Workshop Mothers in the Time of the Church Fathers: Maternal Thought and Maternal Practice between Normative Representations and Individual Transgressions F Giulia Pedrucci (Coordinator)
1° 2° Playlab - soft skills workshops F Simona Brunetti (Coordinator)
1° 2° Recording the theatrical ephemeral F Simona Brunetti (Coordinator)
1° 2° Theatre with wheels F Simona Brunetti (Coordinator)
2 A CuCi From 2/14/22 To 3/26/22
years Modules TAF Teacher
1° 2° Antifascism / antifascisms - Reasons and paths F Renato Camurri (Coordinator)
1° 2° Dante on stage. Meetings with directors, actors, choreographers F Nicola Pasqualicchio (Coordinator)
1° 2° Spring FAI Days 2022 F Edoardo Bianchi (Coordinator)
1° 2° International Workshop Mothers in the Time of the Church Fathers: Maternal Thought and Maternal Practice between Normative Representations and Individual Transgressions F Giulia Pedrucci (Coordinator)
1° 2° Introduction to robotics for humanities students F Paolo Fiorini (Coordinator)
1° 2° Workshop on digital publishing F Andrea Bongiorni (Coordinator)
1° 2° Opera Workshop F Nicola Pasqualicchio (Coordinator)
1° 2° Workshop on transmedia storytelling F Elena Zilotti (Coordinator)
1° 2° "Shake Shakespeare Up!" workshop F Silvia Bigliazzi (Coordinator)
1° 2° WHAT CREDENTIALS FOR OUR SUSTAINABLE FUTURE? WAITING FORTHE FESTIVAL TERRA2050 SECOND EDITION F Maria Pappalardo (Coordinator)
1° 2° Theatre with wheels F Simona Brunetti (Coordinator)
Prima parte del secondo semestre From 2/14/22 To 3/26/22
years Modules TAF Teacher
1° 2° "Common world. 2022 Arendt Seminars F Ilaria Possenti (Coordinator)
1° 2° Gnoseology and Metaphysics Workshop 2025 F Davide Poggi (Coordinator)
2 B CuCi (recupero lezioni dal 30 maggio al 4 giugno 2022) From 4/4/22 To 6/4/22
years Modules TAF Teacher
1° 2° Antifascism / antifascisms - Reasons and paths F Renato Camurri (Coordinator)
1° 2° International conference “The rise of new theatre and the theatrical avant-garde: meetings and influences across boundaries (1948-1981)” F Simona Brunetti (Coordinator)
1° 2° Dante on stage. Meetings with directors, actors, choreographers F Nicola Pasqualicchio (Coordinator)
1° 2° Spring FAI Days 2022 F Edoardo Bianchi (Coordinator)
1° 2° Workshop on digital publishing F Andrea Bongiorni (Coordinator)
1° 2° Laboratory of radio languages F Simona Brunetti (Coordinator)
1° 2° Opera Workshop F Nicola Pasqualicchio (Coordinator)
1° 2° Workshop on transmedia storytelling F Elena Zilotti (Coordinator)
1° 2° "Shake Shakespeare Up!" workshop F Silvia Bigliazzi (Coordinator)
1° 2° WHAT CREDENTIALS FOR OUR SUSTAINABLE FUTURE? WAITING FORTHE FESTIVAL TERRA2050 SECOND EDITION F Maria Pappalardo (Coordinator)
1° 2° Summer School SaM (“Shakespeare and the Mediterranean”) The Tempest F Silvia Bigliazzi (Coordinator)
1° 2° Theatre with wheels F Simona Brunetti (Coordinator)
Seconda parte del secondo semestre From 4/4/22 To 6/4/22
years Modules TAF Teacher
1° 2° "Common world. 2022 Arendt Seminars F Ilaria Possenti (Coordinator)
1° 2° Gnoseology and Metaphysics Workshop 2025 F Davide Poggi (Coordinator)

Teaching code

4S02889

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-LIN/10 - ENGLISH LITERATURE

Period

1 A, 1 B

Learning outcomes

The module aims at providing specific knowledge about the history of English publishing, compared to the Italian one, with regard to the production of complex texts, such as Renaissance play texts, in relation to the transmission of their printed sources, as well as their own later circulation and re-elaboration in diverse genres and according to different printing practices. The module will offer advanced tools for textual analysis and for the interpretation of literary and dramatic genres within their historical and cultural contexts and in relation to their editorial traditions. It will also introduce students to critical approaches aimed at strengthening their argumentative skills. On successful completion of the module, students will be able to re-elaborate critically the acquired knowledge and to discuss topics employing appropriate linguistic and stylistic registers.

Program

“Passion and Politics: the Myth of Cleopatra in William Shakespeare.”

This module examines the reception and re-elaboration of the Cleopatra myth in sixteenth-century England with particular attention to William Shakespeare’s Antony and Cleopatra. It will analyse its ancient and contemporary sources and suggestions, discussing the relationship between politics and passion in Rome and Alexandria. It will also focus on sixteenth- and seventeenth-century publishing practices with reference to the texts that contributed to the composition of this drama and on current practices of publishing and publishing in print and digital of Renaissance texts.

TEACHING METHODS:
The module will be held in English. Attending students will take one self-assessment test at the end of the module. A written calendar of the topics that will be dealt with will be circulated in class at the beginning of the course.
Further teaching material will be available for download from the MOODLE repository.

SYLLABUS:
Attending and non-attending students, as well as Erasmus students are required to do all the readings indicated below:

• William Shakespeare, Antony and Cleopatra, ed. by John Wilders, London, Bloomsbury, The Arden Shakespeare Third Series, 1995.
• Stephen Orgel, Authentic Shakespeare, London and New York, Routledge, 2002, capitoli 1-4 (pp. 1-47).
• Michael Hunter, Editing Early Modern Texts. An Introduction to Principles and Practices, New York, Palgrave MacMillan, 2009.
• Brookes, Douglas A., “Dramatic Authorship and Publication in Early Modern England”, Medieval & Renaissance Drama in England 15, 2002, pp. 77-97.

Further Suggested readings (not compulsory):

• Geoffrey Bullough, Antony and Cleopatra, in Narrative and Dramatic Sources of Shakespeare, vol. 5, 1961, London and New York, Routledge – Columbia University Press, pp. 215-449.

Bibliography

Visualizza la bibliografia con Leganto, strumento che il Sistema Bibliotecario mette a disposizione per recuperare i testi in programma d'esame in modo semplice e innovativo.

Examination Methods

Knowledge acquisition will be evaluated through an oral exam, which will consist in a discussion of the topics dealt with during the module. The oral exam will be held in English.

Alternatively, students may submit an essay in English of approximately 5,000 words at least a week before the exam. The essay will then be presented and discussed orally. For essay-writing guidelines please refer to the following text: Richard Marggraf Turley, Writing Essays, London and New York, Routledge, 2016 (2nd edition). Before submitting their essays, students are required to discuss their project with the teacher.

The acquired abilities will be evaluated in terms of:
1) use of critical approaches appropriate to textual and contextual analysis, with special regard to the history of the book;
2) textual comprehension of the primary texts;
3) argumentative skills in academic discussion.
The exam is the same for attending and non-attending students.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE