Studying at the University of Verona

Here you can find information on the organisational aspects of the Programme, lecture timetables, learning activities and useful contact details for your time at the University, from enrolment to graduation.

This information is intended exclusively for students already enrolled in this course.
If you are a new student interested in enrolling, you can find information about the course of study on the course page:

Laurea in Lingue e culture per il turismo e il commercio internazionale - Enrollment from 2025/2026

The Study Plan includes all modules, teaching and learning activities that each student will need to undertake during their time at the University.
Please select your Study Plan based on your enrollment year.

CURRICULUM TIPO:

1° Year 

ModulesCreditsTAFSSD

2° Year   activated in the A.Y. 2023/2024

ModulesCreditsTAFSSD
ModulesCreditsTAFSSD
activated in the A.Y. 2023/2024
ModulesCreditsTAFSSD
Modules Credits TAF SSD
Between the years: 1°- 2°- 3°
3rd foreign language B1 level
3
F
-
Between the years: 1°- 2°- 3°

Legend | Type of training activity (TTA)

TAF (Type of Educational Activity) All courses and activities are classified into different types of educational activities, indicated by a letter.




S Placements in companies, public or private institutions and professional associations

Teaching code

4S002910

Coordinator

Lisanna Calvi

Credits

9

Also offered in courses:

Language

English en

Scientific Disciplinary Sector (SSD)

L-LIN/10 - ENGLISH LITERATURE

Period

I semestre (Lingue e letterature straniere) dal Sep 25, 2023 al Dec 22, 2023.

Courses Single

Authorized

Learning objectives

The course, taught in English, aims to provide students with an introduction to British literature from the Renaissance to late Romanticism, focusing on some of the most representative works. The course also aims to introduce the main critical approaches and the main features of literary genres. The overall goal of the course is to provide students with a good level of knowledge of literary history (in terms of historical context, texts, genres, movements and authors) and to develop their critical skills for analysis, argumentation and exposition in English, in relation to various typologies of literary texts in their historical-cultural context. At the end of the course, students will be able to: - analyse the set texts and place them in their respective historical-cultural contexts; - describe the texts in a structured and informed way, taking into account literary conventions and applying an informed critical approach; - discuss literary topics in English in a clear and consistent way.

Prerequisites and basic notions

Students need to have passed English Literature and Culture 1 and English Language 1.

Program

Module 1 (Lisanna Calvi, 8 CFU, 48h)
Laughing Britain: A Journey through Restoration and Eighteenth-Century Comedy.
Three comedies, written between 1675 and 1777, will escort us in a journey through Restoration and eighteenth-century British theatre. This will allow the exploration of contemporary society as represented on stage from the acidly entertaining late seventeenth-century comedy of manners to the gloriously comic eighteenth-century so-called laughing comedy in which wit becomes a lens through which morality and feeling are revisited and genre boundaries are eluded.
Module 2 (Emanuel Stelzer, 1 CFU, 6h)
Books Contain “a Potency of Life”: Guidelines for the History of Literature Part
These lectures aim at guiding the students in their study of the history of English literature from the Renaissance to the second half of the eighteenth century. In no way can the notes taken during class substitute the student’s autonomous study of chapters 2 and 3 of Paul Poplawski’s manual, but these lectures can help identify the most relevant notions and information students need to know about the historical contexts, cultural movements, and main authors they will be asked about at the exam.
Mandatory reading: see BIBLIOGRAPHY, c. Handbook.
Please be advised
Further details on required readings, general information on bibliographical material, and exam method will be provided during classes.
BIBLIOGRAPHY
a. Primary texts
- William Wycherley, The Country Wife, edited by James Ogden and Tiffany Stern (Bloomsbury, Methuen Drama, 2014).
- Oliver Goldsmith, She Stoops to Conquer, edited by James Ogden (Bloomsbury, Methuen Drama, 2007).
- Richard B. Sheridan, The School for Scandal, edited by Ann Blake (Bloomsbury, Methuen Drama, 2004).
b. Readings
- Brian Corman, “Comedy”, in The Cambridge Companion to English Restoration Theatre, edited by Deborah Payne Fisk (Cambridge University Press, 2000), pp. 52-69.
- Lisa A. Freeman, “The social life of eighteenth-century comedy”, in The Cambridge Companion to British Drama, 1730-1830, edited by Jane Moody and Daniel O’Quinn (Cambridge University Press, 2007), pp. 73-86.
- Eugene McCarthy, “The Theme of Liberty in She Stoops to Conquer”, The University of Windsor Review, vol. 7, no. 1, 1971, pp. 1-8.
- Christine S. Wiesenthal, “Representation and Experimentation in the Major Comedies of Richard Brinsley Sheridan”, Eighteenth-Century Studies, vol. 25, no. 3, 1992, pp. 309-330.
b1. Supplementary readings for non-attending students
- Annamaria Cascetta e Laura Peja (a cura di), Ingresso a teatro. Guida all’analisi della drammaturgia (Le Lettere, 2003), pp. 9-24, 237-240.
- J.L. Styan, The English Stage. A History of Drama and Performance (Cambridge University Press, 1996), pp. 237-301.
- Katharine Worth, Sheridan and Goldsmith (Macmillan, 1992), pp. 1-12, 90-108, 138-157.
3. Handbook
As regards the literary and cultural context spanning from the Renaissance to the Enlightenment, students will refer to:
- Paul Poplawski (ed.), English Literature in Context, Cambridge University Press, 2017: chapters 2 (“The Renaissance, 1485-1660) and 3 (“The Restoration and Eighteenth Century, 1660–1780”).

Bibliography

Visualizza la bibliografia con Leganto, strumento che il Sistema Bibliotecario mette a disposizione per recuperare i testi in programma d'esame in modo semplice e innovativo.

Didactic methods

Whole class teaching in English.
Supplementary teaching materials (slides, images, videos, other texts, etc.) that will be used during classes will be available for download from the MOODLE e-repository. These contents do not substitute but complement the mandatory readings listed in the PROGRAM section.
It is strongly advised, although not mandatory, to attend classes. Upon students' request, the instructors can assign further bibliographical material. They will also be available during office hours to provide information and answer questions.

Learning assessment procedures

Oral exam (the exam will last approximately 20/30 minutes and will consist of 5/6 questions).
Students may be required to read and comment on passages taken from primary texts (see “PROGRAM > Bibliography > a. Primary texts). Please bring your own books on the exam day.
There will be no mid-term tests.

Students with disabilities or specific learning disorders (SLD), who intend to request the adaptation of the exam, must follow the instructions given HERE

Evaluation criteria

1) the knowledge and comprehension of the module’s topics (texts, authors, and genres) and of the literary and cultural context (from the Renaissance to 1780);
2) the development of good analytical and synthetic skill levels with regard to the main historical, cultural, textual, and critical topics of the module;
3) the use of an appropriate vocabulary.

Criteria for the composition of the final grade

The assessment of the three components listed above (see "Evaluation criteria") will form the final grade, awarded on a 30-point scale.
Minimum pass: 18/30
Maximum: 30/30 (cum laude)

Exam language

Inglese / English