Studying at the University of Verona
Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.
Study Plan
This information is intended exclusively for students already enrolled in this course.If you are a new student interested in enrolling, you can find information about the course of study on the course page:
Laurea in Lettere - Enrollment from 2025/2026The Study Plan includes all modules, teaching and learning activities that each student will need to undertake during their time at the University.
Please select your Study Plan based on your enrollment year.
1° Year
Modules | Credits | TAF | SSD |
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One course to be chosen among the following
Foreign language B1 (CB Test)
2° Year activated in the A.Y. 2016/2017
Modules | Credits | TAF | SSD |
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Latin literature (i)
One course to be chosen among the following
2 course to be chosen among the following
2 course to be chosen among the following
3° Year activated in the A.Y. 2017/2018
Modules | Credits | TAF | SSD |
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One course to be chosen among the following
3 course to be chosen among the following
Modules | Credits | TAF | SSD |
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One course to be chosen among the following
Foreign language B1 (CB Test)
Modules | Credits | TAF | SSD |
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Latin literature (i)
One course to be chosen among the following
2 course to be chosen among the following
2 course to be chosen among the following
Modules | Credits | TAF | SSD |
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One course to be chosen among the following
3 course to be chosen among the following
Modules | Credits | TAF | SSD |
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Legend | Type of training activity (TTA)
TAF (Type of Educational Activity) All courses and activities are classified into different types of educational activities, indicated by a letter.
History and Criticism of the Cinema (i) (2017/2018)
Teaching code
4S01234
Teacher
Coordinator
Credits
6
Also offered in courses:
- Semiology of the Cinema (i) of the course Bachelor’s degree in Cultural Heritage
Language
Italian
Scientific Disciplinary Sector (SSD)
L-ART/06 - CINEMA, PHOTOGRAPHY AND TELEVISION
Period
Second half of Semester 1 dal Nov 13, 2017 al Jan 20, 2018.
Learning outcomes
Knowledge of the history of cinema and the method of analysis of the film. The course aims to provide students with the fundamental cornerstones of the history of cinema, which will be re-read in light of the relationship between the evolution of filmic language and the cultural transformations of society. The student will learn the basics of the audiovisual language and must be able to contextualize a particular film in the historical period in which the film was produced, demonstrating not only historical knowledge, but also the ability to process this knowledge in a well-written and argued synthesis . The aim of this course, in conclusion, is to provide the student with the possibility of acquiring the historical, linguistic and theoretical foundations for decoding, interpreting and analyzing not only the mainstream or authorial cinematographic production, but also all audiovisual products of contemporary visual culture.
Program
After a general introduction to the history of cinema, the course - in the second part - will focus on the theme of the actor in contemporary Italian cinema. How do our antidives build their divine image? Is there really a national style of acting based on a mediocre aura? Which are the most interesting interpreters? .. The figures and works of Stefano Accorsi, Filippo Timi, Kim Rossi Stuart, Jasmine Trinca, Valeria Golino etc. will be considered.
REFERENCES:
*Appunti delle lezioni
*G. Carluccio, L. Malavasi, F. Villa, Il cinema. Percorsi storici e questioni teoriche, Carocci, 2015.
*Giaime Alonge,Il cinema: tecnica e linguaggio. Un'introduzione, Kaplan 2010.
* Andrea Minuz, Pedro Armocida, L'attore nel cinema contemporaneo. Storia, performance, immagine, Marsilio, 2017
Author | Title | Publishing house | Year | ISBN | Notes |
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Giulia Carluccio, Luca Malavasi, Federica Villa | IL CINEMA. PERCORSI STORICI E QUESTIONI TEORICHE | CAROCCI | 2015 | ||
GIAIME ALONGE | Il cinema: tecnica e linguaggio. Un'introduzione | KAPLAN | 2015 | ||
Andre Minuz, Pedro Armocida | L'attore nel cinema italiano contemporaneo. Storia, performance, immagine | Marsilio | 2017 |
Examination Methods
Written exam: three open questions. The student must demonstrate mastery of the elements of film language, knowledge of the main junctions of film history and the ability to analyze the film texts in the program. YOU AGREE THAT YOU MAY HAVE TO BE TAKEN UP TO 5 MIN BEFORE THE END OF THE TEST, BUT ONE TIME DELIVERED THE TASK WILL NOT BE REFUSED BY THE VOTE.