Studying at the University of Verona
Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.
Type D and Type F activities
| years | Modules | TAF | Teacher | |
|---|---|---|---|---|
| 1° | Aesthetics (p) | D |
Markus Georg Ophaelders
(Coordinator)
|
|
| 1° 2° 3° | The origins of Christianity | F |
Augusto Barbi
(Coordinator)
|
|
| years | Modules | TAF | Teacher |
|---|---|---|---|
| 1° 2° 3° | Archaeology and History of Greek and Roman Art (i) | D |
Giuliana Maria Facchini
|
| 1° 2° 3° | Archeology laboratory of instrumentum domesticum | F |
Giuliana Maria Facchini
(Coordinator)
|
| 1° 2° 3° | Laboratory of ancient greek | F |
Dino Piovan
(Coordinator)
|
| 1° 2° 3° | History of Greek and Roman theatre (i) | D |
Gherardo Ugolini
(Coordinator)
|
| years | Modules | TAF | Teacher | |
|---|---|---|---|---|
| 1° | Aesthetics (p) | D |
Markus Georg Ophaelders
(Coordinator)
|
|
| 3° | Roman History (p) | D |
Attilio Mastrocinque
|
|
| years | Modules | TAF | Teacher | |
|---|---|---|---|---|
| 2° 3° | Greek Literature (p) | D |
Guido Avezzu'
|
|
| 2° 3° | History of the Ancient Near East (i) | D |
Simonetta Ponchia
|
|
| 1° 2° 3° | Archaeology and History of Greek and Roman Art (p) | D |
Giuliana Maria Facchini
|
|
| 1° 2° 3° | Ephigraphy of production and distribution | F |
Alfredo Buonopane
(Coordinator)
|
|
| 1° 2° 3° | Europa: eredità-identità-prospettive | F |
Gian Paolo Romagnani
(Coordinator)
|
|
| 1° 2° 3° | Archeology laboratory of instrumentum domesticum | F |
Giuliana Maria Facchini
(Coordinator)
|
|
| 1° 2° 3° | Laboratory of theatrical and musical criticism | F |
Simona Brunetti
(Coordinator)
|
|
| 1° 2° 3° | Laboratory of ancient greek | F |
Dino Piovan
(Coordinator)
|
|
| 1° 2° 3° | CRES Lectures | F |
Corrado Viola
(Coordinator)
|
|
| 1° 2° 3° | The History of Contemporary Art (p) | D |
Roberto Pasini
|
|
Opera Workshop (2017/2018)
Teaching code
4S003703
Academic staff
Coordinator
Credits
3
Also offered in courses:
- Opera Workshop of the course Master’s degree in Tradition and Interpretation of Literary Texts
Language
Italian
Scientific Disciplinary Sector (SSD)
NN - -
Period
First half of Semester 2 , Second half of Semester 2
Learning outcomes
Workshop on Opera. The workshop aims to introduce students to the study of opera through direct engagement with stagings of specific works.
Program
The workshop focuses on three operas: "Le nozze di Figaro" by Wolfgang Amadeus Mozart, "Anna Bolena" by Gaetano Donizetti and "Salome" by Richard Strauss. Students will be involved in two kinds of activities: lectures on these operas (18 hours) and their rehearsals at the Teatro Filarmonico, where they are going to be staged next winter and spring (18 hours). Some of the artists involved with the productions (directors, conductors, singers and so on) will meet the students both in class and in the theatre, and discuss their contributions to the performances.
Delivery of the course: lectures with audio/visual examples; rehearsals at the Teatro Filarmonico.
| Author | Title | Publishing house | Year | ISBN | Notes |
|---|---|---|---|---|---|
| Felice Romani | Anna Bolena (libretto) | 2015 | libretto dell'opera di Gaetano Donizetti, liberamente scaricabile al seguente link: http://www.librettidopera.it/zpdf/annabol.pdf | ||
| Lorenzo da Ponte | Le nozze di Figaro (libretto) | 2017 | libretto dell'opera di Wolfgang Amadeus Mozart, liberamente scaricabile al seguente link: http://www.librettidopera.it/zpdf/nozzefig.pdf | ||
| Hedwig Lachmann | Salome (libretto dell'opera, dall'omonima tragedia di Oscar Wilde) | 2000 | libretto dell'opera di Richard Strauss nell'originale tedesco con traduzione a fronte in italiano liberamente scaricabile al seguente link: http://www.dicoseunpo.it/S_files/Salome.pdf; libretto in english translation at this link (starting from p. 94): https://www.chandos.net/chanimages/Booklets/CH3157.pdf |
Examination Methods
written essay.
The written essay should be a comparison of the production of one of the operas studied in class with a different production of the same opera (for example a different production seen in a theater, on a DVD, on the internet and so on).
The submitted essay should be between 7000 and 10000 signs including spaces. Please include your Name, date and matriculation number.
Students with surnames beginning with letters up to L included will send their essays to vincenzo.borghetti@univr.it. Students with surnames beginning with letters from M onwards will send their essays to nicola.pasqualicchio@univr.it
