History and Criticism of the Cinema SC (i)
Scientific Disciplinary Sector (SSD)
L-ART/06 - CINEMA, PHOTOGRAPHY AND TELEVISION
Knowledge of cinema history and methodolgy of film-analysis. The student must demonstrate not only historical and theoretical knowledge, but also the ability to develop this knowledge in a well written and substantiated synthesis
The cinema of the origins
The avant-garde of the European dumb
Hollywood classic cinema
The Nouvelles vagues of the sixties
The actor in contemporary Hollywood cinema. What divistic models does the Hollywood industry offer? What does it mean to build a star? What are the types of masculinity embodied by Hollywood stars? To these and other questions will try to answer the course, focusing on the analysis of some divinity figures such as Leonardo DiCaprio, Johnny Depp, Matt Damon, Scarlett Johansson, Mickey Rourke, Tom Cruise.
frontal lesson with projection of audiovisual sequences
Mandatory is the study of the following films:
Nosferatu (1921), Quarto potere (1941), Rome open city (1945), La dolce vita (1960), Until the last breath (1959), Accattone (1961), The Wrestler (2008), Eyes Wide Shut (1999) ), Revenant (2016), The Departed (2006), Blade Runner 2049 (2017)
NON-ATTENDING STUDENTS must integrate the texts indicated here with Jacqueline Nacache, the film actor, Negretto, Mantova 2013.
|Alberto Scandola (a cura di)
||Hollywood Men. Immagine, mascolinità e performance nel cinema americano contemporaneo
|Giulia Carluccio, Luca Malavasi, Federica Villa
||IL CINEMA. PERCORSI STORICI E QUESTIONI TEORICHE
||Il cinema: tecnica e linguaggio. Un'introduzione
Written exam: three open questions. The student must demonstrate mastery of the elements of film language, knowledge of the main junctions of film history and the ability to analyze the film texts in the program.