Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Beni culturali - Enrollment from 2025/2026
CuCi 1 A From 9/23/24 To 10/31/24
years Modules TAF Teacher
1° 2° 3° Ask Me: a Cultural Mediation Project for Palazzo Maffei F Valerio Terraroli (Coordinator)
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° 3° International conference of the C.R.I.E.R. Veneto in European Romanticism: places, images, sounds and narratives F Corrado Viola (Coordinator)
1° 2° 3° International conference 'Theater festivals in the Twentieth century: intersections, dialogues and encounters (1950-1990)' F Simona Brunetti (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° “Crisis of Democracy? Dialogues on the world to come” (second edition). Cycle of public lectures F Giovanni Bernardini (Coordinator)
1° 2° 3° From the fieldwork to the lab: analysis and documentation of protohistoric materials found in excavations. F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Choir/Orchestra Group F Not yet assigned
1° 2° 3° The Bible at the Crossroads of Cultures: Reading Approaches F Mariaclara Rossi (Coordinator)
1° 2° 3° Bioarchaeology Laboratory F Fabio Saggioro (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop for the creation of a short film within the project Il coraggio by the Ersilia Danza Company F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Gino Tellini (emeritus, University of Florence): A recent edition of all the short stories by Aldo Palazzeschi F Fabio Danelon (Coordinator)
1° 2° 3° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° 3° Network. Young Work Skills (Invitalia) F Not yet assigned
1° 2° 3° Study seminar (PRIN 2022) "Carte Tommaseo on-line" F Fabio Danelon (Coordinator)
1° 2° 3° SOPHIA: Cultural Thursdays at the ISSR in Verona (2024). When art represents the New Testament. The Acts of the Apostles F Tiziana Franco (Coordinator)
1° 2° 3° Stories and protagonists in Palazzo Miniscalchi F Alessandra Zamperini (Coordinator)
1° 2° 3° TAI will help you, students and university students for volunteering F Not yet assigned
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Fabio Forner (Coordinator)
CuCi 1 B From 11/11/24 To 12/21/24
years Modules TAF Teacher
1° 2° 3° Ask Me: a Cultural Mediation Project for Palazzo Maffei F Valerio Terraroli (Coordinator)
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Series of conferences Don Nicola Mazza University College F Alessandra Zangrandi (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° “Crisis of Democracy? Dialogues on the world to come” (second edition). Cycle of public lectures F Giovanni Bernardini (Coordinator)
1° 2° 3° From the fieldwork to the lab: analysis and documentation of protohistoric materials found in excavations. F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Choir/Orchestra Group F Not yet assigned
1° 2° 3° The Bible at the Crossroads of Cultures: Reading Approaches F Mariaclara Rossi (Coordinator)
1° 2° 3° Bioarchaeology Laboratory F Fabio Saggioro (Coordinator)
1° 2° 3° Workshop on graphic and photographic documentation of archaeological finds F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Workshop for the creation of a short film within the project Il coraggio by the Ersilia Danza Company F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Molestie sessuali in ambito universitario. Un approccio multidisciplinare e intersezionale alla prevenzione D Stefano Porru
1° 2° 3° Worlds of Fashion: Themes and Actors F Alessandra Zamperini (Coordinator)
1° 2° 3° Network. Young Work Skills (Invitalia) F Not yet assigned
1° 2° 3° Writing, language and society in the ancient Eastern Mediterranean F Federico Giusfredi (Coordinator)
1° 2° 3° SOPHIA: Cultural Thursdays at the ISSR in Verona (2024). When art represents the New Testament. The Acts of the Apostles F Tiziana Franco (Coordinator)
1° 2° 3° Stories and protagonists in Palazzo Miniscalchi F Alessandra Zamperini (Coordinator)
1° 2° 3° TAI will help you, students and university students for volunteering F Not yet assigned
1° 2° 3° Call them, if you want, Graphic novels. Italian comics in the New Millennium, Study Conference 21-23 November 2024 F Simona Brunetti (Coordinator)
1° 2° 3° Sexual harassment in the university setting. Know, Act, Protect. UNI4Equity European project workshop F Stefano Porru (Coordinator)
1° 2° 3° University and DSA - Methods and strategies for tackling study and university studies F Fabio Forner (Coordinator)
CuCi 2 A From 2/17/25 To 3/29/25
years Modules TAF Teacher
1° 2° 3° Ad fontes. Permanent seminar on the study of sources for religious history and Christianity F Mariaclara Rossi
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Bible and Art Seminar: Biblical Iconographic Cycles (IV-XVI century) F Tiziana Franco (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° Festival of journalism F Simona Brunetti (Coordinator)
1° 2° 3° Luca Maria Patella and the Dream Notebooks F Federico Leoni (Coordinator)
1° 2° 3° GIS analysis for archaeology F Filippo Carraro
1° 2° 3° Choir/Orchestra Group F Not yet assigned
1° 2° 3° Cignaroli Tuesdays F Alessandra Zamperini (Coordinator)
1° 2° 3° Introduction to research, interpretation, description and edition of archive documents and manuscript books (15th-20th centuries) F Paolo Pellegrini (Coordinator)
1° 2° 3° "Nemo's library". A dialogue between history an science at the natural history museum of Verona F Luca Ciancio
1° 2° 3° Bioarchaeology Laboratory F Fabio Saggioro (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Laboratory for reading and editing medieval documents F Mariaclara Rossi (Coordinator)
1° 2° 3° Workshop on the history and art of ancient Egypt F Dario Calomino (Coordinator)
1° 2° 3° Italian literature of the eighteenth and nineteenth centuries. The research of young scholars F Fabio Forner (Coordinator)
1° 2° 3° Reading the Middle Ages. Authors, meetings, discussions F Marco Stoffella (Coordinator)
1° 2° 3° The Orbetto before Rome F Giorgio Fossaluzza (Coordinator)
1° 2° 3° Pillole di sostenibilità F Matteo Nicolini (Coordinator)
1° 2° 3° Web for Cultural Heritage F Piergiovanna Grossi
1° 2° 3° Archaeological research in Pegognaga (MN) F Nicola Mancassola (Coordinator)
1° 2° 3° Studio Smoothing the Parth from Compulsory to Tertiary Education in Europe F Simona Brunetti (Coordinator)
1° 2° 3° TAI will help you, students and university students for volunteering F Not yet assigned
CuCi 2 B From 4/7/25 To 5/31/25
years Modules TAF Teacher
1° 2° 3° Ad fontes. Permanent seminar on the study of sources for religious history and Christianity F Mariaclara Rossi
1° 2° 3° FAI Activities F Edoardo Bianchi (Coordinator)
1° 2° 3° Bible and Art Seminar: Biblical Iconographic Cycles (IV-XVI century) F Tiziana Franco (Coordinator)
1° 2° 3° Cycle of conferences by "Association Universitaire Francophone" Verona F Nicola Pasqualicchio (Coordinator)
1° 2° 3° Lectures «Anniversari» 2025 F Fabio Danelon (Coordinator)
1° 2° 3° Course of history and art of the C.T.G. F Marco Stoffella (Coordinator)
1° 2° 3° GIS analysis for archaeology F Filippo Carraro
1° 2° 3° Choir/Orchestra Group F Not yet assigned
1° 2° 3° Cignaroli Tuesdays F Alessandra Zamperini (Coordinator)
1° 2° 3° "Nemo's library". A dialogue between history an science at the natural history museum of Verona F Luca Ciancio
1° 2° 3° Bioarchaeology Laboratory F Fabio Saggioro (Coordinator)
1° 2° 3° Intercomprehension laboratory between the Romance languages F Alessandra Zangrandi (Coordinator)
1° 2° 3° Laboratory for reading and editing medieval documents F Mariaclara Rossi (Coordinator)
1° 2° 3° Workshop on the history and art of ancient Egypt F Dario Calomino (Coordinator)
1° 2° 3° Resistance at the Cinema: 80 Years of Liberation (Bridge Film Festival) F Luigi Turri (Coordinator)
1° 2° 3° Reading the Middle Ages. Authors, meetings, discussions F Marco Stoffella (Coordinator)
1° 2° 3° NicE Project. Nicopolis ad Istrum Excavation Project – International archaeological excavations at Nicopolis ad Istrum in Bulgaria F Diana Sergeeva Dobreva (Coordinator)
1° 2° 3° The Orbetto before Rome F Giorgio Fossaluzza (Coordinator)
1° 2° 3° Pillole di sostenibilità F Matteo Nicolini (Coordinator)
1° 2° 3° Web for Cultural Heritage F Piergiovanna Grossi
1° 2° 3° Archaeological research in Pegognaga (MN) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological fieldwork in Terranegra (Legnago, Verona) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° TAI will help you, students and university students for volunteering F Not yet assigned
1° 2° 3° TAUV. Garden of Printing Press F Anna Bognolo (Coordinator)
List of courses with unassigned period
years Modules TAF Teacher
1° 2° 3° Archaeological excavation in Aquileia (UD) F Patrizia Basso (Coordinator)
1° 2° 3° Archaeological excavation in Montebaranzone castle (MO) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological excavation in Morfasso (PC) F Nicola Mancassola (Coordinator)
1° 2° 3° Archaeological fieldwork - Monte Palazzo di S. Tomio di Malo (Vicenza) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Archaeological fieldwork in the Leno valleys (Roveerto, TN) F Mara Gioia Migliavacca (Coordinator)
1° 2° 3° Archaeological excavation in Toano (RE) F Nicola Mancassola (Coordinator)

Teaching code

4S010582

Credits

6

Language

Italian

Scientific Disciplinary Sector (SSD)

L-FIL-LET/09 - ROMANCE PHILOLOGY AND LINGUISTICS

Period

CuCi 1 A, CuCi 1 B

Courses Single

Authorized

Learning objectives

Instruction in Literature and Civilization of the Middle Ages, through reading and analysing literary texts in Medieval Latin and in various romance languages, will allow students to acquire a basic knowledge in the areas of Philology, History, and Literary Studies. This knowledge will be taken into account within the wider framework of the other subjects that are taught in the training course of Cultural Heritage (Art History and History in particular). Close reading and interpretation of literary texts, as well as important elements of critical, historical and cultural judgement, will also be improved. By the end of the course, students should demonstrate an ability to handle independently the different levels of analysis that will be applied to the texts studied as part of the syllabus. Students should furthermore demonstrate an awareness of the terminology of the discipline and present their ideas in the appropriate linguistic style.

Prerequisites and basic notions

None.

Program

Course content: Part One: The Latin Middle Ages (18 hours, prof. E. Ferrarini) 1A) The Middle Ages: chronology and periodization; the genres of Middle Latin literature. 1B) The literary genre of the epic in the Latin poetry of the Middle Ages. Reading in translation and commentary of selected passages from the «Alexandreis» by Walter of Châtillon (c. 1180). Divided into ten books, Gualtiero's poem is dedicated to the deeds of Alexander the Great and emblematically bears witness to the interest in historical figures, classical myths and ancient poets during the so-called 'Renaissance of the 12th century'. Part two: The Romantic Middle Ages (18 hours, prof. C. Concina) 2A) Introduction to philology as a scientific discipline. 2B) The epic in the Romance literatures of the Middle Ages. Through the reading and commentary of passages selected from the Chanson de Roland and the Cantar de mio Cid (i.e. the two oldest epic texts from France and Spain respectively) the main characteristics of the epic genre in the vernacular will be analysed. Reference texts and other teaching material: 1A) Notes from the lessons. 1B) 1. Dieter Schaller, «Epic poetry», in «The literary space of the Middle Ages, 1. The Latin Middle Ages», vol. I, second volume: «The production of the text», Salerno, Rome 1993, pp. 9-42 (will be made available on moodle). 2. Gualtiero di Châtillon, «Alessandreide», edited by Lorenzo Bernardinello, Pacini (Latin Writers of Medieval Europe 13), Pisa 2019. 2A) Notes from the lessons and materials that will be made available on moodle. 2B) 1. Alberto Limentani, Marco Infurna, «The epic romance in the Middle Ages», Bologna, il Mulino, 2007: chaps. 1 («The medieval epic»), 2 («The epic in the Iberian area: the “chansons de geste”») and 4 («The epic in the Iberian peninsula»). 2. «La canzone di Orlando», introduction and critical text by Cesare Segre, translation by Renzo Lo Cascio, introduction to the text, notes and indexes by Mario Bensi, Milan, BUR, 1995 (or subsequent reprints): study of the introduction and complete reading of the text in Italian translation. Warning: Students unable to attend lessons regularly will adapt the exam program as follows. - Part one (The Latin Middle Ages): 1. Dieter Schaller, «Epic poetry», in «The literary space of the Middle Ages, 1. The Latin Middle Ages», vol. I, second volume: «The production of the text», Salerno, Rome 1993, pp. 9-42 (will be made available on moodle). 2. Walter of Châtillon, «Alessandreide», edited by Lorenzo Bernardinello, Pacini (Latin Writers of Medieval Europe 13), Pisa 2019: of the «Alessandreide» they will prepare reading in translation and commentary only of books I, II, IX and X (pp. 47-101, 277-329), aided by the commentary notes and the editor's introduction (pp. 7-41). 3. Francesco Stella, «The text of the image. Literary sources for the study of medieval art», Le Monnier University, Florence 2021: five freely chosen chapters. - For the second part (The Vulgar Middle Ages): 1. Alfredo Stussi, «Brief introduction to Italian philology», il Mulino, Bologna 2002, cap. 1 (Manuscripts and prints), chap. 3 (The transmission of texts), chap. 4 (the critical edition). 1. Alberto Limentani, Marco Infurna, «The epic romance in the Middle Ages», Bologna, il Mulino, 2007: chaps. 1 («The medieval epic»), 2 («The epic in the Iberian area: the “chansons de geste”») and 4 («The epic in the Iberian peninsula»). 2. «La canzone di Orlando», introduction and critical text by Cesare Segre, translation by Renzo Lo Cascio, introduction to the text, notes and indexes by Mario Bensi, Milan, BUR, 1995 (or subsequent reprints): study of the introduction and complete reading of the text in Italian translation. 3. Erich Auerbach, «The appointment of Orlando as head of the rear guard of the Frankish army», in Id., «Mimesis», Torino, Einaudi, 1956, vol. 1, pp. 107-135. (will be made available on moodle)

Bibliography

Visualizza la bibliografia con Leganto, strumento che il Sistema Bibliotecario mette a disposizione per recuperare i testi in programma d'esame in modo semplice e innovativo.

Didactic methods

- frontal lessons (36 hours) (1) With regard to attending students, the teaching methods consist of frontal lessons dedicated to the thematic areas of the course. In the classroom, the active and participatory intervention of students will be encouraged, thus giving them the opportunity to verify the knowledge acquired from time to time. (2) The moodle platform is used for communication between teachers and students, to provide further support material and to report any opportunities related to the discipline (conferences, seminars, presentations, etc.). (3) non-attending students must contact the teachers from the start of the academic year). Any further updates will be made available to the student through the moodle platform. Furthermore, throughout the academic year, the individual reception service managed by the teachers is available, at the times indicated on the personal and constantly updated web pages.

Learning assessment procedures

The exam methods are different for attending and non-attending students. For the former, there is a written test in two parts; the latter should contact the teachers.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE

Evaluation criteria

OBJECTIVES OF THE ASSESSMENT TEST • verify the analytical knowledge of the program topics; • verify the ability to comment on the texts dealt with during the course; • verify the ability to reflect and re-elaborate in relation to some problematic aspects.

Criteria for the composition of the final grade

The final grade will be expressed in thirtieths and will be given by the average of the marks of each of the two parties (prof. Ferrarini and prof. Concina), also expressed in thirtieths.

Exam language

Italiano