Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Beni culturali - Enrollment from 2025/2026
Academic year:
Prima parte del Primo semestre From 10/3/16 To 11/12/16
years Modules TAF Teacher
Latin Epigraphy (i) D Alfredo Buonopane (Coordinator)
History of Medieval Architecture (i) D Fabio Coden (Coordinator)
2° 3° History of the Republic of Venice (p) D Federico Barbierato (Coordinator)
2° 3° European Art History (i) D Bernard Jan Hendrik Aikema (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° San Rocco lectures (Quinzano) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphical representation of archaeological evidence I F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Karis - I ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Archeology laboratory of instrumentum domesticum F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Museology (i) D Valerio Terraroli (Coordinator)
Seconda parte del Primo semestre From 11/14/16 To 1/21/17
years Modules TAF Teacher
Medieval archaeology (i) D Fabio Saggioro (Coordinator)
2° 3° History of the Republic of Venice (p) D Federico Barbierato (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° San Rocco lectures (Quinzano) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphical representation of archaeological evidence I F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Karis - II ciclo F Tiziana Franco (Coordinator)
1° 2° 3° Archeology laboratory of instrumentum domesticum F Giuliana Maria Facchini (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
1° 2° 3° Tracce nascoste F Monica Molteni (Coordinator)
Prima parte del Secondo semestre From 2/27/17 To 4/22/17
years Modules TAF Teacher
1° 2° 3° Bibliography and Librarianship (i) D Marco Menato (Coordinator)
1° 2° 3° Classification of archaeological Finds F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinator)
1° 2° 3° San Rocco lectures (Quinzano) F Alessandra Zamperini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphical representation of archaeological evidence II F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Basic laboratory of data F Maurizio Boscaini (Coordinator)
1° 2° 3° Laboratory of photo F Marco Ambrosi (Coordinator)
1° 2° 3° Representation and Meaning in the Female Fashion between Renaissance and Baroque F Alessandra Zamperini (Coordinator)
Seconda parte del Secondo semestre From 4/24/17 To 6/10/17
years Modules TAF Teacher
1° 2° 3° 1887-2017: 130 years of the Museum of Ateste F Patrizia Basso (Coordinator)
1° 2° 3° Classification of archaeological Finds F Giuliana Maria Facchini (Coordinator)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinator)
1° 2° 3° Graphical representation of archaeological evidence II F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Ephigraphy of production and distribution F Alfredo Buonopane (Coordinator)
1° 2° 3° In Itinere: Verona and the roman roads F Patrizia Basso (Coordinator)
1° 2° 3° Laboratory of medieval archaeology F Fabio Saggioro (Coordinator)
1° 2° 3° Workshop of Cultural Heritage Photography F Stefano Marziali (Coordinator)
1° 2° 3° How to write your dissertation F Alessandro Arcangeli (Coordinator)
List of courses with unassigned period
years Modules TAF Teacher
1° 2° 3° Archaeological research on the northern part of the Civita of Tarquinia F Attilio Mastrocinque (Coordinator)
1° 2° 3° Archaeological excavation in Aquileia F Patrizia Basso (Coordinator)
1° 2° 3° Scavo archeologico di Bastia di San Michele di Cavaion F Fabio Saggioro (Coordinator)
1° 2° 3° Scavo archeologico di Canossa F Fabio Saggioro (Coordinator)
1° 2° 3° Archaeological excavation in Gazzo Veronese F Patrizia Basso (Coordinator)
1° 2° 3° Field archaeological research in Leno Monastery F Fabio Saggioro (Coordinator)
1° 2° 3° Field archaeological research in Piuro settlement F Fabio Saggioro (Coordinator)

Teaching code

4S001316

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-ART/04 - MUSEOLOGY, ART AND RESTORATION CRITICISM

Period

Sem. IIB dal Apr 24, 2017 al Jun 10, 2017.

Learning outcomes

The students should be able to aquire the elements to read and critically explain a historical/artistic testimonies and literary testimonies in an artistic/historical setting. The student should be able to examine analysis and comparisons on facts, expressing general lines of reasoning and deductions on the main subjects; consequently, the students should develop a smart use of the sources.
At the end of the course the student should know the main textual sources related to the artistic production of the early Christian at the end of the Eighteenth century; to apply a correct analysis method to historic and artistic sources; to contextualize the sources historically and culturally.
The course should give the tools for a correct exposition of a historic and artistic problem of critic, historic and subject analysis of a literary text.
The course should give the tools for an own judgement autonomy and communicative ability. The student should be able to use the specific glossary of the discipline.
The course would give tools to develop the judgement autonomy of the students.
The student should acquire the knowledge of different lines of development of art history and historic, critic and subject analysis of a literary text.

Program

- Classical tradition: Senocrate di Sicione, Policleto, Erodoto, Pausania, Plinio, Vitruvio, Cassiodoro
- Medieval heritage: Classical tradition, Bernardo versus Suger, Dante, Teofilo, Cennini
- Renaissance: Villani, Ghiberti, Alberti, Filarete, Piero della Francesca, Leonardo, Duerer
- Vasari
- Manierism: Condivi, Lomazzo, Armenini, Cellini, Borghini, Michiel
- Baroque: Bellori, Boschini
- Neoclassicism: Winckelmann, Burke, Lanzi

Bibliography:
J. Schlosser Magnino, La letteratura artistica, (I edizione Die Kunstliteratur, Wien 1924), ed. italiana, Firenze, La Nuova Italia, 1977, pp. Introduzione e premessa, 15-30, 81-98, 101-160, 189-198, 264-273, 281-284, 289-332, 349-372, 381-398, 459-470, 527-534 (Biblioteca Ambrosoli, STL 701 69. Per chi fosse interessato, la versione on-line del volume è scaricabile al seguente link: http://digi.ub.uni-heidelberg.de/diglit/schlosser1964)
D. Levi, Il discorso sull’arte, Milano, Bruno Mondadori, 2010, pp. 1-59, 145-211, 235-251, 277-311
La storia delle storie dell'arte, a cura di O. Rossi Pinelli, Einaudi, Torino 2014, pp. 3-142

Anthology of abstracts (contact Stefania Cretella: stefania.cretella@libero.it)

Examination Methods

The exam purposes should verify the learning and critic reprocessing capacities of the treated topics, texts and bibliography.
The modalities will be oral through a conversation on the above subjects. The exam will be oral with a conversation between student and professor related to the topics of the course, the bibliography and critic texts and works treated during the lessons.
The evaluation will be on 30/30.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE