Studying at the University of Verona
Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.
Type D and Type F activities
| years | Modules | TAF | Teacher |
|---|---|---|---|
| 1° 2° | Introduction to robotics for humanities students | F |
Paolo Fiorini
(Coordinator)
|
| years | Modules | TAF | Teacher | |
|---|---|---|---|---|
| 1° | The RiVe seminars. Choral work. Relationships, synergies, connections | F |
Enrico Dal Pozzolo
(Coordinator)
|
|
| 1° 2° | How to tell a story and why we should tell it in a certain way? | F |
Valerio Terraroli
(Coordinator)
|
|
| 1° 2° | Introduction to robotics for humanities students | F |
Paolo Fiorini
(Coordinator)
|
|
| 1° 2° | Recording the theatrical ephemeral | F |
Simona Brunetti
(Coordinator)
|
|
| 1° 2° | Visual art collections management and curating, arte territorio comunità | F |
Valerio Terraroli
(Coordinator)
|
|
| years | Modules | TAF | Teacher |
|---|---|---|---|
| 1° 2° | Sigecweb computer system introduction course | F |
Ada Gabucci
(Coordinator)
|
| 1° 2° | Graph-East. Art and epigraphy between East and West at the time of the crusades | F |
Fabio Coden
(Coordinator)
|
| 1° 2° | Introduction to robotics for humanities students | F |
Paolo Fiorini
(Coordinator)
|
| 1° 2° | Workshop on the History of Manuscript Illumination | F |
Margherita Zibordi
(Coordinator)
|
| 1° 2° | Opera Workshop | F |
Nicola Pasqualicchio
(Coordinator)
|
| 1° 2° | La casa/Museo: Palazzo Maffei/Collezione Carlon | F |
Valerio Terraroli
(Coordinator)
|
| 1° 2° | Works on display, 2022 Panel paintings by Girolamo dai Libri | F |
Giorgio Fossaluzza
(Coordinator)
|
| 1° 2° | History of jewellery | F |
Paola Venturelli
(Coordinator)
|
| years | Modules | TAF | Teacher |
|---|---|---|---|
| 1° 2° | Sigecweb computer system introduction course | F |
Ada Gabucci
(Coordinator)
|
| 1° 2° | FAY DAYS - FAI Un Giro in Villa (3 cfu) | F |
Patrizia Basso
(Coordinator)
|
| 1° 2° | Introduction to robotics for humanities students | F |
Paolo Fiorini
(Coordinator)
|
| 1° 2° | Laboratorio di Filosofia dell’arte e della musica | F |
Markus Georg Ophaelders
(Coordinator)
|
| 1° 2° | Workshop on the History of Manuscript Illumination | F |
Margherita Zibordi
(Coordinator)
|
| 1° 2° | Opera Workshop | F |
Nicola Pasqualicchio
(Coordinator)
|
| 1° 2° | La collezione AGI Verona in Santa Marta e altri sedi universitarie a Verona | F |
Valerio Terraroli
(Coordinator)
|
| 1° 2° | Works on display, 2022 Panel paintings by Girolamo dai Libri | F |
Giorgio Fossaluzza
(Coordinator)
|
| 1° 2° | History of jewellery | F |
Paola Venturelli
(Coordinator)
|
Workshop on the History of Manuscript Illumination (2021/2022)
Teaching code
4S000658
Teacher
Coordinator
Credits
3
Also offered in courses:
- Workshop on the History of Manuscript Illumination of the course Bachelor’s degree in Cultural Heritage
Language
Italian
Scientific Disciplinary Sector (SSD)
NN - -
Period
2 A, 2 B
Learning outcomes
The workshop provides an historical overview about manuscript illumination and an introduction to its main research topics. Firslty, the workshop will present the principal techniques and contexts of manuscript production. Secondly, it will illustrate the evolution of the illuminated manuscript between the Middle Ages and the Renaissance from a material, stylistic and iconographic point of view. Thirdly, the workshop will show how the different typologies of illustrative scheme relate to the specific function of each illuminated manuscript. With that regard, a special attention will be paid to the text-image relationship. Finally, the workshop will approach some research topics regarding the rise of historical study of the illuminated manuscript and the taste and collecting of illuminations in the eighteenth and nineteenth centuries.
Program
1. Introduction to the History of the Miniature:
Techniques, methods, and contexts of illuminated manuscript production
Discipline issues: terminology in use, the text-image relationship, and the connection with the other arts
The different types and functions of the illuminated manuscript in religious and secular contexts
2. Fundamentals of the History of the Miniature from the Late Antiquity to the Gothic Period
3. Illumination in Liturgical Manuscripts:
Types and functions
The Choir Book
The Choir Books of the Verona Cathedral
4. The Fortune of the Illuminated Manuscripts between the Eighteenth and Nineteenth century:
The birth of a discipline: the first studies of the history of the miniature
Taste and collecting of illuminations: the Italian and Veneto contexts
5. Visit to a library to examine original illuminated manuscripts
Bibliography
Examination Methods
Oral exam
