Studying at the University of Verona
Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.
Study Plan
This information is intended exclusively for students already enrolled in this course.If you are a new student interested in enrolling, you can find information about the course of study on the course page:
Laurea in Lettere - Enrollment from 2025/2026The Study Plan includes all modules, teaching and learning activities that each student will need to undertake during their time at the University.
Please select your Study Plan based on your enrollment year.
1° Year
Modules | Credits | TAF | SSD |
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1 course to be chosen among the following
2° Year activated in the A.Y. 2019/2020
Modules | Credits | TAF | SSD |
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Latin literature (i)
1 course to be chosen among the following
2 courses to be chosen among the following
2 courses to be chosen among the following
3° Year activated in the A.Y. 2020/2021
Modules | Credits | TAF | SSD |
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1 course to be chosen among the following
3 courses to be chosen among the following
Modules | Credits | TAF | SSD |
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1 course to be chosen among the following
Modules | Credits | TAF | SSD |
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Latin literature (i)
1 course to be chosen among the following
2 courses to be chosen among the following
2 courses to be chosen among the following
Modules | Credits | TAF | SSD |
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1 course to be chosen among the following
3 courses to be chosen among the following
Modules | Credits | TAF | SSD |
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Legend | Type of training activity (TTA)
TAF (Type of Educational Activity) All courses and activities are classified into different types of educational activities, indicated by a letter.
History and Criticism of the Cinema (i) (2020/2021)
Teaching code
4S01234
Teacher
Coordinator
Credits
6
Also offered in courses:
- History and Criticism of the Cinema (i) of the course Bachelor’s degree in Cultural Heritage
Language
Italian
Scientific Disciplinary Sector (SSD)
L-ART/06 - CINEMA, PHOTOGRAPHY AND TELEVISION
Period
CuCi IA, CuCi IB
Learning outcomes
Knowledge of the history of cinema and the method of film analysis. The student will have to demonstrate not only historical and theoretical knowledge, but also the ability to process this knowledge in a well-written and reasoned synthesis.
Program
The course will be divided into two parts: the first will be dedicated to a general introduction to the history of cinema and cinematic language, while in the second the analysis will focus on the season of modernity (1945-1975), with particular attention to the relationship between the director and the actor.The course aims to address the most important moments, phenomena and currents in the history of cinema from its origins to the present day. In particular, the course will focuses on the authors, theorists and films that have contributed not only to the development of cinematographic language, but also to the formation of the imagination of men and women of the twentieth century will be analyzed.
Movies to watch and study:
Quarto potere (1941), Roma città aperta (1945), La dolce vita (1960), Fino all'ultimo respiro (1959), Accattone (1961), L’anno scorso a Marienbad (Resnais, 1962), Volti (Cassavetes, 1962), Nel corso del tempo (Wenders, 1976), Les parapluies de Cherbourg (Demy, 1962), Ciao Maschio (Ferreri, 1978).
GLI STUDENTI NON FREQUENTANTI dovranno integrare i testi qui indicati con Jacqueline Nacache, L'attore cinematografico, Negretto, Mantova 2013.
Author | Title | Publishing house | Year | ISBN | Notes |
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Alberto Scandola | Il corpo e lo sguardo. L'attore nel cinema moderno | Marsilio | 2020 | ||
Luca Malavasi | Il linguaggio del cinema (con piattaforma online MyLab) | Pearson | 2019 | 8891908541 | |
Paolo Bertetto (a cura di) | Introduzione alla storia del cinema | Utet | 2005 | 8860083621 |
Examination Methods
Written exam: three open questions. The student must demonstrate mastery of the elements of film language, knowledge of the main junctions of film history and the ability to analyze the film texts in the program.