Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Beni culturali - Enrollment from 2025/2026
Academic year:
Prima parte del primo semestre From 9/24/18 To 11/10/18
years Modules TAF Teacher
1° 2° 3° "caro mostro. duecento anni di frankenstein" F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Lectures "Musiche/Culture/Civiltà" F Vincenzo Borghetti (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Giovedì' culturali dell'ISSR I ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Ceramica romana nell'Adriatico. Produzione, tipologia e distribuzione F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Univero’ 2018 F Tiziana Franco (Coordinator)
Seconda parte del primo semestre From 11/19/18 To 1/12/19
years Modules TAF Teacher
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° History of Contemporary Art F Roberto Pasini (Coordinator)
1° 2° 3° History of Contemporary Art F Roberto Pasini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Ephigraphy of production and distribution F Alfredo Buonopane (Coordinator)
1° 2° 3° Giornate di studio "pisanello e ciclo mantovano" F Monica Molteni (Coordinator)
1° 2° 3° Giornate FAI d'autunno F Monica Molteni (Coordinator)
1° 2° 3° Giovedì' culturali dell'ISSR I ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Giovedì' culturali dell'ISSR II ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Archaeological geophysics F Patrizia Basso (Coordinator)
1° 2° 3° Introduction to the study of decorative arts F Valerio Terraroli (Coordinator)
1° 2° 3° "le grandi trasformazioni degli anni '60-'70 e l'italia cinquant'anni dopo" F Renato Camurri (Coordinator)
1° 2° 3° Methodologies for identification of works of art F Enrico Dal Pozzolo (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
Prima parte del secondo semestre From 2/18/19 To 3/30/19
years Modules TAF Teacher
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° History of Contemporary Art F Roberto Pasini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources (Part II) F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Spring FAI Days 2022 F Monica Molteni (Coordinator)
1° 2° 3° Iconography of Female Fashion. The Social Meaning of Clothes through Visual Arts, from the Renaissance to the 17th Century. F Alessandra Zamperini (Coordinator)
1° 2° 3° Introduction to Mesopotamian medicine F Simonetta Ponchia (Coordinator)
1° 2° 3° Lab on Methodology of Ethnographic Research F Stefano Maltese (Coordinator)
1° 2° 3° Basic laboratory of data F Maurizio Boscaini (Coordinator)
1° 2° 3° Laboratory of photo F Marco Ambrosi (Coordinator)
1° 2° 3° Workshop on the History of Manuscript Illumination F Marta Minazzato (Coordinator)
1° 2° 3° Workshop on Noninvasive Analytical Techniques Applied to Paintings F Paola Artoni (Coordinator)
1° 2° 3° "la conservazione dei beni culturali ecclesiastici" F Gianmario Guidarelli (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
Seconda parte del secondo semestre From 4/8/19 To 6/1/19
years Modules TAF Teacher
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° History of Contemporary Art F Roberto Pasini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphic and photographic documentation of the archaeological artefacts: from traditional drawings to digital sources (Part II) F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° FAI un giro in villa F Monica Molteni (Coordinator)
1° 2° 3° Laboratory of medieval archaeology F Elisa Lerco (Coordinator)
1° 2° 3° Basic laboratory of data F Maurizio Boscaini (Coordinator)
1° 2° 3° "la conservazione dei beni culturali ecclesiastici" F Gianmario Guidarelli (Coordinator)
1° 2° 3° History, materials, techniques and criticism of decorative arts F Stefania Cretella (Coordinator)
1° 2° 3° Stranalandia. Dalla narrazione al teatro F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Cultural Heritage and the Web F Piergiovanna Grossi (Coordinator)

Teaching code

4S02161

Credits

12

Language

Italian

Also offered in courses:

The teaching is organized as follows:

I MODULO PARTE (I)

Credits

6

Period

Sem. 2A

Academic staff

Enrico Dal Pozzolo

II MODULO PARTE (P)

Credits

6

Period

Sem. 2B

Academic staff

Enrico Dal Pozzolo

Learning outcomes

Learning Objectives: General knowledge of the main phenomena in Modern Art, a theoretical and concrete approach to the reading of the works of art.
Course Content: the course provides an overview of the major artistic developments in Italy, between the beginning of the fifteenth century (Renaissance) and the end of the eighteenth (Neoclassicism). Certainly, it is impossible a complete analysis of the many aspects included in this time frame, but some readings specimens will be proposed, with general openings connected to the taste and to the collecting and cultural contexts, also in a perspective of a methodological reflection.

Program

I - Books: V. Terraroli, Arte, Skira-Bompiani, 2012: vol. 3 (Il Rinascimento dall’Umanesimo fiorentino al Manierismo europeo) pp. 1-393; vol. 4 (L’Europa moderna dal Barocco all’Impressionismo), pp. 1-219. G. Sciolla, Studiare l’arte. Appunti sul metodo storico-artistico, Utet, 2001. A. Pinelli, La storia dell’arte. Istruzioni per l’uso, Laterza, 2011. It is expressly requires the visual knowledge of all the images in the texts, which will be subject to examination.
Teaching methods: Slides during lectures.
P - Bibliography: Lorenzo Lotto. Il richiamo delle Marche, catalogo della mostra (Macerata, Palazzo Buonaccorsi, 2018-19), a cura di E.M. Dal Pozzolo, Milano, Skira, 2018. It is also necessary to study the general biography of the artist provided by F. Cortesi Bosco, Lotto, Lorenzo, in Dizionario biografico degli italiani, vol. 66, 2006: also available online http://www.treccani.it/enciclopedia/lorenzo-lotto_%28Dizionario-Biografico%29/
Teaching methods: Slides during lectures

Bibliography

Reference texts
Author Title Publishing house Year ISBN Notes
V. Terraroli Arte Skira-Bompiani 2012
A. Pinelli La storia dell'arte. Istruzioni per l'uso Laterza 2011
E.M. Dal Pozzolo Lorenzo Lotto. Il richiamo delle Marche. Luoghi, tempi e persone. Catalogo della mostra (Macerata, 2018-19) Skira 2018
G.C. Sciolla Studiare l'arte. Appunti sul metodo storico-artistico Utet 2001

Examination Methods

I - Examination: a written test is divided into three parts. The first part (a) consists of recognition of twenty images from Terraroli and Pinelli: each image is projected for one minute and one has to indicate the author, the subject, the date (or the period, if the date is not certain) and even the location. The second part (b) consists of a question on a specific theme (i.e., one work, one artist, one artistic school, relationship between schools etc.): the time is 45 minutes. It will follow a last question (c), relating to the books of Pinelli and Sciolla: the time is 25 minutes.
In order to have a positive mark (18 or above), one has to recognize at least ten out of twenty images, and the answers to the questions (b) and (c) has to be considered sufficiently accurate.
P - Examination: a written test is divided into three parts. The first part (a) consists of recognition of twenty images from the volume Lorenzo Lotto. Il richiamo delle Marche: each image is projected to the time of a minute and one has to indicate the author, the subject, the date (or the period, if the date is not certain) and even the location. The second part (b) consists of a question on a specific theme: the time allowed is 45 minutes. It will follow a last question (c) to be answered 25 minutes.
In order to have a positive mark (18 or above), one has to recognize at least ten out of twenty images, and the answers to the questions (b) and (c) has to be considered sufficiently accurate.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE