Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Beni culturali - Enrollment from 2025/2026
Academic year:
Prima parte del primo semestre From 9/24/18 To 11/10/18
years Modules TAF Teacher
1° 2° 3° "caro mostro. duecento anni di frankenstein" F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Lectures "Musiche/Culture/Civiltà" F Vincenzo Borghetti (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Giovedì' culturali dell'ISSR I ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Ceramica romana nell'Adriatico. Produzione, tipologia e distribuzione F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Univero’ 2018 F Tiziana Franco (Coordinator)
Seconda parte del primo semestre From 11/19/18 To 1/12/19
years Modules TAF Teacher
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° History of Contemporary Art F Roberto Pasini (Coordinator)
1° 2° 3° History of Contemporary Art F Roberto Pasini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Ephigraphy of production and distribution F Alfredo Buonopane (Coordinator)
1° 2° 3° Giornate di studio "pisanello e ciclo mantovano" F Monica Molteni (Coordinator)
1° 2° 3° Giornate FAI d'autunno F Monica Molteni (Coordinator)
1° 2° 3° Giovedì' culturali dell'ISSR I ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Giovedì' culturali dell'ISSR II ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Archaeological geophysics F Patrizia Basso (Coordinator)
1° 2° 3° Introduction to the study of decorative arts F Valerio Terraroli (Coordinator)
1° 2° 3° "le grandi trasformazioni degli anni '60-'70 e l'italia cinquant'anni dopo" F Renato Camurri (Coordinator)
1° 2° 3° Methodologies for identification of works of art F Enrico Dal Pozzolo (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
Prima parte del secondo semestre From 2/18/19 To 3/30/19
years Modules TAF Teacher
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° History of Contemporary Art F Roberto Pasini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources (Part II) F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Spring FAI Days 2022 F Monica Molteni (Coordinator)
1° 2° 3° Iconography of Female Fashion. The Social Meaning of Clothes through Visual Arts, from the Renaissance to the 17th Century. F Alessandra Zamperini (Coordinator)
1° 2° 3° Introduction to Mesopotamian medicine F Simonetta Ponchia (Coordinator)
1° 2° 3° Lab on Methodology of Ethnographic Research F Stefano Maltese (Coordinator)
1° 2° 3° Basic laboratory of data F Maurizio Boscaini (Coordinator)
1° 2° 3° Laboratory of photo F Marco Ambrosi (Coordinator)
1° 2° 3° Workshop on the History of Manuscript Illumination F Marta Minazzato (Coordinator)
1° 2° 3° Workshop on Noninvasive Analytical Techniques Applied to Paintings F Paola Artoni (Coordinator)
1° 2° 3° "la conservazione dei beni culturali ecclesiastici" F Gianmario Guidarelli (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
Seconda parte del secondo semestre From 4/8/19 To 6/1/19
years Modules TAF Teacher
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° History of Contemporary Art F Roberto Pasini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources (Part II) F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° FAI un giro in villa F Monica Molteni (Coordinator)
1° 2° 3° Laboratory of medieval archaeology F Elisa Lerco (Coordinator)
1° 2° 3° Basic laboratory of data F Maurizio Boscaini (Coordinator)
1° 2° 3° "la conservazione dei beni culturali ecclesiastici" F Gianmario Guidarelli (Coordinator)
1° 2° 3° History, materials, techniques and criticism of decorative arts F Stefania Cretella (Coordinator)
1° 2° 3° Stranalandia. Dalla narrazione al teatro F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Cultural Heritage and the Web F Piergiovanna Grossi (Coordinator)

Teaching code

4S01975

Teacher

Fabio Coden

Coordinator

Fabio Coden

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-ART/01 - HISTORY OF MEDIEVAL ART

Period

Sem. 1A dal Sep 24, 2018 al Nov 10, 2018.

Learning outcomes

The course intends to introduce the students to a general knowledge of the Medieval architecture (IV-XII century). It will be also analysed in detail: the internal dynamics of the medieval buildings, from the architectural project to the completion of the building; the main figures relating to the committees, such as the financier, the architect, the workers.
The main purpose of the course is to ensure the acquisition of a correct way of reading and comprehending the architectural forms, during the middle ages, as well as the cognition of the icnographic and decorative models in the Latin West.

Program

>Topics
The Course is dived in few parts focused on the deepening of specific topics connected to the comprehension of the medieval architecture, with particular reference to the West area:
The main topics will be:
- periodization; the medieval buildings according to their function; plants and elevations;
- the parts of the medieval building and their functions;
- the medieval building and its peculiarities (the architect, the craftsmen, the materials);
- the evolutionary aspects, starting from early Christian beginnings until the Middle Ages.
>Didactic methods
The specificity of the course requires that the examination of "History of Medieval Art" has already been sustained earlier; or at least that his lessons have already been followed in the current or in the previous academic year.
Teaching includes lessons, held by the teacher in the class, and seminary lectures conducted by the teacher and the class in front of some monuments.
The course materials (program, lessons, important communications, etc.) will be uploaded to the university e-learning/Moodle site at the end of a group of lessons. All the students, both attending and non-attending, will have to enrol in the university platform site to gain access to the course and to support the exam.
>Bibliography
Detailed bibliographic information will be provided before the course begin.
Bibliographic material will be available at:
30 e lode
via Timavo 16
Verona
(045-8007862; 30eoltre@gmail.com).

Reference texts
Author Title Publishing house Year ISBN Notes
X. BARRAL I ALTET Alto medioevo. Dall’Antichità all’anno Mille 1998 cap. I: pp. 73-95, “Dall'Italia alla Gallia”, cap. II: pp. 99-117, “Le architetture nazionali”; cap. III: pp. 127-159, “Il mondo carolingio”; cap. IV: pp. 163-181, “L'impero carolingio”; cap. V: pp. 185-221, “L'avvicinarsi del nuovo millennio”.
R. Krautheimer Architettura paleocristiana e bizantina Electa 1986 capitolo I, pp. 7-26, “Gli inizi dell’architettura cristiana” capitolo II, pp. 33-68, “La costruzione delle chiese nell’età costantiniana” capitolo III, pp. 74-101, “L’architettura cristiana nelle capitali dopo Costantino”
X. BARRAL I ALTET Romanico. Città, cattedrali e monasteri 1999 cap. I: pp. 11-79, “L’emergere di nuove forme”; cap. II: pp. 53-79, “La diffusione in Occidente”; cap. IV: pp. 117-143, 172-193, “Una grandiosa fioritura”; cap. V: pp. 197-223, “Molteplicità dello stile”.

Examination Methods

The exam will be oral. The exam will focus on the topics discussed in the classroom and on the notions acquired through a specific bibliography. The evaluation will be expressed in thirtieths.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE