Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Beni culturali - Enrollment from 2025/2026
Academic year:
Semestrino 1A From 9/23/19 To 10/31/19
years Modules TAF Teacher
1° 2° 3° Lectures "Musiche/Culture/Civiltà" F Vincenzo Borghetti (Coordinator)
1° 2° 3° Musei civici Verona Conferences F Not yet assigned
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources F Patrizia Basso (Coordinator)
1° 2° 3° Ephigraphy of production and distribution F Alfredo Buonopane (Coordinator)
1° 2° 3° Introduction to the study of decorative arts F Valerio Terraroli (Coordinator)
1° 2° 3° Presente e futuro del pianeta. economia, sostenibilità e politiche F Gian Maria Varanini (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
1° 2° 3° Introductory seminar on art interpretation - BC F Enrico Dal Pozzolo (Coordinator)
Semestrino 1B From 11/11/19 To 1/11/20
years Modules TAF Teacher
1° 2° 3° Lectures "Musiche/Culture/Civiltà" F Vincenzo Borghetti (Coordinator)
1° 2° 3° Musei civici Verona Conferences F Not yet assigned
1° 2° 3° Contemporanee / Contemporanei F Valerio Terraroli (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources F Patrizia Basso (Coordinator)
1° 2° 3° Ephigraphy of production and distribution F Alfredo Buonopane (Coordinator)
1° 2° 3° Il museo di Palazzo Maffei: dall’arte antica alla contemporaneità F Valerio Terraroli (Coordinator)
1° 2° 3° Introduction to the study of decorative arts F Valerio Terraroli (Coordinator)
1° 2° 3° Read and interpret the physical phenomena on the IGM cartography F Silvino Salgaro (Coordinator)
1° 2° 3° Presente e futuro del pianeta. economia, sostenibilità e politiche F Gian Maria Varanini (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
1° 2° 3° Introductory seminar on art interpretation - BC F Enrico Dal Pozzolo (Coordinator)
1° 2° 3° Un patrimonio urbano da ri-conoscere e ri-valutare: ville e palazzi storici di verona e circondario F Gian Maria Varanini (Coordinator)
Semestrino 2A From 2/17/20 To 3/28/20
years Modules TAF Teacher
1° 2° 3° Musei civici Verona Conferences F Not yet assigned
1° 2° 3° Contemporanee / Contemporanei F Valerio Terraroli (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources (Part II) F Patrizia Basso (Coordinator)
1° 2° 3° Giornate fai di primavera (1 cfu) F Monica Molteni (Coordinator)
1° 2° 3° Iconography of Female Fashion. The Social Meaning of Clothes through Visual Arts, from the Renaissance to the 17th Century. F Alessandra Zamperini (Coordinator)
1° 2° 3° Il museo di Palazzo Maffei: dall’arte antica alla contemporaneità F Valerio Terraroli (Coordinator)
1° 2° 3° Lab on Methodology of Ethnographic Research F Stefano Maltese (Coordinator)
1° 2° 3° Basic laboratory of data F Maurizio Boscaini (Coordinator)
1° 2° 3° Educational workshop on bibliotherapy F Marco Dalla Valle (Coordinator)
1° 2° 3° Laboratory of photo F Carlo Vannini (Coordinator)
1° 2° 3° Workshop on Noninvasive Analytical Techniques Applied to Paintings F Paola Artoni (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
1° 2° 3° History, materials, techniques and criticism of decorative arts F Cristina Beltrami (Coordinator)
1° 2° 3° Cultural Heritage and the Web F Piergiovanna Grossi (Coordinator)
Semestrino 2B From 4/6/20 To 5/30/20
years Modules TAF Teacher
1° 2° 3° Musei civici Verona Conferences F Not yet assigned
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources (Part II) F Patrizia Basso (Coordinator)
1° 2° 3° Fai un giro in villa (1 cfu) F Monica Molteni (Coordinator)
1° 2° 3° Workshop on classical archaeology F Piergiovanna Grossi (Coordinator)
1° 2° 3° Laboratory of medieval archaeology F Elisa Lerco (Coordinator)
1° 2° 3° Basic laboratory of data F Maurizio Boscaini (Coordinator)
1° 2° 3° Educational workshop on bibliotherapy F Marco Dalla Valle (Coordinator)
1° 2° 3° Workshop on prehistory and protohistory F Anita Casarotto (Coordinator)
List of courses with unassigned period
years Modules TAF Teacher
1° 2° 3° Art Verona F Not yet assigned
1° 2° 3° Giovedì' culturali dell'ISSR I ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Giovedì' culturali dell'ISSR II ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Univero’ 2019 F Tiziana Franco (Coordinator)
1° 2° 3° Urbs picta sulla storia dell’arte contemporanea F Not yet assigned
1° 2° 3° Urbs picta to be played - Video, immagine in movimento e videoinstallazione nella “generazione ottanta” F Not yet assigned

Teaching code

4S01242

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-ART/04 - MUSEOLOGY, ART AND RESTORATION CRITICISM

Period

Sem 1B dal Nov 11, 2019 al Jan 11, 2020.

Learning outcomes

PREREQUISITES:
To profitably follow the course and sit the examination the students should possess adequate art history and historical knowledge.

EDUCATIONAL AIMS:
The student should be able to acquire the fundamental elements to critically interpret the History of Collecting, History of Museums, Museology and Museography. The student should be able to analyze and confront facts, formulating lines of reasoning and, consequently, the student should develop a smart and critic use of documents, sources, collectable materials, and architectural-expositive structures of museums.
The course intends to give tools for a correct speaking ability on historic/artistic problems and critic/historic/structural analysis of a museum collection, and various professional figures in the museum management. The student should be able to use the correct glossary of the specific sector.
The student should acquire the knowledge of various development lines of art history, History of Art Criticism and History of Taste, Collectionism, Museums; the student should also be able to reinforce different kind of critical approaches, to demonstrate capacity in reinterpretation of data and obtain critic notations.

Program

Museology as historic-artistic discipline through the history of museum as institution from Hellenistic tradition to the Twentieth century, with notions of History of Museography with the following information:

Definition of museion in the Classic Age and ICOM definition of Museum
The collection of art objects in Roman and Medieval Culture
Professional figures active within museum institutions
The Renaissance studiolo
The Wunderkammer
The royal and noble great collection
French Revolution and Louvre
The birth of museum of Neoclassical Age
The museum in Nineteenth century
The Madrid Conference of 1934
Scientific museums
House-Museum
Museum of Modern and Contemporary Arts.

A specific focus will be dedicated to Museums of Decorative Arts
During the course various tours will be purposed: Verona, Museum of Castelvecchio (Carlo Scarpa’s project) and Modern Art Gallery Achille Forti.

In addition to the material indicated in the bibliography, students will have to choose an in-depth text to choose from:
Julius von Schlosser, Raccolte d'arte e di meraviglie del tardo rinascimento, Firenze, Biblioteca Sansoni, 1974
W. Liebenwein, Studiolo. Storia e tipologia di uno spazio culturale, a cura di Claudia Cieri Via, Ferrara 1988, Panini Edizioni
Antonello Negri, L’arte in mostra. Una storia delle esposizioni, Bruno Mondadori, 2011

The materials shown in class will be made available to students, via the e-learning platform.

Reference texts
Author Title Publishing house Year ISBN Notes
Gabriella Belli Il museo contemporaneo. Dell’architettura e del senso Skira 2009 in L’arte del XX secolo. 2000 e oltre Tendenze della contemporaneità, a cura di Valerio Terraroli, vol. V, Milano, ed. Skira, 2009, pp. 151-167 (E-learning)
Maria Teresa Fiorio Il museo nella storia. Dallo studiolo alla raccolta pubblica Bruno Mondadori 2011 Biblioteca Frinzi BF 30 B 662 Biblioteca Ambrosoli STL 069 10
M. Vittoria Marini Clarelli Il museo nel mondo contemporaneo. La teoria e la prassi Carocci 2011 pp. 17-30, 47-67, 91-98 (E-learning)
Adalgisa Lugli Museologia Jaka Book 1992 Biblioteca Frinzi BF 30 B 435

Examination Methods

The exam purposes should verify the learning and critic reprocessing capacities of the treated topics, texts and bibliography.
The exam contents will be over the subjects recommended during the lectures and external tours.
The modalities will be oral through a conversation on the above subjects
The exam will be oral with a conversation between student and professor related to the topics of the course, the bibliography and critic texts, the external tours.
The evatuation is in 30/30.

Due to the Coronavirus pandemic, and in accordance with the University of Verona guidelines, during ​the 2020 summer session the assessment modality will be modified as follows: online oral exam.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE