Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Lettere - Enrollment from 2025/2026

The Study Plan includes all modules, teaching and learning activities that each student will need to undertake during their time at the University.
Please select your Study Plan based on your enrollment year.

CURRICULUM TIPO:

2° Year   activated in the A.Y. 2019/2020

ModulesCreditsTAFSSD
1 course to be chosen among the following
6
B
L-FIL-LET/05
6
B
L-FIL-LET/04
2 courses to be chosen among the following
activated in the A.Y. 2019/2020
ModulesCreditsTAFSSD
1 course to be chosen among the following
6
B
L-FIL-LET/05
6
B
L-FIL-LET/04
2 courses to be chosen among the following
Modules Credits TAF SSD
Between the years: 1°- 2°- 3°
Between the years: 1°- 2°- 3°
Other activitites
6
F
-

Legend | Type of training activity (TTA)

TAF (Type of Educational Activity) All courses and activities are classified into different types of educational activities, indicated by a letter.




S Placements in companies, public or private institutions and professional associations

iIntroductory
padvanced
mMasterful

Teaching code

4S001450

Credits

6

Also offered in courses:

Language

Italian

Scientific Disciplinary Sector (SSD)

L-ART/07 - MUSICOLOGY AND HISTORY OF MUSIC

Period

CuCi IA dal Sep 21, 2020 al Oct 31, 2020.

Learning outcomes

The course aims to introduce students to the issues and methods concerning the study of opera as the most prominent manifestation of western music theatre of the last four centuries. Each year the course is centred around one or more case studies.

Program

Foundations of musical dramaturgy: Monteverdi and the beginnings of opera. This course aims to introduce students to the study of opera. The first part will focus on the theory of musical dramaturgy. The second will concentrate on Monteverdi 's opera "L’incoronazione di Poppea" which will function as a case study on which we will try out recent methodological approaches and learn the most useful analytical tools.

BIBLIOGRAPHY
(The symbol * marks books available in the Moodle platform)

-- Lecture notes
-- GLORIA STAFFIERI, "Un teatro tutto cantato. Introduzione all’opera italiana", Roma, Carocci, 2012 capp. 1-2 (pp. 17-99); capp. 4-5 (pp. 123-153 untile the end of paragraph 2 of section 5.2 "Moduli poetici e forme musicali")
-- GLORIA STAFFIERI, "L’opera italiana. Dalle origini alle riforme del secolo dei Lumi (1590-1790)", Roma, Carocci, 2014 (capp. 1- 2, 3 (pp. 17-146))
-- ALEXANDROS M. HATZIKIRIAKOS, "L'incoronazione di Poppea di Claudio Monteverdi. Guida all'opera", Verona, QuiEdit, 2020
-- ELLEN ROSAND, "Le ultime opere di Monteverdi. Trilogia veneziana", Milano, Ricordi, 2013 (pp. 178-182, 208-216, 296-327)

* Libretto of the opera
* Score of the opera

Video/Audio of the opera

Video of "The Incoronazione di Poppea" available on the web:
Schwetzingen Festival, 2017, cond. Claudio Cavina https://www.youtube.com/watch?v=FqMrivd0iUo&t=698s

Videos of the opera available at the Biblioteca Frinzi, Reference desk
- dir. Ole Anders Tandberg, Orchestra of the Norwegian National Opera, cond. Alessandro De Marchi, DVD, Euroarts 2012;
- dir. David Alden, Baroque Orchestra del Gran Teatre del Liceu di Barcellona, cond. Harry Bicket, DVD, Opus arte 2012;

If needed, further bibliography could be added during the therm

Reference texts
Author Title Publishing house Year ISBN Notes
Docente del corso Appunti delle lezioni 2021
ELLEN ROSAND Le ultime opere di Monteverdi. Trilogia veneziana Ricordi 2013 978-88-7592-905-3 pp. 178-182, 208-216, 296-327
ALEXANDROS M. HATZIKIRIAKOS "L'incoronazione di Poppea di Claudio Monteverdi. Guida all'opera QuiEdit 2020
GLORIA STAFFIERI "L’opera italiana. Dalle origini alle riforme del secolo dei Lumi (1590-1790)" Carocci 2014 9788843071081 capp. 1- 2, 3 (pp. 17-146)
GLORIA STAFFIERI "Un teatro tutto cantato. Introduzione all’opera italiana" Carocci 2012 9788843065769 capp. 1-2 (pp. 17-99); capp. 4-5 (pp. 123-153: fino alla fine del paragrafo 2 della sezione 5.2 "Moduli poetici e forme musicali")

Examination Methods

Written test: three questions to be answered in 1h and 30m. Thew first question will be on opera in general (first part of the course); the other two on Verdi’s "L’incoronazione di Poppea " (second part of the course). Evaluation criteria: proper use of specific vocabulary, knowledge of the foundations of music dramaturgy, ability to analyze the opera presented as case study.

Due to the Coronavirus pandemic, and in accordance with the University of Verona guidelines, during ​the 2021 summer and autumn session the assessment modality will be modified as follows: written essay to be completed at home. Specific instructions are available on Moodle.

How to register for the exam
Students intending to sit the exam for this course must:
- enter their name online for “appello scritto NON VERBALIZZANTE”
- after the written exam, wait for the publication of grades in the section “avvisi” of the professor’s webpage (http://www.dcuci.univr.it/?ent=persona&id=4950&lang=it#tab-avvisi).
- Students who want their grade to be officially registered must enter their name online for the “appello VERBALIZZANTE” (or “di VERBALIZZAZIONE”). This “appello” does NOT require a student’s physical presence: the professor will register the grade online in his own time.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE