Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Lettere - Enrollment from 2025/2026
Academic year:
prima parte del primo semestre From 9/25/17 To 11/11/17
years Modules TAF Teacher
Aesthetics (p) D Markus Georg Ophaelders (Coordinator)
1° 2° 3° The origins of Christianity F Augusto Barbi (Coordinator)
First half of Semester 1  From 9/25/17 To 11/11/17
years Modules TAF Teacher
1° 2° 3° Archaeology and History of Greek and Roman Art (i) D Giuliana Maria Facchini
1° 2° 3° Archeology laboratory of instrumentum domesticum F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Laboratory of ancient greek F Dino Piovan (Coordinator)
1° 2° 3° History of Greek and Roman theatre (i) D Gherardo Ugolini (Coordinator)
seconda parte del primo semestre From 11/13/17 To 1/20/18
years Modules TAF Teacher
Aesthetics (p) D Markus Georg Ophaelders (Coordinator)
Roman History (p) D Attilio Mastrocinque
Second half of Semester 1  From 11/13/17 To 1/20/18
years Modules TAF Teacher
2° 3° Greek Literature (p) D Guido Avezzu'
2° 3° History of the Ancient Near East (i) D Simonetta Ponchia
1° 2° 3° Archaeology and History of Greek and Roman Art (p) D Giuliana Maria Facchini
1° 2° 3° Ephigraphy of production and distribution F Alfredo Buonopane (Coordinator)
1° 2° 3° Europa: eredità-identità-prospettive F Gian Paolo Romagnani (Coordinator)
1° 2° 3° Archeology laboratory of instrumentum domesticum F Giuliana Maria Facchini (Coordinator)
1° 2° 3° Laboratory of theatrical and musical criticism F Simona Brunetti (Coordinator)
1° 2° 3° Laboratory of ancient greek F Dino Piovan (Coordinator)
1° 2° 3° CRES Lectures F Corrado Viola (Coordinator)
1° 2° 3° The History of Contemporary Art (p) D Roberto Pasini
First half of Semester 2  From 2/26/18 To 4/21/18
years Modules TAF Teacher
Lectures "Musiche/Culture/Civiltà" F Vincenzo Borghetti (Coordinator)
Introduction to Mesopotamian medicine F Simonetta Ponchia (Coordinator)
Language and culture of Ancient Anatolia and the Hittites F Federico Giusfredi (Coordinator)
Recording the theatrical ephemeral F Simona Brunetti (Coordinator)
2° 3° Romance Philology (i) D Chiara Maria Concina
2° 3° History of the Ancient Near East (p) D Simonetta Ponchia
1° 2° 3° Laboratory of theatrical and musical criticism F Simona Brunetti (Coordinator)
1° 2° 3° Laboratory of photo F Marco Ambrosi (Coordinator)
1° 2° 3° Laboratory of ancient greek F Dino Piovan (Coordinator)
1° 2° 3° Opera Workshop F Vincenzo Borghetti (Coordinator)
1° 2° 3° Leggere il medioevo. Autori, incontri, discussioni F Tiziana Franco (Coordinator)
1° 2° 3° CRES Lectures F Corrado Viola (Coordinator)
1° 2° 3° Contemporary History (p) D Renato Camurri
1° 2° 3° History of Medieval Art (i) D Tiziana Franco
Second half of Semester 2  From 4/23/18 To 6/9/18
years Modules TAF Teacher
Intersezioni classiche e della prima modernità F Gherardo Ugolini (Coordinator)
Italian Literature Classes F Flavia Palma (Coordinator)
Early Christian Writers: an introduction F Cristina Simonelli (Coordinator)
Recording the theatrical ephemeral F Simona Brunetti (Coordinator)
2° 3° Romance Philology (p) D Chiara Maria Concina
2° 3° Hystory of Christianity and of the Churches (p) D Mariaclara Rossi (Coordinator)
1° 2° 3° Genres and history of the italian language (p) D Corrado Viola (Coordinator)
1° 2° 3° Laboratory of medieval archaeology F Elisa Lerco (Coordinator)
1° 2° 3° Laboratory of ancient greek F Dino Piovan (Coordinator)
1° 2° 3° Opera Workshop F Vincenzo Borghetti (Coordinator)
1° 2° 3° Leggere il medioevo. Autori, incontri, discussioni F Tiziana Franco (Coordinator)
1° 2° 3° Contemporary History (p) D Renato Camurri
1° 2° 3° History of Medieval Art (p) D Tiziana Franco
1° 2° 3° History of Modern Art (p) D Enrico Dal Pozzolo
1° 2° 3° Greek History (p) D Luisa Prandi
1° 2° 3° Medieval history (p) D Gian Maria Varanini

Teaching code

4S02164

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-FIL-LET/05 - CLASSICAL PHILOLOGY

Period

First half of Semester 1  dal Sep 25, 2017 al Nov 11, 2017.

Learning outcomes

The course aims to introduce students to the historical understanding of the fundamentals of Greek and Latin theatre.
At the end of the course the student must demonstrate:
1) knowledge of the historical development of Greek tragedy, its forms and contents;
2) knowledge of the institutional framework of the attic drama;
3) ability to read and interpret a Greek tragedy ("Oedipus at Colonos" by Sofocle) commenting on individual passages and framing the drama in the author's production.

Program

The first part of the course is a general introduction to greek tragedy. The second part will focus on reading the tragedy "Oedipus at Colonus" of Sophcles (in italian translation) with anaylis and discussion of dramaturgical and content aspects.

Prerequisites: The basic knowledge of the classical languages is desirable, but not indispensable.

Reference texts
Author Title Publishing house Year ISBN Notes
Wilamowitz, U. von Moellendorff Cos’è una tragedia attica?, La Scuola 2013
Sofocle Edipo a Colono, a cura A. Rodighiero Marsilio 1998
Sofocle Edipo a Colono, a cura G. Avezzù, G. Guidorizzi, trad. di G. Cerri Mondadori, collana Scrittori greci e latini "Lorenzo Valla" 2008
Rodighiero, Andrea La tragedia greca Il Mulino 2012
Di Marco, Massimo La tragedia greca. hedalibro&Itemid...La tragedia greca. Massimo Di Marco. La tragedia greca. Forma, gioco scenico, tecniche drammatiche Carocci 2009
Ugolini, Gherardo Sofocle e Atene. Vita politica e attività teatrale nella Grecia classica Carocci 2011

Examination Methods

Expected knowledge and skills will be verified through an oral exam.
Preparation will be considered adequate if the student demonstrates the following abilities:
1) accurate and thorough exposure of the topics learned in the module, mastering the vocabulary and the terminology relating to the history of Greek tragedy
2) articulated re-elaboration of the contents of the module;
3) ability to understand and interpret the passages of the "Oedipus at Colonos" that will be presented

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE