Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Lettere - Enrollment from 2025/2026

The Study Plan includes all modules, teaching and learning activities that each student will need to undertake during their time at the University.
Please select your Study Plan based on your enrollment year.

CURRICULUM TIPO:

1° Year 

ModulesCreditsTAFSSD
Foreign language B1 (CB Test): English, French, German, Russian, Spanish
3
E
-
ModulesCreditsTAFSSD
Foreign language B1 (CB Test): English, French, German, Russian, Spanish
3
E
-
Modules Credits TAF SSD
Between the years: 1°- 2°- 3°
Between the years: 1°- 2°- 3°
Other activities
6
F
-

Legend | Type of training activity (TTA)

TAF (Type of Educational Activity) All courses and activities are classified into different types of educational activities, indicated by a letter.




S Placements in companies, public or private institutions and professional associations

iIntroductory
padvanced
mMasterful

Teaching code

4S006303

Credits

2

Also offered in courses:

Language

Italian

Scientific Disciplinary Sector (SSD)

NN - -

Period

First half of Semester 2  dal Feb 26, 2018 al Apr 21, 2018.

Learning outcomes

The Conservatory and the University promote a series of lectures entitled “Music/Cultures/Civilizations”: six one-hour events to discuss music in history, culture and society. Each year a different theme is chosen, explored by six scholars from a variety of interdisciplinary perspectives.

The title of the second edition is “The Music of Women”. The history of Western music is usually told as a story of “great men”. Women have a marginal place in this story, if they be mentioned at all. Women commissioned, composed and performed music regularly, but traditional music historiography has forgotten this active presence. “The Music of Women” intends to counter this narrative, inviting us instead to discover women’s musical practices from the Renaissance to the twentieth century, and to think about how such practices have (not) been narrated.

Program

Programma

7 febbraio 2018, ore 18
Olivia Guaraldo (Università di Verona)
Orgoglio e pregiudizio: quando e come le donne si raccontano

14 febbraio 2018, ore 18
Simona Brunetti (Università di Verona)
Comiche cantanti: avvento dell'attrice di professione tra recitazione, gesto e melodia

21 febbraio 2018, ore 18
Vincenzo Borghetti (Università di Verona)
Margherita d'Austria (1480-1530): la sovrana lettrice di musica

28 febbraio 2018, ore 18
Franco Pavan (Conservatorio di Verona)
La necessità dell’exemplum: monacazioni forzate, estasi e musica nell’Italia del ‘600

7 marzo 2018, ore 18
Federico Zandonà, Luisa Zecchinelli (Conservatorio di Verona)
L'angelo ritrovato. La musicista nel Novecento

14 marzo 2018, ore 18
Laura Och (Conservatorio di Verona)
“Madamina, il catalogo è questo”. Presenze femminili nell'epistolario mozartiano


contacts: vincenzo.borghetti@univr.it / laura.och@conservatorioverona.it

Examination Methods

written essay. You can find the Guidelines for the essay here http://www.dtesis.univr.it/?ent=persona&id=4950&lang=it#tab-presentazione
(name of the document: "Linee guida per l'Elaborato finale"

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE