Studying at the University of Verona
Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.
Study Plan
This information is intended exclusively for students already enrolled in this course.If you are a new student interested in enrolling, you can find information about the course of study on the course page:
Laurea magistrale in Editoria e giornalismo - Enrollment from 2025/2026The Study Plan includes all modules, teaching and learning activities that each student will need to undertake during their time at the University.
Please select your Study Plan based on your enrollment year.
1° Year
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1 MODULE BETWEEN THE FOLLOWING1 MODULE AMONG THE FOLLOWING2° Year activated in the A.Y. 2022/2023
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1 MODULE AMONG THE FOLLOWING1 MODULE AMONG THE FOLLOWING| Modules | Credits | TAF | SSD |
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1 MODULE BETWEEN THE FOLLOWING1 MODULE AMONG THE FOLLOWING| Modules | Credits | TAF | SSD |
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1 MODULE AMONG THE FOLLOWING1 MODULE AMONG THE FOLLOWING| Modules | Credits | TAF | SSD |
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Legend | Type of training activity (TTA)
TAF (Type of Educational Activity) All courses and activities are classified into different types of educational activities, indicated by a letter.
Performing Arts and Media (2021/2022)
Teaching code
4S008068
Teacher
Coordinator
Credits
6
Language
Italian
Scientific Disciplinary Sector (SSD)
L-ART/05 - PERFORMING ARTS
Period
2 B dal Apr 4, 2022 al Jun 4, 2022.
Learning outcomes
The course aims to present the theories and to provide the tools for the study of the relationship between performing arts and media, that is to say the technologies used to construct, fix, transmit, enjoy and comment one single performance or more and all its various components from the antiquity to the digital age. At the end of the course the students will be able to understand the many possible interactions between media and performing arts; analyse the cultural, social, and ideological aspects underneath them; compose on their own short written papers on a piece of performance; acquire the ability to improve their knowledge in time.
Program
The Covid 19 pandemic has had dramatic effects on live entertainment, one of the sectors economically brought to its knees by the global emergency. Theaters, festivals, theater and dance companies have had to stop their activity in the presence of spectators for many months; however, many of them have kept in touch with the public through forms of online entertainment, which in the majority of cases have activated an experimental attitude towards the relationship between theater and technological communication.This has naturally aroused many theoretical reflections on the possibility of still truly considering theater (or dance) even what one joins remotely, not sharing the same space in which the performers act.
The course will deal with this topic under a double profile:1. The analysis of the ways in which some important Italian companies have reacted to distancing through new forms of digital performance;2. The theoretical debate on what is the theater that these initiatives have increased, calling into question the need for the actor / spectator co-presence.
The bibliography on the subject is in progress, and will therefore be made fully known shortly before the start of the course. Two texts are reported for now: Jerzy Grotowski, Per un teatro povero, Bulzoni, Roma, 1970, as fundamental theoretical background; and the number n. 29/2020 of the magazine "Culture Teatrali", which contains the dossier Teatrodomani: il teatro all’epoca del covid.
Bibliography
Examination Methods
The exam will take place orally and will aim to verify the knowledge of the topics covered in the lessons and in the assigned texts.Students will have to demonstrate knowledge and ability to analyze the remote theater experiences examined during the course and to know how to contextualize them both with respect to the limitations produced by the covid emergency and with respect to reflection and theories on the essence of theater.
