Teaching code

4S001450

Teacher

Vincenzo Borghetti

Coordinatore

Vincenzo Borghetti

Credits

6

Also offered in courses:

• History of Music (i) of the course Bachelor’s degree in Cultural Heritage

Language

Italian

Scientific Disciplinary Sector (SSD)

L-ART/07 - MUSICOLOGY AND HISTORY OF MUSIC

Period

Sem. 1A dal Sep 24, 2018 al Nov 10, 2018.

Lessons timetable Moodle Seminars

Learning outcomes

The course aims to introduce students to the issues and methods concerning the study of opera as the most prominent manifestation of western music theatre of the last four centuries. Each year the course is centred around one or more case studies. On successful completion of the module students will have acquired the conceptual, methodological and cultural basis for: a) understanding the specific features of opera, which distinguish it from other theatrical forms and genres, with or without music; b) investigating opera in its historical, social, cultural and ideological contexts.

Program

Foundations of musical dramaturgy: Giuseppe Verdi’s “La traviata” (1853). The first part of the course will focus on the theory of musical dramaturgy. The second will concentrate on Verdi’s “La traviata”, which will function as case study on which we will try out recent methodological approaches and learn the most useful analytical tools.

The course includes audio and video examples.

Bibliography/Videography
(The symbol ** marks books available in the E-learning platform).

lecture notes;

GLORIA STAFFIERI, Un teatro tutto cantato. Introduzione all’opera italiana, Roma, Carocci, 2012, capp. 1, 2, 4, 5 (pp. 17-99; 123-175);

JULIAN BUDDEN, Le opere di Verdi, vol. 2, Dal “Trovatore” alla “Forza del Destino”, Torino, EDT 1986, pp. 126-182;

FABRIZIO DELLA SETA, “La traviata”, dal dramma alla musica, in La traviata, Venezia, Teatro La Fenice 2009, pp. 5-20 [pdf downloadable at: http://www.teatrolafenice.it/media/libretti/131_2629Latraviata.pdf];

MARCO MARICA, La traviata, libretto e guida all’opera, Venezia, Teatro La Fenice 2009, pp. 45-90 [part of the previous book; available also as a separate pdf on the e-learning platform];

ELIZABETH WILSON, Bohémiens, grisettes e cortigiane, in Eroine tragiche... ma non troppo, a cura di Pierluigi Petrobelli, Parma, Istituto Nazionale di Studi Verdiani, 2007, pp. 127-134;**

EMANUELE SENICI, Violetta come noi, in La traviata, a cura di Livio Aragona e Federico Fornoni, Bergamo, Fondazione Donizetti, 2009, pp. 17-24;**

MICHELA GEROSA, Tra “La Dame aux camélias” e “La traviata”: un molteplice orizzonte letterario e teatrale, in La traviata, a cura di Livio Aragona e Federico Fornoni, Bergamo, Fondazione Donizetti, 2009, pp. 27-46;**


Videos of La Traviata available on the web:

La traviata, Salizburg Festival, 2005, dir.: Willy Decker, cond.: Carlo Rizzi (available on YouTube https://youtu.be/7RYsbUcqKSM).
La traviata, Tokyo, 2006, dir.: Antonello Madu Diaz, cond.: Bruno Campanella (available on YouTube https://www.youtube.com/watch?v=lqWE-_3roCo);

Examination Methods

Written test: three questions to be answered in 1h and 30m. Thew first question will be on opera in general (first part of the course); the other two on Verdi’s "La traviata" (second part of the course). Evaluation criteria: proper use of specific vocabulary, knowledge of the foundations of music dramaturgy, ability to analyze the opera presented as case study.

How to register for the exam
Students intending to sit the exam for this course must:
- enter their name online for “appello scritto NON VERBALIZZANTE”
- after the written exam, wait for the publication of grades in the section “avvisi” of the professor’s webpage (http://www.dcuci.univr.it/?ent=persona&id=4950&lang=it#tab-avvisi).
- Students who want their grade to be officially registered must enter their name online for the “appello VERBALIZZANTE” (or “di VERBALIZZAZIONE”). This “appello” does NOT require a student’s physical presence: the professor will register the grade online in his own time.