Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

Academic calendar

The academic calendar shows the deadlines and scheduled events that are relevant to students, teaching and technical-administrative staff of the University. Public holidays and University closures are also indicated. The academic year normally begins on 1 October each year and ends on 30 September of the following year.

Academic calendar

Course calendar

The Academic Calendar sets out the degree programme lecture and exam timetables, as well as the relevant university closure dates..

Definition of lesson periods
Period From To
First half of Semester 1 Sep 25, 2017 Nov 11, 2017
Second half of Semester 1 Nov 13, 2017 Jan 20, 2018
First half of Semester 2 Feb 26, 2018 Apr 21, 2018
Second half of Semester 2 Apr 23, 2018 Jun 9, 2018
Exam sessions
Session From To
Sessione d'esame invernale Jan 22, 2018 Feb 24, 2018
Sessione d'esame estiva Jun 11, 2018 Jul 28, 2018
Sessione d'esame autunnale Aug 27, 2018 Sep 22, 2018
Degree sessions
Session From To
Sessione estiva Jul 16, 2018 Jul 21, 2018
Sessione autunnale Nov 12, 2018 Nov 17, 2018
Sessione invernale Apr 1, 2019 Apr 6, 2019
Holidays
Period From To
All Saints Day Nov 1, 2017 Nov 1, 2017
Immaculate Conception Dec 8, 2017 Dec 8, 2017
Christmas break Dec 22, 2017 Jan 7, 2018
Easter break Mar 30, 2018 Apr 3, 2018
Liberation Day Apr 25, 2018 Apr 25, 2018
Labour Day May 1, 2018 May 1, 2018
Patron Saint Day May 21, 2018 May 21, 2018
Republic Day Jun 2, 2018 Jun 2, 2018
Summer break Aug 13, 2018 Aug 18, 2018

Exam calendar

Exam dates and rounds are managed by the relevant Culture and Civilisation Teaching and Student Services Unit.
To view all the exam sessions available, please use the Exam dashboard on ESSE3.
If you forgot your login details or have problems logging in, please contact the relevant IT HelpDesk, or check the login details recovery web page.

Exam calendar

Should you have any doubts or questions, please check the Enrolment FAQs

Academic staff

A B C D F G L M P R S T Z

Aikema Bernard Jan Hendrik

bernard.aikema@univr.it (per tutti), aikemaforstudents@gmail.com (per studenti) +39 045802 8197

Arcangeli Alessandro

alessandro.arcangeli@univr.it +39 045802 8351

Artoni Paola

paola.artoni@univr.it 045.802.8141

Barbierato Federico

federico.barbierato@univr.it 045 802 8351

Bassetti Massimiliano

massimiliano.bassetti@univr.it 045802 8376

Basso Patrizia

patrizia.basso@univr.it +39 045802 8638

Borghetti Vincenzo

vincenzo.borghetti@univr.it +39 045 802 8584

Boscaini Maurizio

maurizio.boscaini@univr.it

Buonopane Alfredo

alfredo.buonopane@univr.it +39 0458028120

Camurri Renato

renato.camurri@univr.it +39 045 802 8635

Ciancio Luca

luca.ciancio@univr.it +39 045802 8122

Coden Fabio

fabio.coden@univr.it 045802 8365

Concina Chiara Maria

chiara.concina@univr.it +39 045 802 8325

Cretella Stefania

stefania.cretella@libero.it

Dal Pozzolo Enrico

enrico.dalpozzolo@univr.it +39 045802 8569

Dobreva Diana Sergeeva

dianasergeeva.dobreva@univr.it +39 045802 8392

Ferrarini Edoardo

edoardo.ferrarini@univr.it +39 045802 8112

Formiga Federica

federica.formiga@univr.it 045802 8123

Forner Fabio

fabio.forner@univr.it + 39 045 802 8194

Franco Tiziana

tiziana.franco@univr.it +39 045802 8380

Giannotti Vincenzo

vincenzo.giannotti@univr.it

Golinelli Paolo

paolo.golinelli@univr.it 045 802 8765

Grossi Piergiovanna

piergiovanna.grossi@univr.it

Guidarelli Gianmario

gianmario.guidarelli@univr.it

Lazzarin Gianmarco

gianmarco.lazzarin@univr.it 045 802 8391

Lerco Elisa

elisa.lerco@univr.it

Ligugnana Giovanna

giovanna.ligugnana@univr.it +39 045 8028892

Lupi Francesco

francesco.lupi@univr.it

Mastrocinque Attilio

attilio.mastrocinque@univr.it +39 045802 8386

Migliavacca Mara Gioia

maragioia.migliavacca@univr.it +39 045802 8392

Molteni Monica

monica.molteni@univr.it 045 8028021

Paini Anna Maria

anna.paini@univr.it +39 045802 8129

Pappalardo Maria

maria.pappalardo@univr.it +39 045802 8391
Foto,  April 14, 2018

Pasini Roberto

pasini.roberto@univr.it +39 045802 8121

Pasqualicchio Nicola

nicola.pasqualicchio@univr.it 0458028585

Ponchia Simonetta

simonetta.ponchia@univr.it +39 045802 8365

Prandi Luisa

luisa.prandi@univr.it +39 045 802 8718

Raccanelli Renata

renata.raccanelli@univr.it 0458028366

Rossi Mariaclara

mariaclara.rossi@univr.it 045 802 8380

Saggioro Fabio

fabio.saggioro@univr.it +39 045 802 8113

Salgaro Silvino

silvino.salgaro@univr.it +39 045802 8272

Scandola Alberto

alberto.scandola@univr.it 045.8028586

Terraroli Valerio

valerio.terraroli@univr.it 0458028441

Zamperini Alessandra

alessandra.zamperini@univr.it 0458028685

Study Plan

The Study Plan includes all modules, teaching and learning activities that each student will need to undertake during their time at the University. Please select your Study Plan based on your enrolment year.

CURRICULUM TIPO:
Modules Credits TAF SSD
Between the years: 1°- 2°- 3°
Between the years: 1°- 2°- 3°
Other activities
6
F
-

Legend | Type of training activity (TTA)

TAF (Type of Educational Activity) All courses and activities are classified into different types of educational activities, indicated by a letter.




SPlacements in companies, public or private institutions and professional associations

Teaching code

4S02170

Credits

12

Also offered in courses

The teaching is organized as follows:

Ii modulo parte (p)

Credits

6

Period

Sem. 1B

Academic staff

Roberto Pasini

I modulo parte (i)

Credits

6

Period

Sem. 1A

Academic staff

Roberto Pasini

Learning outcomes

Part 1
The teaching of contemporary art history examines the historical-artistic path from the end of ' 700 - when the space revolution takes place moving by Turner as part of romanticism, which gives life to the contemporary space - until the end of the ' 900, which states the poetics of Postmodernism. Covers two centuries of research and artistic issues that are examined through a careful reading of the works together with a wide survey on cultural contexts, aware that the art history is composed of two inseparable elements and also important, the art and the history: special paths must always be placed in the context where you embody for finding the right combination of individual contributions and general panorama.
The study of contemporary art history is performed on two tracks, autonomous but linked: on the one hand, the analysis of artists, movements and situations on the specific poetic style, and continued interweaving between the individual and the context size; on the other hand, the investigation of the relationships that bind the historic path to the various fields of culture such as literature, philosophy, science, cinema, media, according to the principle of communicating vessels at the cultural level. In this way we achieve the tools to understand the connection between artistic research and the time in which it exerts, overview of the moment, of the period, and developing a synoptic knowledge that allows you to understand more thoroughly the reasons of cultural and artistic metabolism.

Part 2
The course deepens in a monograph, but still opening to artistic context and sociocultural, the protagonists of contemporary art, major movements and the most significant issues, an overview of successful convergence between art and culture.
Those who intend to achieve 3 Cfu will bring to the examination only the section 1. Those who want to achieve 6 Cfu bring them both.

Program

Introductory course

CONTEMPORARY ART, FROM TURNER TO POSTMODERN

Essential bibliography

Methodological part

R.Pasini, What is art? (2007), QuiEdit, Verona 2013

Historical part

R.Barilli, Contemporary Art (1984), Feltrinelli, Milan 2005 (Chapters 1-14)

R. Pasini, L'informe nell'arte contemporanea (1989), Mursia, Milan 2011

Focus

PHOTOGRAPHIC IMAGE, BETWEEN ART AND PHOTOGRAPHY

R. Barthes, La camera chiara (1980), tr. it., Einaudi, Turin 2003

C.Marra, Photography and Visual Arts, Carocci, Rome 2014

International Award UVA, catalog of the Civic Library, Verona 2018


Advanced Course

A. ART AND LITERATURE IN THE '900 (II) Paths, links, intersections

Essential bibliography

Notes of the lessons.

In place of non-attending students, one of the following texts:

R.Barilli, Science of Culture and Phenomenology of Styles (1982), Bononia University Press, Bologna 2007

H. Marcuse, The aesthetic dimension (1977), tr.it., Guerrini e associati, Milan 2005

M. Vitta, Dell'abitare, Einaudi, Turin 2008

B. THE RELATIONSHIP BETWEEN THE PRACTICE OF ART AND THE DIMENSION OF FREEDOM

Essential bibliography

R.Pasini, Art is freedom?
From cave paintings to extra-artistic researches, from Van Gogh's dog to the philosophy of Marcuse, QuiEdit, Verona 2017 (Part One - Art and Art, pp. 9-79)


Magistral Course

A. BIENNALE DI VENEZIA, 1948: FIRST PRIZE FOR PAINTING TO GIORGIO MORANDI

Essential bibliography

F.Arcangeli, Giorgio Morandi (1964), Allemandi, Turin 2007

R. Pasini, Morandi (1989), CLUEB, Bologna 2010

B. THE TIME OF THE FORM: THE ARTISTIC RESEARCH OF ADRIANO PITSCHEN

Essential bibliography

R.Pasini, Adriano Pitschen. Form, proliferation, emptiness, Pendragon, Bologna 2003

A. Pitschen, Nel vivo, catalog of Art Museum, Mendrisio 2010

A. Pitschen, Forme presenti, Villa Pia catalog, Lindenberg Foundation, Lugano 2018




















Examination Methods

Teaching and exam methods

Inside the Courses will take place visits to museums and exhibitions - in order to promote direct knowledge of the works -, seminars, book presentations, meetings with the protagonists of contemporary culture: all modes that meet great favor by the students.
From an iconographic point of view, the exam test focuses on the artists and the works seen in class and present in the texts.
Students are advised that the recent history of contemporary art has dealt with issues and problems that are sometimes strong, direct, and scabrous: all this is part of the freedom of expression and the rights of artistic research for which every responsibility is declined.
The exam consists of a written test. The main evaluation parameters are: 1) actual interest and level of preparation; 2) mastery of the subject of study; 3) argumentative capacity; 4) expressive quality.
The correction of the works usually takes about 7 days; if the number of the examinees is very high it can vary.
Students are reminded that, for commercial texts with copyright, reproduction, even partial, by any means, including photocopies, that has not been authorized, is forbidden. It is also noted that the purchase of the texts is free and can be replaced by the library loan.
The regulation provides for the obsolescence of the programs: because of this the student who did not take the exam within the six allowed calls (from January to September) is required to take the program of the last year to the exam, except for students off course and part time.

Reception mode

Two types of reception are offered: frontal and telematic. At front reception it is advisable to book by e-mail, so that the student receives for his convenience an appointment with precise day and time; in addition to this, the electronic reception - which is answered, unless urgent, on Wednesday - is carried out for all the e-mails to which an answer is deemed to be due, if the e-mail address is accepted and the student has sent the mail to the right address: please then take note of it well: pasini.roberto@univr.it
The teacher answers the questions regarding the course (lessons, programs, general and specific topics concerning teaching) that have not already been explained on this page; while for questions concerning the bureaucratic-administrative aspects (registration to exams, credits, and any other technical detail) the student is required to apply directly to the secretarial offices.

Thesis

Can propose a thesis topic, without any constraint, who has previously supported at least one exam that falls within the SSD; however, to avoid overlapping with other proposals, the student is advised to submit to the teacher three topics, among which the one on which the thesis will be held will be agreed. The students are offered the opportunity (not mandatory) to deepen their knowledge in view of the thesis through an Iteration, consisting of the preparation of a second Progressed exam with a different program from the one already supported.

Type D and Type F activities

First half of Semester 1 From 9/25/17 To 11/11/17
years Modules TAF Teacher
History of Medieval Architecture (i) D Fabio Coden (Coordinatore)
European Art History (i) D Bernard Jan Hendrik Aikema (Coordinatore)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinatore)
1° 2° 3° San Rocco lectures (Quinzano) F Alessandra Zamperini (Coordinatore)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinatore)
1° 2° 3° Graphical representation of archaeological evidence I F Giuliana Maria Facchini (Coordinatore)
1° 2° 3° Karis - I ciclo F Tiziana Franco (Coordinatore)
1° 2° 3° Archeology laboratory of instrumentum domesticum F Giuliana Maria Facchini (Coordinatore)
Second half of Semester 1 From 11/13/17 To 1/20/18
years Modules TAF Teacher
How to write your dissertation F Alessandro Arcangeli (Coordinatore)
Museology (i) D Valerio Terraroli (Coordinatore)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinatore)
1° 2° 3° San Rocco lectures (Quinzano) F Alessandra Zamperini (Coordinatore)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinatore)
1° 2° 3° Graphical representation of archaeological evidence I F Giuliana Maria Facchini (Coordinatore)
1° 2° 3° Ephigraphy of production and distribution F Alfredo Buonopane (Coordinatore)
1° 2° 3° Archeology laboratory of instrumentum domesticum F Giuliana Maria Facchini (Coordinatore)
1° 2° 3° Laboratory of theatrical and musical criticism F Simona Brunetti (Coordinatore)
1° 2° 3° CRES Lectures F Corrado Viola (Coordinatore)
First half of Semester 2 From 2/26/18 To 4/21/18
years Modules TAF Teacher
Lectures "Musiche/Culture/Civiltà" F Vincenzo Borghetti (Coordinatore)
RENAISSANCE ARCHITECTURE IN THE VENETO REGION F Daniela Zumiani (Coordinatore)
Iconography of Female Fashion. The Social Meaning of Clothes through Visual Arts, from the Renaissance to the 17th Century. F Alessandra Zamperini (Coordinatore)
Introduction to Mesopotamian medicine F Simonetta Ponchia (Coordinatore)
Recording the theatrical ephemeral F Simona Brunetti (Coordinatore)
How to write your dissertation F Alessandro Arcangeli (Coordinatore)
History of the Republic of Venice (p) D Federico Barbierato (Coordinatore)
1° 2° 3° Classification of archaeological Finds F Giuliana Maria Facchini (Coordinatore)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinatore)
1° 2° 3° San Rocco lectures (Quinzano) F Alessandra Zamperini (Coordinatore)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinatore)
1° 2° 3° Graphical representation of archaeological evidence II F Giuliana Maria Facchini (Coordinatore)
1° 2° 3° Karis - II ciclo F Tiziana Franco (Coordinatore)
1° 2° 3° Lab on Methodology of Ethnographic Research F Stefano Maltese (Coordinatore)
1° 2° 3° Basic laboratory of data F Maurizio Boscaini (Coordinatore)
1° 2° 3° Laboratory of theatrical and musical criticism F Simona Brunetti (Coordinatore)
1° 2° 3° Laboratory of photo F Marco Ambrosi (Coordinatore)
1° 2° 3° Workshop of Cultural Heritage Photography F Stefano Marziali (Coordinatore)
1° 2° 3° Workshop on the History of Manuscript Illumination F Marta Minazzato (Coordinatore)
1° 2° 3° Workshop on Noninvasive Analytical Techniques Applied to Paintings F Paola Artoni (Coordinatore)
1° 2° 3° Leggere il medioevo. autori, incontri, discussioni F Tiziana Franco (Coordinatore)
1° 2° 3° CRES Lectures F Corrado Viola (Coordinatore)
1° 2° 3° Cultural Heritage and the Web F Piergiovanna Grossi (Coordinatore)
Second half of Semester 2 From 4/23/18 To 6/9/18
years Modules TAF Teacher
Recording the theatrical ephemeral F Simona Brunetti (Coordinatore)
Latin Epigraphy (i) D Alfredo Buonopane (Coordinatore)
1° 2° 3° Classification of archaeological Finds F Giuliana Maria Facchini (Coordinatore)
1° 2° 3° Castelvecchio Lectures (City Art Museums) F Alessandra Zamperini (Coordinatore)
1° 2° 3° C.T.G. Lectures F Alessandra Zamperini (Coordinatore)
1° 2° 3° Graphical representation of archaeological evidence II F Giuliana Maria Facchini (Coordinatore)
1° 2° 3° Laboratory of medieval archaeology F Elisa Lerco (Coordinatore)
1° 2° 3° Workshop of Cultural Heritage Photography F Stefano Marziali (Coordinatore)
1° 2° 3° Workshop on the History of Manuscript Illumination F Marta Minazzato (Coordinatore)
1° 2° 3° Leggere il medioevo. autori, incontri, discussioni F Tiziana Franco (Coordinatore)
List of courses with unassigned period
years Modules TAF Teacher
Archaeological research on the northern part of the Civita of Tarquinia F Attilio Mastrocinque (Coordinatore)
Archaeological excavation in Aquileia F Patrizia Basso (Coordinatore)
Archaeological excavation in Gazzo Veronese F Patrizia Basso (Coordinatore)
Field archaeological research in Leno Monastery F Fabio Saggioro (Coordinatore)
Field archaeological research in Piuro settlement F Fabio Saggioro (Coordinatore)

Career prospects


Module/Programme news

News for students

There you will find information, resources and services useful during your time at the University (Student’s exam record, your study plan on ESSE3, Distance Learning courses, university email account, office forms, administrative procedures, etc.). You can log into MyUnivr with your GIA login details.

Further services

I servizi e le attività di orientamento sono pensati per fornire alle future matricole gli strumenti e le informazioni che consentano loro di compiere una scelta consapevole del corso di studi universitario.


Graduation

List of theses and work experience proposals

theses proposals Research area
Ambiti di tesi Art & Architecture - Art & Architecture
Stage Research area
Lavorare in archivio Various topics

Gestione carriere


Linguistic training CLA


Student mentoring


Area riservata studenti