Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

Type D and Type F activities

Prima parte del primo semestre From 9/23/19 To 10/31/19
years Modules TAF Teacher
1° 2° 3° The origins of Christianity F Augusto Barbi (Coordinator)
Semestrino 1A From 9/23/19 To 10/31/19
years Modules TAF Teacher
Fondamenti per introduzione allo studio del linguaggio F Federico Righi (Coordinator)
1° 2° 3° Lectures "Musiche/Culture/Civiltà" F Vincenzo Borghetti (Coordinator)
1° 2° 3° Laboratory of ancient greek F Dino Piovan (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Opera Workshop F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Presente e futuro del pianeta. economia, sostenibilità e politiche F Gian Maria Varanini (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
1° 2° 3° History of Greek and Roman theatre (i) D Gherardo Ugolini (Coordinator)
Seconda parte del primo semestre From 11/11/19 To 1/11/20
years Modules TAF Teacher
Roman History (p) D Attilio Mastrocinque
1° 2° 3° The origins of Christianity F Augusto Barbi (Coordinator)
Semestrino 1B From 11/11/19 To 1/11/20
years Modules TAF Teacher
Fondamenti per introduzione allo studio del linguaggio F Federico Righi (Coordinator)
1° 2° 3° Lectures "Musiche/Culture/Civiltà" F Vincenzo Borghetti (Coordinator)
1° 2° 3° Il realismo politico e l’impossibile F Olivia Guaraldo (Coordinator)
1° 2° 3° Laboratory of ancient greek F Dino Piovan (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Opera Workshop F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Read and interpret the physical phenomena on the IGM cartography F Silvino Salgaro (Coordinator)
1° 2° 3° Presente e futuro del pianeta. economia, sostenibilità e politiche F Gian Maria Varanini (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
1° 2° 3° The History of Contemporary Art (p) D Valerio Terraroli
1° 2° 3° History of Greek and Roman theatre (i) D Gherardo Ugolini (Coordinator)
1° 2° 3° Un patrimonio urbano da ri-conoscere e ri-valutare: ville e palazzi storici di verona e circondario F Gian Maria Varanini (Coordinator)
Semestrino 2A From 2/17/20 To 3/28/20
years Modules TAF Teacher
2° 3° Archaeology and History of Greek and Roman Art (i) D Patrizia Basso
1° 2° 3° Marchants of Culture. Editorial distribution and promotion F Federica Formiga (Coordinator)
1° 2° 3° Training course for final skills evaluation test F Paolo De Paolis (Coordinator)
1° 2° 3° Giornate fai di primavera (1 cfu) F Monica Molteni (Coordinator)
1° 2° 3° Il realismo politico e l’impossibile F Olivia Guaraldo (Coordinator)
1° 2° 3° Educational workshop on bibliotherapy F Marco Dalla Valle (Coordinator)
1° 2° 3° Laboratory of photo F Carlo Vannini (Coordinator)
1° 2° 3° Laboratory of ancient greek F Dino Piovan (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop on akkadian language F Simonetta Ponchia (Coordinator)
1° 2° 3° Language and culture of Ancient Anatolia and the Hittites F Federico Giusfredi (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
1° 2° 3° Contemporary History (p) D Renato Camurri
1° 2° 3° History of Medieval Art (i) D Tiziana Franco
Semestrino 2B From 4/6/20 To 5/30/20
years Modules TAF Teacher
1° 2° 3° Archaeology and History of Greek and Roman Art (p) D Diana Sergeeva Dobreva
1° 2° 3° Training course for final skills evaluation test F Paolo De Paolis (Coordinator)
1° 2° 3° Fai un giro in villa (1 cfu) F Monica Molteni (Coordinator)
1° 2° 3° Il realismo politico e l’impossibile F Olivia Guaraldo (Coordinator)
1° 2° 3° Educational workshop on bibliotherapy F Marco Dalla Valle (Coordinator)
1° 2° 3° Laboratory of ancient greek F Dino Piovan (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Language and culture of Ancient Anatolia and the Hittites F Federico Giusfredi (Coordinator)
1° 2° 3° Contemporary history seminars F Renato Camurri (Coordinator)
1° 2° 3° Contemporary History (p) D Renato Camurri
1° 2° 3° History of Medieval Art (p) D Tiziana Franco
1° 2° 3° History of Modern Art (p) D Enrico Dal Pozzolo
1° 2° 3° Greek History (p) D Luisa Prandi
1° 2° 3° Medieval history (p) D Gian Maria Varanini
List of courses with unassigned period
years Modules TAF Teacher
1° 2° 3° Esercitazioni di metrica latina Fatima El Matouni (Coordinator)
1° 2° 3° Summer School internazionale in Studi danteschi Ravenna-Verona F Paolo Pellegrini (Coordinator)
1° 2° 3° Univero’ 2019 F Tiziana Franco (Coordinator)

Teaching code

4S003703

Credits

3

Also offered in courses:

  • Opera Workshop of the course Master’s degree in Tradition and Interpretation of Literary Texts

Language

Italian

Scientific Disciplinary Sector (SSD)

L-ART/05 - PERFORMING ARTSL-ART/07 - MUSICOLOGY AND HISTORY OF MUSIC

Period

Sem 1A, Sem 1B

Learning outcomes

The workshop aims at providing the students with the appropriate methodological tools to be competent Opera spectators, through their participation at different phases of rehearsals of some productions of Fondazione Arena, introduced by some lessons of theoretical and historical framing.

Program

The workshop is divided in a theoretical part, which aims at giving the basic elements of analysis of an operatic performance to the students; and in a practical part, during which the students will attend some phases of the production of three operas at Teatro Filarmonico (Il matrimonio segreto, L'elisir d'amore, Madama Butterfly). The workshop includes also some meetings with directors, conductors, set designers.

Reference texts
Author Title Publishing house Year ISBN Notes
Giovanni Bertati Il matrimonio segreto (libretto)  
Felice Romani L'elisir d'amore (libretto)  
Luigi Illica, Giuseppe Giacosa Madama Butterfly (libretto)  

Examination Methods

The students will write a short essay (from 7000 to 10000 characters including spaces) in which they will compare two different productions of the same opera (one of them must be the Filarmonico production, the rehearsals of which they have attended).

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE