Studying at the University of Verona
Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.
Study Plan
The Study Plan includes all modules, teaching and learning activities that each student will need to undertake during their time at the University.
Please select your Study Plan based on your enrollment year.
1° Year
| Modules | Credits | TAF | SSD |
|---|
Contemporary History I - LM
History of Science and Technology - LM
Medieval History, History of Christianity and Churches
Early Modern History I - LM (Historical Anthropology)
1 module among the following1 module among the followingHistory of Medieval Art (m)
Medieval Latin Literature II
1 module between the followingHistory of Political Thought
Digital tools for historical research
2° Year activated in the A.Y. 2025/2026
| Modules | Credits | TAF | SSD |
|---|
| Modules | Credits | TAF | SSD |
|---|
Contemporary History I - LM
History of Science and Technology - LM
Medieval History, History of Christianity and Churches
Early Modern History I - LM (Historical Anthropology)
1 module among the following1 module among the followingHistory of Medieval Art (m)
Medieval Latin Literature II
1 module between the followingHistory of Political Thought
Digital tools for historical research
| Modules | Credits | TAF | SSD |
|---|
| Modules | Credits | TAF | SSD |
|---|
Legend | Type of training activity (TTA)
TAF (Type of Educational Activity) All courses and activities are classified into different types of educational activities, indicated by a letter.
History of Medieval Art (m) [Sede TN] (2024/2025)
Teaching code
4S02264
Teacher
Coordinator
Credits
6
Language
Italian
Scientific Disciplinary Sector (SSD)
L-ART/01 - HISTORY OF MEDIEVAL ART
Period
1° semestre lezioni Trento dal Sep 16, 2024 al Dec 20, 2024.
Courses Single
Authorized
Learning objectives
The purpose of this course is to discuss and analyze a critical theme relevant to the history of medieval art in order to consolidate the methodological bases and knowledge of the historical/critical presuppositions, with special emphasis on the works themselves in their spatial, historic and cultural context.